Viruddh... Family Comes First

Well-made! Well-Shot!! Mahesh Manjerekar redeems himself as a director.

Story of a couple above sixty and their strife "versus" the system is told with much reality and grit. Though compared to "Saaraansh", Viruddh differs in the story and treatment. A retired couple with life revolving their only son, their daily routine and their daily interaction with neighbors and surroundings are penned with zeal. Their tragedy and their fight for what is the truth is touching and brings many a heart-rendering moments.

The couple, played with an ease and truthfulness by Amitabh Bachchan and Sharmila Tagore, is heart-warming and touching. Watch out for them bantering between themselves over tea, the way they handle the "new" nuisance in their locality, the way they come to terms with tragedy and the system. Amitabh proves again that he is truly an actor to be reckoned with still. Sharmila gives able support.

The end was too swift!! But thats very minor!!

Watch it and have a warm experience!!

A gaze that can penetrate steel and the clothing of a corrupt Police Officer-the ensuing scene and dialog is a snippet of a good Film. Very few actors are blessed with this talent-like Rod Steiger in the "In the Heat of the Night", Robert De'Nero in "Good Fellas", Al Pacino in "God Father". Bachchan, the indisputable Icon, has managed to give another impeccable role probably the best in his career.This scene coupled with few other memorable scenes puts Mahesh Manjrekar as the top in his Profession. Khedekar as the Police Officer is another fine actor. After"Swades", I enjoyed this movie. The imbeciles who selected "Paheli" as the entry for the Oscars are a National disgrace.This SRK idiot,not just walk the Red carpet but take a walk, period.

Viruddh is a film that has interest for the star power in it. Big B, Sanjay Dutt, and John Abraham make out to be a perfect cast. That's why I got it and was not let down

The first 45 minutes or so of this film is quite slow to the point you wonder if there will be a plot. It reminded me a LOT of another Amitabh/Abraham film Babuul which was really bad... but it turned out this slow beginning was just to get you hooked to the main characters. The husband/wife relationship played by Amitabh and Sharmila is at the heart of this film and without this intro film wouldn't have been as good

but hold on through the dragging beginning because Viruddh surely picks up and becomes an incredible tale. I won't say much because I don't want to give away the plot (which would ruin the film). But I will say that this film is truly unforgettable. Acting is superb, story keeps you going, characters are excellent.

One problem with Viruddh, not really a problem with the film but more of an annoyance was the RIDICULOUS product placement!!! Motor oil shot to the bottle an Sanjay pours it in a car but most hilarious was the WESTERN UNION scene that played no consequence to the film and was a scene added in where John Abraham essentially tells Amitabh just like in the commercials "hey Dad am sending you money, you can go to any location, etc. etc" wih a shot of Amitabh happily going to Western Union. I was cracking up!!! It distracts you from how real the film is... shameless!!! But forgivable because this film is great

And if you like this film you should check out Big B's Family with Akshay Kumar. SImilar like plot and Amitabh's acting is far better.

Both films are great. Enjoy!

Viruddh starts as a very nice and light family movie which presents an elderly middle-class couple played by Amitabh Bachchan and Sharmila Tagore living an ordinary and happy life while their only son is settled in London. Soon he comes back with a young non-Indian girlfriend and following his parents' approval, the two get married. While everything seems to be perfect, a tragedy strikes the family when their son is killed in a party. There starts a hard double-struggle for the family, as they have to live with the pain of losing their only son and at the same time prove the murder and his innocence as it was covered up by false reports of him being a smuggler.

At first, Viruddh is a watchable yet strikingly ordinary movie and it looks like nothing special is coming. When the son came back with a new foreign bride, I thought this would be the film's main conflict and was prepared to be disappointed by an old-fashioned melodrama. But a rather unexpected twist changed the picture and slowly the story started taking shape. Mahesh Manjrekar is a prolific director and some of his films are excellent. Viruddh is not at all his best, but it is an appreciable effort. After watching Baghban, a good but melodramatic movie, somehow I thought this one would be similar in execution and I was wrong. Manjrekar pays attention to small details and portrays the movie realistically.

