AVALIAÇÃO DA IMDb
7,3/10
50 mil
SUA AVALIAÇÃO
O primeiro capítulo de uma história em duas partes centrou-se numa batalha travada no período dos Três Reinos da China (220-280 d.C.).O primeiro capítulo de uma história em duas partes centrou-se numa batalha travada no período dos Três Reinos da China (220-280 d.C.).O primeiro capítulo de uma história em duas partes centrou-se numa batalha travada no período dos Três Reinos da China (220-280 d.C.).
- Direção
- Roteiristas
- Artistas
- Prêmios
- 14 vitórias e 44 indicações no total
Tony Leung Chiu-wai
- Zhou Yu
- (as Tony Leung)
Shidô Nakamura
- Gan Xing
- (as Shidou Nakamura)
Baasanjav Mijid
- Guan Yu
- (as Ba Sen Zha Bu)
Avaliações em destaque
Admittedly, I had my doubts about Red Cliff. John Woo in the chair to make a historical war drama? That hasn't happened since... oh wait, it's never happened before. Then again, if Ang Lee could make a great movie about gay cowboys, I'm willing to see what John Woo can do outside his usual territory. That, and the film's steady high profile publicity over the past several years, made Red Cliff a must-see for me.
For Red Cliff, the biggest divergence from Woo's prime time classics such as The Killer is the subdued emotions. Most of Woo's classics were rather in-your-face in terms of melodrama, but not so in Red Cliff. While I loved his melodramas, I believe Red Cliff reveals a matured Woo with improved craftsmanship. Make no mistake: he has incorporated his signature themes of male bonding, loyalty, and sacrifice in Red Cliff--but in a much more subtle and understated manner.
Unquestionable, some viewers have loved Woo for his badass action sequences. But for me, I've always been a fan because of his memorable characters. To this point, I was pleased with Red Cliff's strong characters. The film has focused on making the central figures appealing by either embellishing them with an edgy factor or giving them some depth, and this is successful for the most part.
For me, the low point of the movie was the weak acting from Zhao Wei and Takeshi Kaneshiro -- not just compared to Tony Leung, but on any scale. Kaneshiro is an odd choice to play the historically glorified Zhuge Liang, while Zhao Wei's character seemed totally inconsequential.
The film also features some annoying cartoonish music, which seemed to be oddly misplaced in intense combat scenes.
Other than those few shortcomings, Red Cliff is a solid film that is both a mega blockbuster and quality film-making.
For Red Cliff, the biggest divergence from Woo's prime time classics such as The Killer is the subdued emotions. Most of Woo's classics were rather in-your-face in terms of melodrama, but not so in Red Cliff. While I loved his melodramas, I believe Red Cliff reveals a matured Woo with improved craftsmanship. Make no mistake: he has incorporated his signature themes of male bonding, loyalty, and sacrifice in Red Cliff--but in a much more subtle and understated manner.
Unquestionable, some viewers have loved Woo for his badass action sequences. But for me, I've always been a fan because of his memorable characters. To this point, I was pleased with Red Cliff's strong characters. The film has focused on making the central figures appealing by either embellishing them with an edgy factor or giving them some depth, and this is successful for the most part.
For me, the low point of the movie was the weak acting from Zhao Wei and Takeshi Kaneshiro -- not just compared to Tony Leung, but on any scale. Kaneshiro is an odd choice to play the historically glorified Zhuge Liang, while Zhao Wei's character seemed totally inconsequential.
The film also features some annoying cartoonish music, which seemed to be oddly misplaced in intense combat scenes.
Other than those few shortcomings, Red Cliff is a solid film that is both a mega blockbuster and quality film-making.
I first saw the 148 mins version in 2009 on a dvd which I own.
Saw the 288 minutes version few days back.
I liked the 148 mins version but i liked the 288 mins version even more n inspite of the runtime, i never felt like fiddling with my phone. In fact, i found the film very captivating.
