Pokémon 6: Jirachi - Realizador de Desejos
Título original: Gekijouban Poketto monsutâ Adobansu jenerêshon: Nanayo no negaiboshi Jirâchi
AVALIAÇÃO DA IMDb
5,7/10
5 mil
SUA AVALIAÇÃO
Um mago tenta usar o poder do cometa Millennium para acordar o lendário Pokémon Groudon.Um mago tenta usar o poder do cometa Millennium para acordar o lendário Pokémon Groudon.Um mago tenta usar o poder do cometa Millennium para acordar o lendário Pokémon Groudon.
- Direção
- Roteirista
- Artistas
Rica Matsumoto
- Satoshi
- (narração)
Veronica Taylor
- Ash Ketchum
- (English version)
- (narração)
- …
Eric Stuart
- Brock
- (English version)
- (narração)
- …
Ikue Ôtani
- Pikachu
- (narração)
Madeleine Blaustein
- Meowth
- (English version)
- (narração)
- …
Rachael Lillis
- Jessie
- (English version)
- (narração)
- …
Amy Birnbaum
- Max
- (English version)
- (narração)
Kyôko Yamada
- Masato
- (narração)
- (as Fushigi Yamada)
Wayne Grayson
- Butler
- (English version)
- (narração)
Megumi Hayashibara
- Musashi
- (narração)
- …
Megan Hollingshead
- Diane
- (English version)
- (narração)
Shin'ichirô Miki
- Kojiro
- (narração)
Inuko Inuyama
- Nyarth
- (narração)
Kerry Williams
- Jirachi
- (English version)
- (narração)
Tomiko Suzuki
- Jirachi
- (narração)
Chinami Nishimura
- Achamo
- (narração)
Avaliações em destaque
Well, Jessie, James and Meowth ALMOST stole Pikachu for once. Outside of that this movie is awful. It's a complete cringe-fest. There is nothing I hate more than a cringe-fest. The movie could be a Schindler's List level quality movie and I would still hate it because of the cringe. I don't do cringe, and this movie was constant cringe.
10dawey77
I never seen that movie before... but I'm looking forward to seeing that movie! 🙂
Even though I watched this many months ago, I can still recall the complex and beguiling lyrics of the lullaby. "Doo doo doo" it starts and "doo doo doo dooo doo doo" it continues. Truly beautiful. Beyond that I know there was something about a vengeful butler, a gigantic circus and pokekaiju. I honestly enjoyed it rather more than the film before with the shrieking sky chickens and the China-inspired mountain locale here is rather nice. Sure, a lot of it falls into that classic pokemon trap of mindless tomfoolery with a thin veneer of sentiment, but... well actually I can't put it better than the rousing chorus of the wonderful lullaby: "doo dooo doo doo doooooo doo doo".
What was the point of Absol? He debuts trying to harm Jirachi because of a furtuee tragedy. Then Absol all of a sudden wants to help Jirachi. I don't get it.
3/4 of the movie was alright to watchable. The last bit when they get to Jirachi's home really shows how Pokémon producers think pokemon fans are dumb.
The positives are the Butler and his story.
Most of Everything else we've already seen before in the Pokemon series for the past 20 years.
A decent movie that ends subpar.
3/4 of the movie was alright to watchable. The last bit when they get to Jirachi's home really shows how Pokémon producers think pokemon fans are dumb.
The positives are the Butler and his story.
Most of Everything else we've already seen before in the Pokemon series for the past 20 years.
A decent movie that ends subpar.
While Pokémon has been one of Nintendo's mascots for a long time, even popular icons go into hibernation. After the lackluster performance of Pokémon: Heroes - Latios & Latias (2002), the franchise would finally begin its venture into home video territory with this sixth film installment. For some tent pole franchises, this is the kiss of death as most don't return to theatrical releases. Additionally, that means the stories lose more and more of their connections to the original films. However, because these films are playing in line with the TV show, that hasn't seemed to be the case yet. Which is good otherwise that would really throw off the legions of fans who watched the episodes religiously. Another thing to note is that while this entry is the beginning of home video releases, it is also the beginning of other changes.
The story, taking place during the sixth season of the show, follows Ash, Brock and their new crew comprised of May and Max where they seek to catch a glimpse of the millennium comet. It is said the comet contains a large amount of energy capable of generating lots of power. Making its appearance in parallel to the comet is Jirachi (Kerry Williams), a Pokémon with special powers who befriends Max (Amy Birnbaum). Where they meet is at the local festival headed by Butler (Wayne Grayson) and Diane (Megan Hollingshead). The script and direction were headed by the usual crew members working on the past films There's also a bit of additional support from Norman J. Grossfeld returning for script adaptation as well as voice actor Eric Stuart doing direction adaption for the first time.
What both Japanese and American crews accomplish in this feature is changing the formula slightly for fans who have been wanting something more. Of course by no means would the sixth film in a series change any new comers but for fans of the show, this should be entertaining enough. For once, the plot revolves around a main character other than Ash. While he is a central character, laying him off for a while is needed and it fits in with the show since much of Season 6 essentially reset Ash and has put him more in a mentor role than a mentee. That's a nice way to show Ash is growing up...despite the fact that he's still the same age even though it seems like years have passed. But that's not something that can be really faulted for, as fans have come to accept this.