The second half is interesting, although the concept itself does tend to remind of those horrible masala movies dealing with injustice and corruptness. The movie does falter there a bit, but Manjrekar tries to do everything differently by giving the narrative a rather subtle feel, and he partly succeeds. The film has absolutely no songs, it is devoid of overdone melodrama, the characters look authentic and genuine, and the dialogues are simple. More than anything, what marks the film is the portrayal of the elderly couple, their love, their care for each other, and their common pain and struggle. Again, unlike the exaggerated romance in Baghban, here their relationship looks believable and real.

The film's main lead is played by Amitabh Bachchan and Sharmila Tagore, and both are excellent. They were not paired together that much in their heydays, but their chemistry here is very good. Just look at the scenes portraying their struggle post their son's death. There isn't much overdone sentimentality, just quiet suffering. This phase of the film is very convincing, and due credit goes to them. Bachchan efficiently plays his character's grief and determination. Tagore delivers one of her finest performances. The first half is entirely dominated by her wonderful presence, while the second presents her brilliantly understated portrait of anguish and strength.

Among the supporting actors, Sanjay Dutt is very likable as the neighbour. Anusha Dhandekar is pretty good as the daughter in-law. John Abraham is okay, nothing impressive, and well, his is not that demanding a role to begin with. This brings me to one of the film's aspects which I quite disliked, and it's the narration. I cannot understand why Abraham's character had to appear on-screen while narrating the story. It took away a lot from the credibility and did not contribute much. The ending is very sugarcoated, and reminded me in a way of B.R Chopra's Insaaf Ka Tarazu. Having said that, this one is definitely better than Chopra's son Ravi's Baghban, and is quite a nice movie overall.

"Viruddh" is a very unusual film in that it's like two totally different films. The first portion is lighthearted and fun--the second extremely sad and cynical. And, this final portion will do little to encourage tourism in India--particularly to Mumbai!

When the film begins, Vidhyadar (Amitabh Bachchan) is sitting in a jail cell--refusing to eat. The police inspector says he feels guilt every time Vidhyadar comes to his office or looks at him. Why? What immediately follows is NOT an explanation of this short prologue but instead is a surprisingly warm and lighthearted segment about Vidhyadar's life before some incident occurred--and what that incident is you'll just have to wait to see. This sweet portion of the film concerns the man and his relationship with his wife. They obviously love each other and their life is quite predictable but nice. Their son, Amal, lives lives in London and helps to support his retired parents. However, you know that Amal will soon die, as his ghost narrates portions of the movie!

The film changes when Amal returns home for a visit. Surprisingly, he brings along his girlfriend, Jenny, and he's worried that his parents may not approve of this relationship. However, they all become fast friends and life is looking just fine. But, when Amal just happens to be in the wrong place soon after his marriage, he is murdered and everything is turned upside down. It isn't just because of the murder but because the savage killer is well-connected and his father's influence manages to completely subvert justice. It's the police themselves who not only help the killer escape justice but also to ruin Amal's reputation in order to get the murderer off for his crimes. Vidhyadar's faith in the system is destroyed and he then decides to take it upon himself to receive justice. What this is and how he does it is something you'll need to see for yourself.

There is a lot to admire about the film. Bachchan's acting (as usual) is superb and it's easy to see why he's probably the most beloved and famous Bollywood actor today. His emotional range is astoundingly good. In fact, the acting is excellent all around. Also, the direction and production values are generally quite nice. The story is also very compelling and your heart breaks for the parents--as you feel really connected with them.

On the other hand, there are a few problems which prevent an even higher score. The biggest is that the ending, while satisfying to watch, is awfully difficult to believe. I'll say no more--you just need to see it to know what I mean. Additionally, I think the use of slow-motion was a bit over-used. Still, a super-impressive film and one that cannot help but grab your heart. And a great example of an Indian film that is every bit as good as most of the films coming out of Hollywood.

Also, for non-Indians, there needs to be a bit of an explanation for one small bit in the film. The father's attending a meeting where folks stand in the park just to laugh hysterically with their friends IS a real thing. Mira Nair shows this in her made for TV film "The Laughing Club of India" and these clubs have been promoted for good physical and emotional health.