Coisas de Família

What a TERRIFIC film... so poignant and totally REAL!!! It's a compelling story of the relationship between father and son, father and daughters, and husband and wife as experienced by this family across 3 generations. The genius of the story is that almost anyone can identify with each character, even though one is sometimes a jerk. It is full of humor. We found ourselves laughing out loud frequently and also shedding a few tears. Peter Falk and Paul Reiser did superb acting in this film, and, in my opinion, could successfully compete for Oscars!!! "The Thing About My Folks" shows so compassionately how husbands and wives, or parents and kids, can have deep and sometimes very painful misunderstandings. It gives us hope for our own families because we see how some of these misunderstandings get worked out. It shows us that a real family can seize an opportunity for communication and start healing those deep psychological wounds. This is a beautiful and amazing work of art. The packed audience in Santa Barbara loved it and left feeling good.

I saw some similarities to the Oscar-nominated film "Sideways" in that both films were at times quite funny but also had very poignant moments in how they portrayed men's emotions, which are often not expressed. But I definitely preferred "The Thing About My Folks!" The situations and emotions between fathers and kids and husbands and wives will touch millions more of us than the central situation in "Sideways" of cheating on one's partner the day before the wedding.

We saw "The Thing About My Folks" at the Santa Barbara International Film Festival. I hope it gets a distributor so many more people can enjoy it as we did. I've already emailed all my friends to watch out for it.

We just returned from a showing of "The Thing About My Folks" at the Santa Barbara Film Festival, and couldn't help pondering why this film does not have national distribution. Peter Falk's performance of the father was sheer genius. Paul Reiser's script was insightful and very tender. The cinematography was breathtaking:What could be more beautiful than autumn in upper New York State with the the changing of the leaves. (Especially as seen from the seat of a 1936 Ford). If this finally does get national distribution, I'm certain Peter Falk will be up for some kind of acting award. His depiction of the 'father who worked too hard' was brilliant. My husband and I laughed and cried. At a time when war rages abroad, it's such a relief to see a film with no car chases, explosions, and senseless gun battles. This was a lovely film. Good luck to the creators.

I saw the film at the Nashville Film Festival. It was beautifully done, from cinematography to the acting. It's the story of a father and son, and how they come to appreciate each other during a family crisis. Beautifully written with dialog that never rings false, the film showcases the acting talents of Paul Reiser and Peter Falk, among others in this outstanding cast. The film begins with the aging father (Peter Falk)is trying to figure out why his wife (Olympia Dukakis) has left him. The father presents himself, unannounced, on the doorstep of his son and daughter-in-law. The father and son take off the next day to look at some property and end up taking a classic road trip. They fish, play pool, watch a baseball game, get drunk, get involved in a barroom brawl, and dance with strange women. But more important, they each confront the unspoken tensions that can affect any family. It's the kind of film that touches the heart and makes one appreciate those who are closest to them.

Meh. This will not go down in history as a memorable movie. At least not for me it won't. The only thing memorable about it would be Peter Falk's less than masterful overdoing of the Jewish father schtick. And I generally have quite a soft spot for Peter Falk...

The movie overall was OK, but just in the most general sense. The plot line started out interesting but fizzled badly in the end. No real strength to the whole story. Paul Reiser did not do his best work here either. I don't think any of the actors really meshed with each other. Instead of telling a story, they kept kind of acting "at" each other. There was a woodenness about the whole effect. Even the great Olympia Dukakis could not get into her character's groove. And you only saw her for about ten minutes at the very end. But it's the worst acting I've ever seen from her, ever. Which isn't saying much, I know, because she is otherwise a fabulous actress. Let's just say her acting in this probably embarrassed all her acting coaches. It was not good.

Elisabeth Perkins was pretty, as usual, but completely lacked character or depth. The few witty lines she was given somehow just didn't make the cut either. They all fell kind of flat. You somehow knew they were meant to be funny, but just couldn't see the actual funny part for yourself.

All in all, a pretty ho-hum little movie that I would never take the time to watch again.

"The Thing About my Folks" came in as a surprise. We had no idea about what to expect. The film directed by Raymond DeFelitta, and based on a screen play by one of its stars, Paul Reiser, proved to be a pleasant time at the movies. Although the film is predictable and we know what will be the outcome, this is a voyage of discovery where Ben gets to know his father, perhaps for the first time in his life, Ben sees his father for what he really is, and not the mythical figure he has in his mind.

The film seems to be a vehicle for its star, Peter Falk, and he runs away with the movie, as it was expected. Mr. Falk, one of the most endearing actors working in movies in this era and in past years, is an actor of such stature, he must be reckoned with. As Sam Kleinman, the distant father to Ben, he is a man that clearly is misunderstood, not only by Ben, but it appears by the whole family and his wife of forty-seven years.

When Muriel, the matriarch of the Kleinman clan, runs away, everyone goes into a panic because this woman, who has been the strong figure of the family, is vital to keep everyone together. Not knowing where she has gone, Sam shows up at Ben's house confused as he feels abandoned, suddenly, by the woman he married and has been faithful for all those years.

Ben, the youngest son, takes his father on a trip to look for a house he wants to buy so he can get his own family out of Manhattan into the country. The trip provides the excuse for Ben to bond with his father in ways he never knew about because the old man had always projected an aloof figure to his younger son. Along the way, father and son realize how much they love one another and how misunderstood the old man has been by his children. The love of Sam for Muriel spans the many years they have known one another; they seem inseparable.

Peter Falk is magnificent in the film. He makes an excellent Sam Kleinman, the man who suddenly realizes his life is about to change for the worst. Mr. Falk shines as the older man and there's never a false movement in his interpretation of the man whose whole world is crumbling under him.

Not being a Paul Reiser fan, we must confess that as Ben Kleinman, he is right. Ben and his father discover how much in common they both have and their love for Muriel, the mother that has sacrificed her life in order to keep the family together. Olympia Dukakis is only seen at the end of the film. She makes a good contribution as the fleeing mother. Elizabeth Perkins plays Rachel with great style..

The film has a beautiful look thanks to the cinematography of Dan Gillham, and the excellent musical score by Steven Argila. Ultimately, the film shows a great team effort between its director, Mr. DeFelitta and Paul Reiser who wrote it for the screen.

Although this film is clearly targeted for an older audience, it should please anyone.