Neste novo filme hipnotizante, o aclamado diretor Werner Herzog explora a vida e a morte de Timothy Treadwell, um especialista em ursos pardos e especialista em vida selvagem, que viveu desa... Ler tudoNeste novo filme hipnotizante, o aclamado diretor Werner Herzog explora a vida e a morte de Timothy Treadwell, um especialista em ursos pardos e especialista em vida selvagem, que viveu desarmado entre os ursos por 13 verões.Neste novo filme hipnotizante, o aclamado diretor Werner Herzog explora a vida e a morte de Timothy Treadwell, um especialista em ursos pardos e especialista em vida selvagem, que viveu desarmado entre os ursos por 13 verões.
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I saw "Grizzly Man" without knowing anything about it. I first thought it would be a documentary about the beauty and behavior of grizzly bears. However, through Tim Treadwell's interaction with grizzly bears, Werner Herzog shows that this film is actually about the inadequacies and insecurities of human nature.
Tim Treadwell seems to be the culmination of many of the deficiencies that man possesses. I felt absolutely no sympathy for this individual, despite the fact that he suffered a tragic and horrible death. If it weren't bears that killed him, it probably would've been something else. He was definitely headed toward a downward spiral. I felt like he was a man who ran away from his demons because he could not face or overcome it. He developed high "ideals" and when he could not adjust his values and beliefs to that of society, he abandoned it and sought out for acceptance from creatures that are incapable of judging or criticizing Treadwell. Unfortunately, Treadwell mistakes the grizzly bears' indifference or incompetence as a sign of acceptance, and falls in love with them.
Treadwell displayed behavior suggestive of manic depressive disorder, or cyclothymic disorder, or histrionic personality disorder. His emotional reactions to incidents were over dramatic to the point that one questions whether it's genuine. I also thought that he was a closet homosexual who could not accept his sexual orientation. In the film, Treadwell talks about wishing he were gay because it would be easier, but he denies being gay. He also talks about how he has trouble with keeping relationships with girls. I know this is a big assumption, but I couldn't help but question whether he was running away from civilization hoping he didn't have to face the reality of his sexual orientation. Treadwell is a person who does not know himself, and is afraid to find out.
I also did not like the fact that Treadwell was on this unsubstantiated high horse. This self-proclaimed protector of animals and nature displays his hypocrisy in at least 2 scenes. When Treadwell stumbles upon poachers who throw rocks at a baby cub, all he does is hide behind a bush and criticizes the hunters for hurting the bear. Not quite what a "protector" would do. Also, when Treadwell discovers the dead fox, he gets angry for the destruction and death that exists in this world. However, he doesn't blink twice to try to swap a fly that is buzzing around the fox. Obviously he shows no respect for the fly, which is also a living organism.
Also, throughout the film, most of Treadwell's friends glorify all that he represented. It seems that his death has elevated him to a martyr, and I found that inappropriate. I don't believe one's achievements in life should be overblown and exaggerated because he or she suffered a tragic and violent death. Based on Treadwell's self-recordings, I find that he has done nothing to deserve any praise. The way he died is sad, but that should not have any bearing on what he did in life. If anything, Treadwell encroached upon the grizzly bears' territory, and abused their independence and way of life in order to hide behind the mask of his own demons. I find nothing altruistic about his actions because of that.
In the film, Herzog says that death and destruction is a unavoidable reality of nature, and he has done a brilliant job in portraying that. My take home message was that everything bad in this world exists because man is too weak and feeble-minded to transcend beyond our natural tendencies to destroy his surroundings and to self-destruct. And Treadwell is the perfect example. Great job Mr. Herzog.
The film is also a meditation on the brute force of nature, on art and on human hubris. My wife found the 'character' of Tim Treadwell so ludicrous and offensive that she had to leave the theater. For my part, I was in awe of both Treadwell's incredible physical courage coupled with his absolute lack of judgment and his insane narcissism. He struck me as a cross between Pee-Wee Herman and Marlon Perkins, the guy who narrated the Mutual of Omaha nature documentaries that showed up on Sunday afternoons in the 60's and 70's.
The word is that Hollywood, in the person of Leonardo DiCaprio, was a financial supporter of Treadwell's 'mission'in Alaska and that a Hollywood version of the story is due out sometime soon with Di Caprio playing the lead. I know I won't be going to see that version because it will just continue the lie and the myth that Treadwell tried so hard to create and sustain. Even at his most intense moments of profoundity Treadwell had nothing to 'say' to anyone about either bears or himself. It was all self-serving and self-congratulatory and it is only in his grotesque death at the hands of a rogue grizzly that any meaningful message finally comes across. (Herzog thankfully spares us from the actual experience which was caught on audio but not on video because the lens cap had been left on.)
Its hard not to feel sorry for Tim Treadwell and the young woman who died with him, but the 'native' scientist in the film put it quite nicely "My people have been living nicely with bears for thousands of years and we know enough to stay out of each other's way."
