Um Beijo a Mais

I browsed through twenty-something user comments just to be sure, but not one of them seems to mention, that this film is actually a remake of the 2001 Italian film L'ultimo bacio. And although I can't say, that the American version is bad, but it is somewhat disappointing after seeing the original, which is far superior in every aspects.

First of all, I don't deny, that Paul Haggis is an excellent script-writer, but he shouldn't be given credit for this one, for the plot line is pretty much the same (there are some differences, but they're, I think, for the worse - for example the college girl character is actually an 18-years-old high school student in the Italian version, and has somewhat different characteristics).

Also, the acting of the Hollywood version ranges from OK to quite good, but the Italian cast simply blew me away - incredible performances all over.

All in all, I don't want to diminish this film, I won't give it a bad rating, but I just can't think of an argument why this version should be preferred over the original, so if you have a choice, do yourself a favor and see L'ultimo bacio instead.

I found myself actually enjoying this movie very much. Without giving anything away, it deals with the story of four male friends and how their relationships with women have evolved. They are all in their late 20's about to hit 30 and the reality of behaving and acting like an adult suddenly sets in.

I liked the movie very much because I saw myself in the main character and how I used to be when I was his age. Entertaining! The ending was actually surprising--the movie dealt with how both men and women react when they are hurt by the ones we love.

Go see it! Two thumbs up!

The Last Kiss; Michael is a frustrated architect on the brink of turning 30, who's spirits are dampened when he begins feeling as if his life is formulatic and planned. At a good friend's wedding, he meets Kim, a beautiful and charming college student. Michael's uncertanties with his fiancée Jenna lead to an unexpected affair with his new collegiate. However Michael is forced to deal with the consequences of his actions when his secret spills.

The Last Kiss is a very good movie, although you're likely to be depressed leaving the theater if you are under the age of 30. Smart, engaging and honest, along with incredible acting and dead-on dialogue add up to a penetrating, insightful melodrama that isn't afraid to pull the punches.

The movie is undeniably sad, but it's a certain type of sad in which you will probably find it hard to look away. The characters are interesting, flawed people just like you and me, and everyone stumbles onto something interesting from scene to scene.

4 from 5

I know I saw the 2001 Italian original, but didn't remember much about it until I saw Tony Goldwyn's remake and the scenes and story came back. And it then surprised me how much of the original I managed to remember. That's also possibly because Oscar-winner Paul Haggis' screenplay sticks awfully close to its Italian origins.

I am a fan of Zach Braff's work. "Scrubs," for my dough, is the best half-hour comedy on TV and his directorial debut, "Garden State," was one of the best films of 2004.

"The Last Kiss" is not a romantic comedy by any stretch of the imagination, no matter what advertising campaign the studio launched. This is a well-acted, well-told story about the dumb things we men do to the women we love. And, of course, the consequences.

The film delves deeply into the insecurities of its characters, never offering pat answers or easy resolutions. There are no Richard-Gere-climbing-the-fire-escape-to-get-Julia Roberts moments in the film.

Braff plays Michael, a 30s man facing the harsh reality that the rest of his life has been plotted out and he longs for something different. Despite having a gorgeous fiancée Jenna (the lovely Jacinda Barrett), he finds temptation around the corner.

The film balances its three subplots well. They never interfere with the Michael-Jenna saga, yet add to the complexities of the story.

However, I found it interesting that while in the Italian film, the object of the protagonist's desire was a high-school Lolita, Haggis and Co. opted to make her - in this case, Kim (Rachel Bilson) - a college student. The Italian film tends to be a bit more potent on that level, though Michael's attraction to Kim is believable.

The performances all find the right pitch. Braff is completely believable as the confused young man in search of meaning to his life. Barrett is heartbreakingly good. There also are some terrific supporting performances from Casey Affleck, Blythe Danner and Tom Wilkinson. Then again, when was the last time you saw Wilkinson perform badly?

Couples should see this film. It's a mature, thoughtful, unpretentious, and sometimes even difficult, movie to see. But it is gratifyingly good. Don't go expecting a typical fluffy date movie. This film raises interesting and important questions about couplehood and then lets you figure out the answers. When was the last time a Hollywood film did that?

The Last Kiss, a film by Tony Goldwyn (Yes son of Samuel Goldwyn) was adapted from the 2001 Italian film L'Ultimo bacio, and written for the screen by none other than Paul Haggis. The Last Kiss goes through a number of relationships, spanning a number of different ages, and dissects the hardships of those relationships. Zach Braff seems to have upgraded his acting from Garden State and might actually become a more dexterous and talented actor than previously perceived. Paul Haggis' wonderful dialog lends greatly to the reality and adversity that co-exist alluringly within this screenplay. This film has been incorrectly advertised as a romantic comedy that puts Braff in the middle of two girls, and he cannot decide which one he wants to continue his life with. This is simply not true. The film is about a group of people that have just seen what the rest of their lives are going to be like, and want to add a small bump in the road of life. Overall the film does a lot more than your average romantic comedy/buddy film, and shoves the afflictions and austerities of modern-day relationships in your face. This is not the greatest of date movies, like the trailer wants us to believe, and should be perceived as a more earnest and pensive film than it appears.