20 Centímetros

This is a completely fabulous movie. Imagine a Bollywood version of Transamerica directed by Pedro Almodovar from a script by Dennis Potter. Imagine taking LSD and going to a showing of Breakfast On Pluto which has had its IRA scenes replaced by scenes from Nights of Cabiria. This is perhaps not a date movie for the faint of heart but if genre-bending and gender-bending don't scare you, this movie is relentlessly, joyfully entertaining. There's Something About Mary all right, and it's eight inches long! The dance sequences are great; they had so much delicious stuff to look at all over the frame that I had decided that I didn't have a moment to spare for looking at the subtitles during them and was relieved when our heroine starting singing in English. Given the difficulties of foreign film distribution in this country, you may have to root around for this movie but once you find it it's a handful and a half!

The movie is a fraud, a joke that has nothing to do with real-life transsexuals. It is a macho fantasy invested in the huge penis and the fraudulent make-believe that it belongs to a man who in fact is a woman--an actress. The casting would be honest to life if the role was played by a man-- why not cast her gay boy friend actor as the cross-dresser to wants to have his penis removed? Transamerica is more honest in presenting a man, who although played by an actress, is more convincing as someone who is genuinely born with a female genetic make up and by virtue of that wants to go cross genders to finally become as fully female as possible. In 20 Centímetros, which is in fact a male gay phallus fantasy, the man who wants a new gender as a female is never established as a genetic case of someone who was born in the wrong sex anatomy and resulting gender social identity as a boy--who was more female than male although he was a boy. What we have here is a male sex worker (played by a woman) who enhances her sex trade (as they do in Bahia, Brazil, with silicone) by keeping her penis, in order to better satisfy clients who are gays or bisexuals and who find it easier to have sex with men who do not look like men with the help of silicone. 20 Centímetros is a gay farce that exploits the vogue of transsexuals in Spain and elsewhere

A narcoleptic transsexual (Monica Cervera) wants the 20 centermeters between her legs removed so she can become a true women. Then she meets hot, handsome, hunky Raul (Pablo Puyol) who likes what she has between her legs--a lot. She loves him...but enough to keep what she has? Also the film shows her fantasies and dreams which break out into elaborate (to say the least) musical numbers.

The basic idea (depressing story intercut with elaborate musical numbers) has been done before ("Pennies From Heaven", "Dancer in the Dark", "Moulin Rogue")--this is only different in the subject matter. I mostly liked it--the musical numbers are just great--full of energy and some incredible dancing (the "True Love" number stops the show). But the film is slowly paced and depressing. The acting of Cervera and Puyol (who has guts taking this role on) saves it. Also this has some fairly explicit nudity (male) and sex--be forewarned. Worth catching. I give it an 8.

"20 Centímetros" (2005), written and directed by Ramón Salazar, is the story of a transvestite who would like to be rid of the 20 centimeters-- about 8 inches--of sexual organ that prevents her from being the woman she wants to be. The plot becomes more complex because Marieta (Mónica Cervera) falls in love with a man who likes her just the way she is.

There are two more subplots--one involves Marieta's house-mate, who is a wildly inept businessman, and the other is about a woman who lives in Marieta's apartment house and who is involved with some very shady deals, that are often frustrated because she can't find a babysitter.

The supposed charm of the movie comes from the fact that Marieta has narcolepsy. When she falls into a trance, she dreams of herself in Technicolor musical production numbers.

The problem with this film for me was that the musical numbers, which should have kept the movie from just being a Spanish "Transamerica," weren't very charming. The classic movie musicals are colorful and vibrant--these were more cutting edge and threatening.

I don't see "20 Centimetros" as a GLBT film any more than "Transamerica" was a GLBT film. However, when it was shown at Rochester's Dryden Theatre, the crowd was composed almost exclusively of gay male couples. The man who introduced the film said the he chose it because of the musical numbers. I'm not sure if he had previewed it before he selected it. It's the kind of movie that looks better on paper than it plays on the screen.

Beautiful masterpiece! I'm not into tranny stuff or what so ever, but i enjoyed this movie lots!!!!!!! Fun and musicals, perfect mixture! You go on, Spanish Cinema!!!!!! There's this boy with gender assignment issues and his entire adventure in seeking for the better. Perhaps it is the natural portrait of transgenderers in Europe, but its a complete hymn for the ones who are left behind in Latin America, or elsewhere. The soundtrack selection is totally accurate, and the cast drives you into a very profound study upon the emotions that a girl in the body of a male can cast away. Complete A+ in your movie collection. You can't ignore a film like 20cm if you are a fan of Spanish Cinema.