Um Casamento Original

'Confetti' is a funny and charming British mockumentary, but it sure as hell isn't on-par with mockumentaries like 'Spinal Tap' and 'Best in Show'. 'Confetti' is about a fashion bridal magazine called 'Confetti'. The two executives of the magazine (Jimmy Carr and Felicity Montagu) form a contest involving three different couples seeing who can put on the most original wedding. They choose Matt and Sam (Martin Freeman and Jessica Hynes) two tone-deaf theater enthusiasts whose theme is Broadway Musicals ; Josef and Isabelle (Stephen Mangan and Meredith MacNeill) two wannabe pro-tennis players whose theme is, no big surprise, tennis ; and Michael and Joanna (Robert Webb and Olivia Colman), two nudists whose theme is a "naturist" wedding. With the help of two flamboyantly gay wedding planners (Vincent Franklin and Jason Watkins), the three couples set on a trek to plan their weddings and perhaps win the Confetti magazine most original wedding contest.

'Confetti' is an interesting concept, but disappointing in that they could have done so much more with it. The beginning is very funny and the ending sequence is flat-out hilarious, but there are so many in-between moments in 'Confetti' that aren't very funny and drag out. The actors are all very talented and funny, especially Vincent Franklin and Jason Watkins who are constant scene-stealers as the bitchy/gay wedding planners. Some of the time, I was confused in what I was watching -- a comedy or a drama. In some instances it becomes too sentimental to be funny, which is usually not a good route to take when making a mockumentary. Satire is a very hard thing to accomplish well in a movie, and 'Confetti' hits and misses, but luckily for the viewers it hits more than it misses. Grade: B-

I was expecting this to be fairly decent as I've seen virtually all of the actors in other comedies, but after watching it I certainly wouldn't want to see it again. However, since it is apparently improvised I didn't give it a lower rating, as there were some genuinely funny moments, but these were few and far between. The improvisation made the film feel like it had a lack of direction. Robert Webb said this movie was a regret, and certainly his couple were the worst - the only joke was that they were nude. The other two couples were a little better, one wedding was based around musicals, the other around tennis. I felt that this film had so much more potential, considering the actors involved. While I wouldn't consider anyone's acting bad, I simply didn't find the film particularly funny, or romantic, and a lot of the characters were just too flat and not properly fleshed out (such as the gay wedding planners).

A highly entertaining and original comedy using the cream of British comedy acting talent, who spent weeks improvising before arriving at the final script.

At times the writer/director Debbie Isitt doesn't seem sure whether to make her characters comic or endearing, but usually succeeds in doing both.

The 'Tennis Match' wedding is very funny, while the cast of non-dancers failing to achieve perfect symmetry in the Busby Berkeley sequence adds to the general hilarity.

Martin Freeman gets better with each role, Alison Steadman turns in her usual immaculate performance, with Jimmy Carr making the most of his first big screen role. Look out for the spectacularly camp wedding planners, who nearly steal the show from bigger names.

If you liked 'The Office' and 'Shaun of the Dead' you'll love this.

Delightful British mockumentary may not have all the sustainability and directional thrust of a vintage Guest film but still offers a refreshing and original venture into the popular up-and-coming genre of fake non-fiction. Taking place over several weeks, Confetti comically documents three very unique couples and their eccentric quests to win over a bridal magazine's "most original wedding" contest. With the help of an offbeat pace, these couples are transported to the surreal world of grossly irrelevant party planning, as imagined by two wacky staff party lovers.

It sounds like mildly stimulating entertainment, and for the most part it does play out as an elegant time waster, but this inventive mock-up must not be overlooked when viewing all of the subtle, quirky direction that creator Debbie Isitt employs to give this film some remarkable shades of sincerity against the absurd contest parody. Each of these fabulously improvised couples help make the wacky farce as eclectic as possible, and while everyone embraces their roles, some viewers will feel loud silences being awkwardly filled in by the hard working cast. At times, there is simply too much space for the improv comedy to truly take hold with this cast, but many subtle hints at brilliance lie beneath the half-great attempt, justifying a viewing to any open minded, mature yet irreverent adults.

There are few things so stressful in life as planning and executing a wedding. When that morass of charged emotions runs headlong into a contest held by Confetti Magazine for the "most original wedding," things are bound to get messy.

Three couples are chosen for their unique wedding ideas: Matt (Martin Freeman) and Sam (Jessica Stevenson) want a Hollywood musical style, Josef (Stephen Mangan) and Isabelle (Meredith MacNeill) vie for a tennis theme, while Michael (Robert Webb) and Joanna (Olivia Colman) are "naturalists" and want their nuptials to be done in the nude. Trying to wrangle these three disparate couples into some kind of order are wedding planners Archie Heron (Vincent Franklin) and Gregory Hough (Jason Watkins) who seem to be channeling Corky St. Clair...

In fact, shot as a documentary, this British ensemble piece is sure to be (justly) compared to Christopher Guest's mockumentaries (WAITING FOR GUFFMAN, A MIGHTY WIND, et cetera). Director Debbie Isitt does a fair job of aping Guest though she doesn't know when to go from documentary hand-held to a smoother choreographed camera and relies too much on non-diegetic music.

Clearly, too, Isitt is aware of the weaknesses to the storyline. Two of the three couples are off screen for long stretches and our "villainous" couple (think Parker Posey and Michael Hitchcock from BEST IN SHOW) is mishandled in the finale. Even when they're not working with the best material (how many jokes about a nudist wedding can there be?) the cast does a terrific job keeping the film afloat. Besotted with faces familiar to anglophile TV/film viewers, CONFETTI is an amusing farce.