The film has tons of action. A true old school war with tons of bows n arrows, spears, swords, horses, ships, etc.
Apart from the battlefield action sequences, all the characters are awesomely developed, the cinematography is lovely n some of the scenes are picturesque.
There is absolutely no shaky cam or fast cut editing. One can easily make out what is going on during the war scenes. None of the scenes is shot in too much darkness.
We have a daring character Gan Ning (Nakamura Shido II) who does a stint like Steve McQueen's character from Hell is for Heroes. I love both the scenes.
The hand chopping scene, the sword slashings n the spears piercing, are all brutal.
After finishing the film, rice flour and sugar stayed on my mind. I tried the recipe on YouTube.
Some drawbacks - The initial scene with the baby on the back n running n fighting is lol n far fetched.
John Woo had already done this mistake in Hard Boiled with the baby peeing n all.
Another far fetched n lol scene in this movie is that of catching a woman in midair.
The msg in the end about nobody a victor is so anti war.
Saw the 288 minutes version few days back.
I liked the 148 mins version but i liked the 288 mins version even more n inspite of the runtime, i never felt like fiddling with my phone. In fact, i found the film very captivating.
The film has tons of action. A true old school war with tons of bows n arrows, spears, swords, horses, ships, etc.
Apart from the battlefield action sequences, all the characters are awesomely developed, the cinematography is lovely n some of the scenes are picturesque.
There is absolutely no shaky cam or fast cut editing. One can easily make out what is going on during the war scenes. None of the scenes is shot in too much darkness.
We have a daring character Gan Ning (Nakamura Shido II) who does a stint like Steve McQueen's character from Hell is for Heroes. I love both the scenes.
The hand chopping scene, the sword slashings n the spears piercing, are all brutal.
After finishing the film, rice flour and sugar stayed on my mind. I tried the recipe on YouTube.
Some drawbacks - The initial scene with the baby on the back n running n fighting is lol n far fetched.
John Woo had already done this mistake in Hard Boiled with the baby peeing n all.
Another far fetched n lol scene in this movie is that of catching a woman in midair.
The msg in the end about nobody a victor is so anti war.
This review is of the Chinese DVD Release of the 1st film only... I cannot understand how the previous poster could feel that way about this gorgeous epic. Everything they said they hated were things I thought were well done, and wonderful about the film. Of all the people I've shared this DVD with, they've all thought it was an amazing movie also.
Ever camera shot was gorgeous. The angles were unique, without wasted punch-ins or b-roll. It's rare to find films so tastefully shot. The color was stunning, and the interpretation of the classic tale was unique and never disappointing.
Meanwhile, With all the characters, the actors each held such a powerful presence. It's very tough to develop any character singularly while you have so many important characters with their own mythos and chronicles, but each actor really held up to their image and that of the character. Kaneshiro is a very unique version of Zhuge which caught me off guard at first, but appreciated after his scene w/ the Zhou Yu. Zhou Yu was never a character I've cared for, but here, he's likable and strong. The best "fresh" interpretation though was that of Guan Yu. Instead of being "just another" honourable and strong warrior, he's rather a warrior-scholar, more intelligent, and more personality than ever before.
My only true quarrel is that it ends prematurely (that is, until we see the 2nd half in 2009). I just wish they could have done the whole saga instead of this little piece.
Thank you John Woo for one of the finest Three Kingdom movies ever! I believe this is a great direction for your talents! You've woven the action you're so famous for with a deep, heartfelt classic tale! Wonderful job!
Ever camera shot was gorgeous. The angles were unique, without wasted punch-ins or b-roll. It's rare to find films so tastefully shot. The color was stunning, and the interpretation of the classic tale was unique and never disappointing.
