A Mina de Ouro

Better than 70% of Diamond's work over the past 10 years. The story is plenty nifty, but is lost in a sea averageness. The pacing of this movie I found to be horrendous. The plot twists were slightly contrived and, while not bad, a little tedious. I could have done without that BS ending, as well. Was not satisfying.

I think Lou gave a good performance, as did the young blond. In fact, the cast, along with the seedy lighting and atmosphere of the film, were its only real saving graces. Some of the dialog was rather solid, as well. Wish the script would have been up to snuff.

But since I am a Diamond fan from back in the day, I will take it easy on the film. It is a tolerable film, and could have been worse. I hope Lou keeps striving to choose better roles.

If it's free, check it out.

Neither really a thriller, or mystery, nor clever enough in its plot, twists, or script El Cortez is a pleasant enough diversion but lacks any real distinction.

The plot is nothing you haven't seen before, the characters are OK, but really below par. The fault may lie with Lou Diamond Philips. He is not a character actor in the mould of Edward Norton and the way he plays Manny is too off-balance for the material. The fact that he plays the ex-com hotel desk clerk like Edward Norton would have just doesn't ring true somehow.

The rest of the cast are good, especially James McDaniel as the cop, but the material is somehow flat. The real fault lies in the way it is shot: too light, and bright. I would have liked the lighting and shooting to have been less TV movie mode and more film noir: more shadows, and less claustrophobic. I felt Stephen Purvis wanted it to be a small tale, which is right, but would have liked to have built more atmosphere. A soundtrack would have helped enormously.

There is nothing spectacularly wrong with El Cortez it just is what it is: a small theatrical thriller that would work well as a stage piece and fails to translate its convictions and menace to film.

Overall, worth watching if you like the genre, but don't expect too much.

Greetings again from the darkness. Very interesting screenplay from Chris Haddock suffers a bit from the over-direction of Stephen Purvis. The best parts of this noir sting flick include Lou Diamond Phillips evolving from the drug-neutered autistic hotel clerk (with a violent past) to a much different man by film end. The weakest segments involve heavy-handed over-dramatic moments with much hysteria and theatrics.

While James McDaniel (Lt. Fancy from "NYPD Blue) gets coached into an over-the-top performance as the bad cop, Bruce Weitz (excellent in "Hill Street Blues") joins him chewing the scenes as the paraplegic owner of a supposed fertile gold mine. Strangely Glenn Plummer is much milder in his portrayal of a drug dealer that probably should have been jazzed up a bit. Next to Mr. Phillips, the best performance in the film belongs to Tracy Middendorf as the beautiful, yet not so trustworthy object of multiple affections.

According to director Purvis, filming in Reno was quite painful, but it works very well as the setting. The hotel El Cortez is perfect with its old timey look and feel and, in the end, the Cortez name has a dual role. Definitely worth seeing for the story and Phillips' performance, but disappointing in that it could have been much more.

I saw this film while on vacation this summer. It was late at night and I didn't feel like sleeping, so I tuned on. To my surprise, there was Lou Diamond Phillips, an actor I always liked, playing a very uncharacteristic part of a hotel clerk who had psychological issues. There were quite a few hot scenes involving Lou and his smoking hot partner. The "love triangle" was also interesting, but Glenn Plummer's character was so loathsome that I couldn't wait for him to be whacked.

I think this was a rather enjoyable film, there was lots of suspense and acting was solid. Phillips has never given a bad performance, despite not being fully appreciated as a drama actor. Here he is very solid and proves his range as actor. There was some violence here as well, but none of it is overwhelming. The plot kinda pulls you in and makes you follow it to the end. Not a great film, but a rather good one. 7 stars.

In the era of instant gratification, high action car chases, and predictable plot outcomes, it's nice to see a film that exemplifies the definition of film noir. This is what El Cortez can provide for audiences, a smart, dynamic, and unique film noir. Directed by Stephen Purvis, written by Chris Haddock, and lead by Lou Diamond Phillips in an outstanding cast, El Cortez, features all of those things that movie goers love to see. It has mystery, romance, suspense, humor and violence, it's a film that both genders will enjoy.

The film takes place in a local hotel in Reno, Nevada, and it revolves around it's autistic care taker, Manny DeSilva (Phillips), and his mysterious hotel guests. Although most of the actors, besides Lou Diamond Phillips, are unknown, they all deliver spectacular performances. The protagonist Manny, played exceedingly by Lou Diamond Phillips, is a complex middle-aged autistic man, who has a violent past, and is surrounded by people who seek to exploit him for his disability. El Cortez revolutionizes the way that autistic characters should be portrayed. Manny is strong, intelligent, complex, but also very vulnerable. As he tries to make a better future for himself, Manny's violent past catches up with him, and he's thrown into a world of deception, love, and betrayal. Lou Diamond Phillip's performance is not the typical way autistic characters have been represented in previous films, and Manny's character illustrates the complexity and dynamics of autistic people.

"Come to a place where secret's lie," is the tagline of the film, and it illustrates the mystery and complexity of this film noir. El Cortez is full of twists and suspense, however, in an age of constant plot twists (seen in most M. Night Shyamalan's films), "twists" have now become the norm. It seems that ever movie has to have an unsuspecting plot twist, including El Cortez. However, I feel that the plot twist of this film does not flow well, and will not make sense to most audiences. This is the only aspect of the film that I disliked. The rest of the film went against the typical Hollywood norms, but at the end, it succumbed to the typical Hollywood explosions, and a plot twist that's unpredictable, but out of place as well. Overall, I would recommend this film, due to it's humor, mystery, suspense, and charm, despite its typical ending. 2 ½ out of 4 stars.