The structure of the story also has slightly changed for the better. This entry did not start off like it typically does with Ash battling some stranger with the current season's theme song behind it. Even the continuity is adequately referenced for the most part. Unfortunately, even with all these good parts, the film does get caught up in some real juvenile things like not giving the antagonist a very clear backstory. It's certainly not as bad as the antagonist from Pokémon the Movie 2000 (1999), but there are parts that feel like more could be said. It's just not that clear. The acting though is still great. Veronica Taylor who used to voice only Ash now also plays May and her interactions with the other voice actors is good too. Kerry Williams as Jirachi is fine, the Pokémon is supposed to be childlike so it seemed like an easy role. Mike Pollock also steps in as narrator instead of Roger Parsons, who sounds fairly close in performance.
What still makes no sense as to why it would be needed is cinematography. This time not only handled by Hisao Shirai but also Takaya Mizutani. Seriously, what is camerawork needed for in animation? The only thing maybe is digital camera movement for anything CGI but who's to say? Shirai has been doing cinematography for the series since the very first film. Lastly Shinji Miyazaki returns as composer to this feature which looks to remain intact even for the English release. That's always good, but again no domestic album release. What can be said is at least there's consistency in the production where people who've worked on an entry before come back again for another time.
None of the Pokémon films have ever managed to hit ground breaking levels of entertainment and this one is no different. It still makes no sense how cinematography is incorporated and the villain still doesn't have the best backstory. But the production crew that work on these films are a reliable bunch with acceptable voice acting and good music. The direction has also been slightly modified to keep its fans attention.
The story, taking place during the sixth season of the show, follows Ash, Brock and their new crew comprised of May and Max where they seek to catch a glimpse of the millennium comet. It is said the comet contains a large amount of energy capable of generating lots of power. Making its appearance in parallel to the comet is Jirachi (Kerry Williams), a Pokémon with special powers who befriends Max (Amy Birnbaum). Where they meet is at the local festival headed by Butler (Wayne Grayson) and Diane (Megan Hollingshead). The script and direction were headed by the usual crew members working on the past films There's also a bit of additional support from Norman J. Grossfeld returning for script adaptation as well as voice actor Eric Stuart doing direction adaption for the first time.
What both Japanese and American crews accomplish in this feature is changing the formula slightly for fans who have been wanting something more. Of course by no means would the sixth film in a series change any new comers but for fans of the show, this should be entertaining enough. For once, the plot revolves around a main character other than Ash. While he is a central character, laying him off for a while is needed and it fits in with the show since much of Season 6 essentially reset Ash and has put him more in a mentor role than a mentee. That's a nice way to show Ash is growing up...despite the fact that he's still the same age even though it seems like years have passed. But that's not something that can be really faulted for, as fans have come to accept this.
The structure of the story also has slightly changed for the better. This entry did not start off like it typically does with Ash battling some stranger with the current season's theme song behind it. Even the continuity is adequately referenced for the most part. Unfortunately, even with all these good parts, the film does get caught up in some real juvenile things like not giving the antagonist a very clear backstory. It's certainly not as bad as the antagonist from Pokémon the Movie 2000 (1999), but there are parts that feel like more could be said. It's just not that clear. The acting though is still great. Veronica Taylor who used to voice only Ash now also plays May and her interactions with the other voice actors is good too. Kerry Williams as Jirachi is fine, the Pokémon is supposed to be childlike so it seemed like an easy role. Mike Pollock also steps in as narrator instead of Roger Parsons, who sounds fairly close in performance.
What still makes no sense as to why it would be needed is cinematography. This time not only handled by Hisao Shirai but also Takaya Mizutani. Seriously, what is camerawork needed for in animation? The only thing maybe is digital camera movement for anything CGI but who's to say? Shirai has been doing cinematography for the series since the very first film. Lastly Shinji Miyazaki returns as composer to this feature which looks to remain intact even for the English release. That's always good, but again no domestic album release. What can be said is at least there's consistency in the production where people who've worked on an entry before come back again for another time.
None of the Pokémon films have ever managed to hit ground breaking levels of entertainment and this one is no different. It still makes no sense how cinematography is incorporated and the villain still doesn't have the best backstory. But the production crew that work on these films are a reliable bunch with acceptable voice acting and good music. The direction has also been slightly modified to keep its fans attention.
Você sabia?
- CuriosidadesThis is the first Pokemon film in which one of Ash's friends has a prominent role, in this case Max. The previous five movies featured Ash and/or a character-of-the-day as the central human character.
- Cenas durante ou pós-créditosAs the credits roll we see Ash, May, Brock, and Max heading to their next location. As well as different constellations of Pokémon in the night sky.
- ConexõesFeatured in WatchMojo: Top 10 Pokemon Films (2016)
- Trilhas sonorasMake a Wish/Chiisaki Mono
Music/Arrangement by Takahiro Yamautsuri
Lyrics by Yoshiko Miura & Norman J. Grossfeld
Performed by Asuca Hayashi & Cindy Mizelle
Principais escolhas
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- How long is Pokémon: Jirachi - Wish Maker?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Pokémon: Jirachi - Wish Maker
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 34.173.059
- Tempo de duração
- 1 h 21 min(81 min)
- Cor
- Proporção
- 1.78 : 1
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