Tim Treadwell wanted desperately to cross the boundary into the 'way' of the bear because the 'way of the human' was too much for him. Despite his goofy, childish demeanor he revealed himself to be a man of deep anger and resentment. However, if the bears had let him live he would probably be considered something of a folk-hero in 'reality' obsessed America.
Herzog shows us that there was nothing real about Treadwell at all and that the bears knew a lot more about him than he ever would of them.
It's truly incredible the amount of empathy Herzog is able to generate for such a misguided, kooky person. It's all the more impressive to see the contrast between Timothy Treadwell's sentimentalized view of nature with Herzog's (and my, for that matter) view that nature is indifferent and chaotic. To mix these two contrasting philosophies with what are, in some sense, two different films--Treadwell's footage and Herzog's narration and interviews--make for something truly moving and insightful.
Enter filmmaker legend Werner Herzog. With over 100 hours of footage and an immense belief, he gives us "Grizzly Man", a superb documentary far more involved with frail human conditions than anything about nature.
With Treadwell as the main attraction, it couldn't have been any other way. It is truly mind-boggling to witness all the mental/emotional problems colliding and bubbling so, so close to the surface- Exaggerated ego, self-loathing, (possibly) repressed homosexuality, willful ignorance, dangerous hypocrisy, and some form of bi-polar disorder are just some of them.
Here are some pretty good examples:
Throughout the film, Treadwell boasts of unsurpassed expertise and intimacy when dealing with bears, but as it happens, he has NO form of training dealing with wildlife whatsoever. He went from being a wannabe actor with alcohol and drug issues to super-activist almost overnight and with too few questions.
Treadwell repeatedly speaks of his contempt for mankind, yet he somehow manages to endow the bears around him with very human characteristics. Full of delusion, he sees love in cold eyes and takes "Back off dude" gestures as welcoming advances.
20 takes and multiple diatribes, all while mugging for the camera, seriously clouds Treadwell's integrity in several instances. And finally............
If you're going to brag about being the bears "only protector", you really shouldn't do it when you and the animals always reside on a government sponsored preserve. Furthermore, when tourists throw rocks at your "friends" and you hide in the bushes and do nothing about it because you can't "blow your cover", it's time to question your protective abilities.
Believe me, there is MUCH more, but hopefully these will be just enough to grab your interest.
Now as far as Herzog's work goes, it's quite good. He intersperses footage with interviews evenly and keeps things flowing nicely. Admittedly, a large portion of the interviews feel contrived/staged and some footage seems redundant, but on the overall, this a well put together and absorbing package.
In the end, "Grizzly Man" is an excellent viewing experience about a complicated, troubled man-child and his severely misguided endeavors.
(Strangely enough, Treadwell had a far more genuine bond with the foxes of the preserve; they really seemed to care for him and enjoy his company. Maybe if he had focused on them, he'd still be with us.)
Você sabia?
- CuriosidadesDuring a BBC interview about the film, Werner Herzog was shot with an air rifle. The interview continued indoors. At the end, Herzog was encouraged to check his wound. Despite having "a bruise the size of a snooker ball, with a hole in it," Herzog declared "It was not a significant bullet. I am not afraid."
- Erros de gravaçãoAs Herzog urges Jewel Palovak never to listen to Timothy's last tape, he says it will always be "the white elephant in your room". This is a conflation of two different expressions.
- Citações
Werner Herzog: And what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior.
- Versões alternativasThe DVD from Lions Gate Home Entertainment opens with a disclaimer stating that the film has been changed from its theatrical version. The sole change is in the first ten minutes where Herzog explains that Treadwell had become a semi-celebrity. In the theatrical version a clip is shown of Treadwell on CBS' "Late Show with David Letterman." Treadwell comes out and explains what he has been doing and Letterman quips, "We're not going to open a newspaper one day and read about you being eaten by a bear are we?" In the DVD version this exchange is omitted and replaced with a NBC news segment of Treadwell being interviewed. When the interviewer asks if he would ever want a gun to protect himself, Treadwell states that he "would never, ever kill a bear even in the defense of my own life."
- ConexõesEdited into Diminishing Returns: Crank (2017)
- Trilhas sonorasCoyotes
by McDill (as Bob McDill)
Performed by Don Edwards
Courtesy of Universal-Polygram Int. Publ., Inc.
On behalf of itself and Ranger Bob Music (ASCAP), Warner Bros. Records, Inc. by arrangement with Warner Strategic Marketing
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- El hombre oso
- Locações de filme
- Katmai National Park, Alaska, EUA(archive footage)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 3.178.403
- Fim de semana de estreia nos EUA e Canadá
- US$ 269.131
- 14 de ago. de 2005
- Faturamento bruto mundial
- US$ 4.065.006
- Tempo de duração
- 1 h 43 min(103 min)
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1