Nella terra dei cannibali

Sent into the local jungle, a commando group looking to rescue the daughter of a general kidnapped by a tribe of cannibals which forces them to head into the jungle to find her which brings about a continuous series of encounters with the tribe that captured her as a sex slave and try to get out of the jungle alive.

This was a rather fun and enjoyably cheesy genre effort. Among the film's likable factors is that the general setup provided here allows this one to have a lot of fun action. Since the setup here requires them to be in the jungle from the very beginning encountering the various members of the other tribe in the area, the encounters have a fun guerilla-warfare style to their ambush out of the jungle and attacking with their weaponry before disappearing and leading the commandoes further into the jungle. That this mixture of military combat and gross-out jungle cannibal movie features the antics of the other tribe with their barbaric dismembering and devouring of their victims alongside the gunplay and primitive weapons on display keeps this one moving along nicely providing a stellar combination of action and gory bloodshed. As well, the fact that there's a lot of outright cheese on display comes off quite nicely for those that can appreciate this kind of film. The film combines several different films into its plotline, even managing to follow the exploits of one of them to the point where it's almost like the scenes are taken directly from the other films entirely. That the two films being employed as the basis for the setup here, the jungle-cannibal version and the commandoes-in-the-jungle effort, tend to be highlighted to the degree that they are could be a cause for some to write the film off yet manage to display a fun sense about them since these scenarios generate a lot of action and gore despite the overt familiarity that comes from seeing these highly exaggerated and goofy elements being employed with the various scenes of the commandoes getting attacked in eerily familiar setups that aren't quite redone properly. These manage to manage for a fun time overall here. There are some issues to be had here. The main factor, which runs pretty plainly throughout the film, is the general cheap look and atmosphere present. The fact that the entire film looks like it was shot on a digital camcorder doesn't help matters, taking a flat, soulless approach to the material here. Appearing with a stylized, soap-opera tone to the proceedings, especially with the interactions presented throughout here as well, the whole film comes off with a camp, cheesy quality that can be really off-putting. The other big issue is a strangely abrupt and immediate ending that doesn't have any real satisfaction or round-up to anything as it just finishes before figuring out someone's fate which is a huge cheat. As well, the patently fake look of the graphic gore and bloodshed have the stereotypical bright-red fakeness common for the genre which is what all hold the film down.

Rated Unrated/R: Graphic Violence, Graphic Language, and Nudity.

Ripping off big budget American films was a common practice for Italian filmmakers in the seventies and eighties with the likes of The Exorcist, Dirty Harry and Jaws being 'reinvented' several times by a host of names, which often included Bruno Mattei. By 2003, cheap exploitation cinema had become less popular in Italy; but Bruno Mattei was still making movies and apparently he didn't see any reason to stop this often practiced tradition of ripping off American movies, and saw fit to reinvent John McTiernan's Predator and splice it together with another popular American export, the cannibal movie, and what we have as the result is this film. Land of Death takes place, as you would expect, in the Amazon jungle and as was the case with Predator; we focus on a group of soldiers that have to go into the jungle on a rescue mission. They have to rescue a general's daughter who has been kidnapped by a cannibal tribe who, fascinated by her blonde hair, believe her to be some sort of goddess.

Most of the Italian rip-offs released during the seventies and eighties were a bit more subtle than this film. The order of the day was usually to rip a film off thematically and basically spin a new story around the idea used in the successful American film. But Mattei apparently couldn't be bothered to go through the time consuming process of thinking up an idea and writing a script; so what we get instead is just a re-run of Predator. And I mean that literally; whole lines of dialogue are taken, scenes are stolen almost frame for frame, the characters are the same etc. In fact if it wasn't for the fact that there is no alien, this could be a frame for frame remake of Predator (although it's more along the same lines as the fan made version of Indiana Jones quality-wise than Gus Van Sant's Psycho!). Basically, if you've seen Predator, you will know exactly what to expect here and to be honest there's not much point watching unless you're only there to see just how badly McTiernan's film has been stolen from. Mattei does at least give us some gore...but to be honest, this is shameful stuff.

A small commando squad ventures into the heart of the Amazon to retrieve Sara Armstrong (Cindy Jelic Matic). The hottie daughter of a senator, she was kidnapped by a cannibal tribe. The soldiers are led by a guide named Romero (Claudio Morales), a man who knows the score when it comes to the local tribes and their customs.

