Tell Them Who You Are

Honest, true, & brave.

A remarkable account of a son trying to understand the essence & complexity of his famous cinematographer father, Haskell Wexler. The doc is full of humor, insight, and love, and is charged with real emotion, thanks to the incredible Papa Wexler, the central character.

I expected a typical Hollywood tribute film, and it is that to some extent. But it rapidly becomes so much more. Surprisingly, the filmmaker Mark Wexler makes his localized Hollywood experience universally applicable to all sons and all fathers. What could have been a dismissable fluff piece is transformed into a rich analysis of the dynamics of fathers and sons. Haskell should be proud; he's obviously taught his son well. I thank both father and son for this film.

One can't help but feel sorry for Mark Wexler. Goodness gracious me. To have a genius for a father. Not an easy thing. Rita Hayworth after her marriage with Orson Welles say "Being married to a genius is exhausting" Imagine being the son. Naturally Mark is a sucker for punishment. He gets himself in the lions cage knowing that he's the lion's favorite dish. In any case. Bravo Mark! I don't think we'll ever have a more realistic, balanced and fair portrait of Haskell Wexler. The documentary is unavoidably manipulated by its subject but even that shows a private side of the man and his amusingly enormous ego that couldn't have come to the fore if it wasn't for Mark Wexler. I enjoyed, with certain moments of real discomfort, this wonderful documentary about one of the greatest pains in the ass that ever lived. His work will live forever and this film signed by his son will travel in time as a perfect companion.

A virtuoso effort.

This documentary is one of the best I have ever seen even after the fifth viewing.

"Tell them Who You Are" is about the great exploration of a father and son's troubled relationship.

It also shows the professional side of Haskell Wexler and has great interviews with many famous stars telling their tales of working with him.

Mark Wexler is truly a gifted filmmaker.

He is, dare I say, much like his father in that he doesn't sugar coat any aspect of this film.

It is a great film for all audiences.

The title references a story recalled by Wexler junior and is a well chosen one as perhaps the story is a small illustration of the relationship between the success father and his son. I came this film because I recognised Wexler from Medium Cool and the Making Of film I saw recently, but I was even more interested when I realised quite how many famous films I had seen where he had been the cinematographer. I, like many others, thought "here is an interesting man and hopefully a good documentary". Sadly it isn't – or at least, not in the way that I hoped it would be.

Mostly we hear little of Wexler the filmmaker and even as a man, the film is unable to really bring out the person so much as just seeing him being grumpy and deliberately difficult. Maybe this is who he is, but even if this is true the film doesn't really capture this very well or even structure it – it just happens as a side-effect of nothing else working. At times (most notably in the early stages) the scenes where Haskell directs over the top of his son Mark offered interest because I thought it would be a good way where the film could get him talking about the craft and the film would be strong on that. Although this happens in miniature here and there, it just happens and doesn't seem to be something deliberate that is followed up on and the potential in these scenes are never realised.

Mark has done lots of interviews for this film but few are used for more than a snippet here and there. Instead we get the majority of the film depicting the relationship between father and son as they argue and Haskell continually forces his will onto Mark. In this way it is interesting because, regardless of who the person is (and in this area it doesn't really matter that the father is a famous cinematographer) the unspoken story offers potential. Some have said that the way Haskell hijacks the film makes it a mess and a failure – but I disagree. The mess came in the editing suite and the failure is the failure to pull all these "real" moments into a structure where they are the film. Instead these moments again just happen and the inability to harness them and make them in to a film is what frustrated me – not the fact that they happened.

However without this happening, it did leave me agreeing with several others who question the value of the film. It doesn't do a good job looking at Haskell's career; nor does it do a good job looking at him as a man; nor does it do a good job of looking at the craft of the cinematographer; nor does it manage to structure a portrait of a father and son relationship. So what does it manage to do? Well, the truth is, a small amount of each of these but nothing in sufficient quantity or quality to be of real value. Intermittently interesting but mostly it is a messy, out-of-control affair with limited value.

This documentary will engage you on several levels -- it is a brilliant brief on one of film's greatest cinematographers (Haskell Wexler), a great behind the scenes look at movie-making, and

a moving study of a son trying to come to terms with his famous -- and famously difficult -- father.

Many interesting insights from marquee actors and directors (but with James Lipton nowhere in sight!). While industry insiders will surely love it, it is equally appealing to "civilian" filmgoers.

Director Mark Wexler bravely shows his own foibles as well as those of his father. Many great telling moments.