Go West

Before i saw the movie i read some comments about it... stating it's condemned by several groups of people in Bosnia. I totally understand why, without spoiling anything, the overall message of the movie is shocking. Not only it gives a statement for the gay people in Bosnia, but also one for the whole population.

This movie is not for a broader range of people. In fact.. you will need to respect the way it is told in order to like it. But if you do, then it's genius......

And look for some nice metaphors which are a honor to Sergio Leone.

This movie is available on DVD in Bosnia and other Balkan countries, so if you are in that region you know you can find it.

The best one movie from Bosnia and Herzegovina. Amazing story about love, war and more. You must watch film "Go West". Great! Wonderful! Top! 10/10. Alen Albinovic.

...than the ID card, at least in this time and place. Milan's ownership of one and Kenan's lack thereof fuel the plot to have Kenan disguise himself as a woman so he won't have to 'show his credentials' and get himself summarily shot.

The combination of 10% cinema and historical genocide makes for a tense and edgy ride, especially when the new 'couple' is welcomed home and a wedding is performed. Not much affection is seen between the characters as everyone is on a war-footing, with an all-pervasive fear coloring everyone's actions. The love triangle that later develops does not end well, as so few do. The lives of the characters does not improve, nor do we expect it to based on the sad and tragic history of the heirs to Yugoslavia's breakup.

Perhaps my favorite moment is when Milan's father Ljubo states that they just should get rid of the Serbs. And the Croats. And the Bosnians. So then "decent people could enjoy this beautiful country".

A pretty good watch and a great statement on peoples' rights, regardless of gender, orientation, or ethnicity.

Somebody smart once said something to the effect if there is a need for a prologue, than director did not do his job correctly. I cannot agree more. Unfortunately Go West spends first two and a half minutes on prologue, boring prologue to be precise. Completely unnecessary. From there on, the movie spends more time on unnecessary details, more voice from the off, more explanations of unnecessary details, watering down the film I am sure would mean a lot if done as it should.

It must have been hard to come up with the idea of two homosexuals running away from the Sarajevo, because Sarajevo was never eager on homosexuals. I have spent there more than half of my life and I have met only two openly gay man. Compare that to my current place of living where I know at least a dozen openly gay man. Attacking homophobia in Sarajevo is very dangerous and brave undertaking, and for that I need to congratulate Ahmed Imamovic and Enver Puska. That was brave. Unfortunately brave writers and directors do not equal a great movie. However, this one is a good movie, a bit clumsy in some areas, but overall quite watchable.

If you expect something like Queer as Folk, than you will be disappointed. No sex scenes to that level. I guess because actors and the rest of the crew were quite scared for touching the topic. Well, that would be all but Tarik Filipovic, one of two main actors, who played homosexual in another Bosnian movie, dark comedy "Dobro Ustimani Mrtvaci". I guess the fact he lives in Zagreb, Croatia gives him more freedom to take on roles that bring hate mail and death threats that could eventuate into something awful if he was living near those who wrote them.

Watching this movie will annoy you. Sometimes the characters do not act as sane people would, and everything is a bit stretched, but this movie has other good points and is important maybe not as a great movie, but as a first movie that tackles homosexual love in Bosnia and Herzegovina.

My initial impressions of 'Go West' were that it would primarily be a fairly damning commentary on the Yugoslav war – a harsh, but sobering drama that would leave the viewer in no doubt as to the futility of ethnic and religious hatred, and indeed war itself. Which indeed it us, but it is also a condemnation of homophobia, while at the same time, the sheer absurdity of the fleeing couple's predicament elevates 'Go West's discourse into black comedy and farce – something that writers Ahmed Imamovic and Enver Puska expertly mesh with the general message of social meltdown and the way it destroyed Bosnia and Herzegovina - without one theme compromising the other.

Horror and madness must come before absurdity of course, and there is definitely nothing to laugh at during the opening sequences, where the two protagonists carry on with their lives in Sarajevo before they are overwhelmed by the turmoil. Director Imamovic weaves genuine newsreel footage of the conflict into his specially-shot sequences of Serbian militia terrorising the locals and gunning down the Muslim population (with soldiers forcing men's pants down in search of tell-tale circumcisions). As Milan and Kenan's lives are quickly overturned, forcing them into flight, the audience is given a street-level snapshot of how the conflict might have been experienced firsthand.

Fuelled by such life-or-death desperation, I found myself wondering if indeed the real-life Muslim homosexuals might too have disguised themselves as married women in order to escape execution. As Kenan himself states at the beginning, "On the Balkans, it's easier to bear if someone in the family is a murderer rather than a faggot (sic)." Under pressure from all sides, much of the tension in 'Go West' therefore derives from we the audience wondering just how long he will be able to maintain his disguise while besieged by threats on all sides (some not necessarily malicious) to expose the truth. Actor Mario Drmac plays the would-be transvestite with great skill, giving Kenan a quiet strength, though portraying him on a knife-edge as the drama escalates. 'Go West' is ultimately his story, showing the lengths the natives must go through in order to survive the war: humiliation, desperation, and above all, loss, leaving only courage or madness to dictate how one lives their remaining life.

The writers are also keen to point out the ridiculousness of the predicament, not only through Kenan's constant struggle to ensure his 'breasts' appear convincing or the stubble from his face, but in the whole cast of villagers whose world ranges from witchcraft and superstition to the local priest more concerned with political rhetoric than the salvation of the soul. Some of the characters are obvious comic relief, while in other cases, the humour creeps up on you with the forced jollity of the inhabitants that causes events to spiral further out of control. Ljubo is perhaps the strongest example of this. Wonderfully played by veteran actor Rade Serbedzija, the one-time Texan rancher fights daily against resignation and melancholy in the face of so much loss, unable to see that his good intentions are making things harder. His son Milan, played by Tarik Filipovic, sits somewhere between the two people he cares about most: warm and all-embracing, yet feeling as though only he truly understands the sacrifices that must be made. In contrast, Ranka, in a strong performance by Mirjana Karanovic, has far baser desires, which threaten to unravel the entire social fabric. Tragically, only the viewer is ultimately able to see the lighter side of their predicament.

While I think the blend of drama and black humour hold together well, there are some aspects of the script that don't entirely work as well as they could. The witchcraft element, for example, seems to be there simply to build up the potential threat of certain characters, yet ultimately doesn't seem to have any other meaning beyond this. Elsewhere, the murder of certain antagonists seems out-of-character for those enacting them, and done simply to pull the writers out of a hole during the all-important climax. This may sound a little odd in a film where senseless killing would be considered inevitable, but perhaps readers will know what I mean when they watch for themselves.

Ultimately however, these elements do not cause serious damage to the film's central premise, nor fear and madness of one of the 20th Century's most brutal civil wars. It does not try to be universal commentary on the fall of the republic, but instead 'zoom in' to a snapshot of the personal tragedy and persecution of those perceived to be socially abhorrent, which of course, they were not – merely ordinary people trying to survive. It reminds me of similarly-themed Albanian film, 'Slogans', also a drama/black comedy exploring the absurdity borne of a society descending into madness and painting itself into a corner. In 'Go West' however, there is a much higher body count.

This, and the many twists and turns of the plot, may cause the viewer to wonder if anyone will ultimately get out alive. In the end, 'Go West' delivers a bittersweet conclusion and a very poignant message. Hope survives, though many will have to die first – a not incongruous ending for film with war as its subject. Definitely recommended.