Meanwhile, With all the characters, the actors each held such a powerful presence. It's very tough to develop any character singularly while you have so many important characters with their own mythos and chronicles, but each actor really held up to their image and that of the character. Kaneshiro is a very unique version of Zhuge which caught me off guard at first, but appreciated after his scene w/ the Zhou Yu. Zhou Yu was never a character I've cared for, but here, he's likable and strong. The best "fresh" interpretation though was that of Guan Yu. Instead of being "just another" honourable and strong warrior, he's rather a warrior-scholar, more intelligent, and more personality than ever before.
My only true quarrel is that it ends prematurely (that is, until we see the 2nd half in 2009). I just wish they could have done the whole saga instead of this little piece.
Thank you John Woo for one of the finest Three Kingdom movies ever! I believe this is a great direction for your talents! You've woven the action you're so famous for with a deep, heartfelt classic tale! Wonderful job!
Its been years since I last watched a great Chinese movie. Growing up in Malaysia, watching many Chinese movies, the one I most fond of was Wong Kar Wai, Tsui Hark, Stanley Tong, Jackie Chan and of course the masterful John Woo. In his movies, the elements he combined made his movie very unique and distinctive from any other Chinese films i've watched. His use of kinetic shots and slow motion gave a fresh look, if not, reinvented the action genre while Hollywood was still producing plain and boring action movies.
After nearly 18 years, John returns to Chinese cinema, with a big present install for all of us. And that is Red Cliff. Beautifully shot, big on scale, action-plenty, great performances and a smart adaptation of the historical epic, The Three kingdom makes this movie one of the best Chinese epics in decades.(with the exception of Hero) True to his style. After his last three films, i began to think whether John's losing his edge already or is it because the Hollywood system that was in the way. In this case, I choose to think the Hollywood system was the cause of it. Red Cliff shows he still have the similar trademark he use in his films. The only difference is that this movie is huge in scale.
The themes he use; brotherhood, humble and honor are one of the driving formulas which made his classic movies a hit with audience is still very visible here. Visuals are breathtaking as this is one of the greatest visual effect shots I ever seen in an Asian movie. For an Asian like me I'm very proud of that. The cinematic shots were stunning and beautiful. One which John's interpretation is still very sharp. The production behind this movie are mind blowing-ly HUGE. With the amount of extras and props used, makes any filmmaker-wannabe to ask "how did he do that?" I couldn't even imagine all the headache he has gone through for this movie.
Now, in terms of story telling, plot and character development, the elements which i mention up there surprisingly fits together. The pacing for each scene has a mind of its own. For action it goes into overdrive. Cleverly building in the battle and action, the scenes were outstanding. It almost has a classic hong kong action feel to it where every action seems to be very unpredictable. The dramatic scenes and character development fits like a shoe, as the acting boost up all the character's emotions. Whether its seriousness, ego, humor, sad or depressed all the characters has it. So, to my surprise I still can't get over the fact that John can still balance both action and drama together like he always did in his films. Two thumbs up for that. The plot came in quite well in timing. With no hesitation except for the small intro, it goes straight into the battle scenes first before any dramatic scenes take place. Slowly it builds up, from the inroduction of characters each revealing themselves in detail, to the forming of strategies to stop the invasion and ends in with an amazing climatic battle scene.
All in all, Red Cliff is one of the best movies in 2008 that I've seen. I'm gonna review Part II later. So to end this review. I gave it A MUST HAVE for people.
8.8 out of 10 ratings.
After nearly 18 years, John returns to Chinese cinema, with a big present install for all of us. And that is Red Cliff. Beautifully shot, big on scale, action-plenty, great performances and a smart adaptation of the historical epic, The Three kingdom makes this movie one of the best Chinese epics in decades.(with the exception of Hero) True to his style. After his last three films, i began to think whether John's losing his edge already or is it because the Hollywood system that was in the way. In this case, I choose to think the Hollywood system was the cause of it. Red Cliff shows he still have the similar trademark he use in his films. The only difference is that this movie is huge in scale.