Ad copy refers to this as a cross between "Cannibal Holocaust" and "Predator", which pretty much sums up the whole silly affair. In fact, director Bruno Mattei ("Hell of the Living Dead", "Rats: Night of Terror") and his co-writer, Giovanni Paolucci, spend so much time shamelessly aping "Predator", and "Aliens" as well, that you just have to shake your head and laugh at their nerve.

On location shooting in the Philippines is effectively atmospheric (and supplemented by some stock footage), and there's a pleasingly high body count. The gore devised by Giuseppe Ferranti is actually quite good. The characters are all patently ridiculous, and receive appropriately cheese ball performances. Ydalia Suarez is the most amusing as Vasquez, an oh so obvious nod to the gung ho marine played by Jenette Goldstein in "Aliens".

"In the Land of the Cannibals" is plenty stupid, but it's not pretending to be anything other than a routine ripoff film and continuation of that cannibal genre popularized by the Italians in the 1970s and 1980s. While this viewer would readily admit that it's hardly "good" stuff, it's actually pretty entertaining, provided one isn't annoyed by the lack of imagination in the script.

Six out of 10.

Land of Death (2003)

** (out of 4)

One of several films Italian director Bruno Mattai made during his comeback a few years before dying. Mattai's films are always bad so the real question is if they are bad enough to be entertaining and this one here is. It's also worth watching Mattai to see what and who he rips off and this time out he does a scene for scene remake of Cannibal Holocaust even though, of course, that film is never credited. In the film some American soldiers go missing in the jungle so another group goes in to look for them and they too run into cannibals. I was really curious to see what Mattai would do with this politically incorrect genre and he delivers exactly what those earlier controversial films did. You have rape, torture, flesh eating and yes, real animals dying. These scenes are always disgusting but Mattai has them here after all the years of protest towards Cannibal Holocaust and others like it. This film here contains the bad dubbing and bad acting but everything is bad enough to where the film remains interesting if you've seen the other movie. There really isn't a single original idea here as everything comes from Cannibal Holocaust but it's interesting to see such a rip off.

This user-comment stands as my last personal homage to director Bruno Mattei, who sadly passed away just a few weeks ago. Even though certainly wasn't the world's best horror director (he's often even referred to as the Italian Ed Wood), but his movies never failed to entertain me, and you could always tell he had great intentions. "Hell of the Living Dead" and "Rats: Nights of Terror", for example, are both terrible, yet they form essential viewing for fans of Italian horror cinema. Mattei supposedly died from a brain tumor, but after seeing "Cannibal Ferox 3", I'm beginning to suspect Arnold Swcharzenegger and John McTiernan killed him for exaggeratedly imitating their masterwork "Predator". I've seen a lot of (Italian) rip-offs of cinematic milestones, but there never was any film that shamelessly borrowed so many key-elements from one movie and repeated them blatantly. Every single memorable sequence from "Predator" is copied here (from the skinned corpses hanging upside down from trees to the mistaken killing of a wild boar instead of the enemy) and even most of the dialogs are literally re-used. (" ain't got time to bleed"). Actually, all Bruno Mattei did was replace the intergalactic hunter with a tribe of native Cannibals, and that's it! A team of heavily trained soldiers is sent into the jungle to locate and rescue a Western girl who's supposedly captured by a cannibalistic tribe. The tribe considers her to be some sort of Goddess, so even if the squad can get her out of there, the cannibals aren't likely to give up without a fight. The script also steals elements from a handful of other movies ("Aliens", "Cannibal Holocaust" …) but if you've seen "Predator", you're always several steps ahead of the screenplay. The action sequences are poorly done and there's only a disappointingly small amount of gory make-up effects to enjoy. Acting performances are weak and the total lack of sleaze is unforgivable. Cindy Jelic Matic stripped off all her clothes in "Mondo Cannibale" (which was shot back-to-back with this one), so the least she could do was show some ravishing flesh here as well. Oh well, at least these recent cannibal-exploitation movies don't feature any gratuitous animal killings, I suppose. Unfortunately, I can't give any praise to Bruno Mattei regarding this film, as it really sucks, but at least he kept the Italian horror industry running till the day he died. He directed no less than fifteen movies since the new millennium and I think all his fans should see them! Call it some kind of paying your last respects