The themes he use; brotherhood, humble and honor are one of the driving formulas which made his classic movies a hit with audience is still very visible here. Visuals are breathtaking as this is one of the greatest visual effect shots I ever seen in an Asian movie. For an Asian like me I'm very proud of that. The cinematic shots were stunning and beautiful. One which John's interpretation is still very sharp. The production behind this movie are mind blowing-ly HUGE. With the amount of extras and props used, makes any filmmaker-wannabe to ask "how did he do that?" I couldn't even imagine all the headache he has gone through for this movie.
Now, in terms of story telling, plot and character development, the elements which i mention up there surprisingly fits together. The pacing for each scene has a mind of its own. For action it goes into overdrive. Cleverly building in the battle and action, the scenes were outstanding. It almost has a classic hong kong action feel to it where every action seems to be very unpredictable. The dramatic scenes and character development fits like a shoe, as the acting boost up all the character's emotions. Whether its seriousness, ego, humor, sad or depressed all the characters has it. So, to my surprise I still can't get over the fact that John can still balance both action and drama together like he always did in his films. Two thumbs up for that. The plot came in quite well in timing. With no hesitation except for the small intro, it goes straight into the battle scenes first before any dramatic scenes take place. Slowly it builds up, from the inroduction of characters each revealing themselves in detail, to the forming of strategies to stop the invasion and ends in with an amazing climatic battle scene.
All in all, Red Cliff is one of the best movies in 2008 that I've seen. I'm gonna review Part II later. So to end this review. I gave it A MUST HAVE for people.
8.8 out of 10 ratings.
After several years away from Hong Kong (and mainland China,as well), John Woo has returned,with a vengeance,to direct perhaps one of the finest films of his career. 'Chi bi' (or as it is being distributed in English speaking countries as 'Red Cliff')tells the tale of two warlords locked in battle mode for the control of the south of China, in the fourteenth century,during the Han dynasty. Tony Leung Chiu Wau stars as Zhou Yu,while Fengyi Zhang just absolutely reeks of bad guy as war lord,Cao Cao. The rest of the cast turn in outstanding acting jobs,as well. Originally,this film was released in Asia as a two part,five hour blockbuster that went through the roof as one of the most successful films from mainland China (but is cut by half it's original running time to just under 150 minutes). Along the way,we are witness to several full pitched battle scenes,but features some nice locale shots of the Chinese countryside,as well during the non battle scenes (filmed in wide screen by Yue Lu & Li Zhang). The razor sharp editing is by Hongyu Yang,with assistance by Angie Lam & Robert Ferretti,for the American version). This is taut,nail biting entertainment for the thinking person who is sick to death of most of what passes for films from the Hollywood sausage grinder of the same old,same old. Spoken in Mandarin with English subtitles. Rated 'R' by the MPAA,this film serves up some fierce, intense battle scenes,with graphic bloody violence,as well as some mild adult situations.
Você sabia?
- CuriosidadesThis movie had been divided in two parts for the theatrical release in the Asian market. The American release will be the condensed version of these two parts. The reason given was that the Asian viewers are more familiar with the characters and their exploits while the western viewers might be confused with the numerous characters and their similar names (therefore keeping it simple for the US market).
- Erros de gravaçãoAt 1:56:56, after the first battle, there is a shot from a low angle where you can see the generals sitting on their horses, showing the soles of their shoes. You can clearly see that their shoes have sneaker soles.
- Citações
Zhuge Liang: We must fight even if we cannot win.
- Versões alternativasFor the UK theatrical release, cuts were required to remove a shot of a cruel and dangerous horse fall (a horse being tripped and falling forward, rolling over on its neck). The cuts were required in accordance with the Cinematograph Films (Animals) Act 1937.
- ConexõesFeatured in The Rotten Tomatoes Show: Zombieland/A Serious Man/Whip It (2009)
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Red Cliff
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- CN¥ 553.632.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 627.047
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.104
- 22 de nov. de 2009
- Faturamento bruto mundial
- US$ 129.710.514
- Tempo de duração
- 2 h 25 min(145 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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