AVALIAÇÃO DA IMDb
5,3/10
42 mil
SUA AVALIAÇÃO
Uma escuridão ameaçadora invade uma fazenda de girassóis em Dakota do Norte, a família Solomon é dilacerada por suspeitas, caos e assassinatos.Uma escuridão ameaçadora invade uma fazenda de girassóis em Dakota do Norte, a família Solomon é dilacerada por suspeitas, caos e assassinatos.Uma escuridão ameaçadora invade uma fazenda de girassóis em Dakota do Norte, a família Solomon é dilacerada por suspeitas, caos e assassinatos.
- Direção
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- 1 vitória e 2 indicações no total
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Avaliações em destaque
I won't lie to you, I enjoyed this movie. Yes, it was rather generic. Yes, it borrowed some plot points from other movies. And yes, there were way too many crows. Yet despite all the negative I continued to hear about it, I went and saw it anyways, and I'm glad I did.
Many plot points, such as a haunted house in the middle of nowhere, parents not listening to their kids, and ghosts out for revenge are ideas that Hollywood has used and recycled more times than a person can count. However, The Messengers manages to put these together into one movie, without going for too much at once. Certain scenes were rather predictable, so I won't claim that the movie really innovates on any of the standard horror elements, but there are plenty of moments that had me jump in my seat, and had the female members of the audience squealing and clutching their boyfriends.
Overall I felt at the end of the movie that, while not amazing, it was worthy of my time and money to see with a couple friends on a lazy afternoon.
Many plot points, such as a haunted house in the middle of nowhere, parents not listening to their kids, and ghosts out for revenge are ideas that Hollywood has used and recycled more times than a person can count. However, The Messengers manages to put these together into one movie, without going for too much at once. Certain scenes were rather predictable, so I won't claim that the movie really innovates on any of the standard horror elements, but there are plenty of moments that had me jump in my seat, and had the female members of the audience squealing and clutching their boyfriends.
Overall I felt at the end of the movie that, while not amazing, it was worthy of my time and money to see with a couple friends on a lazy afternoon.
There is evidence to suggest that children... would really rather watch something else.
As suspense/horror movies go, this one isn't amazing. Its hardly original; more like Hitchcock's The Birds meets Verbinski's The Ring. Honestly. Its a perfect combination of the two.
Personally I'd recommend watching the afore mentioned separately, each being better alone than this film. Really, the only thing it seems to have in abundance OTHER than unoriginality, is cheap pop-out scares. I mean, yeah, its kinda fun the first time or two... but after about half a dozen, you start to wonder if there is anything else to be had.
The acting wasn't entirely horrible, I'll admit to that much. The Turner kids who played Ben are certainly entertaining to watch, giving a cute contrast to the grungy atmosphere of the movie. Cancer Man... wait... no, sorry, William Davis could have done better in my opinion, as could Miller... but considering the type of movie this is, one doesn't have a lot of room to nitpick.
As a quick side note, I DO commend this movie for not being gratuitously gory. Its rare to find modern movies in this genre that don't blatantly use blood and guts to invoke fear.
All in all, this movie isn't the worst of its kinda, but it is in no way the best. If you want cheap, minimal-gore thrills that will make you jump, go see it. If you're looking for a deeper, more thought-provoking thriller... I strongly recommend looking elsewhere.
As suspense/horror movies go, this one isn't amazing. Its hardly original; more like Hitchcock's The Birds meets Verbinski's The Ring. Honestly. Its a perfect combination of the two.
Personally I'd recommend watching the afore mentioned separately, each being better alone than this film. Really, the only thing it seems to have in abundance OTHER than unoriginality, is cheap pop-out scares. I mean, yeah, its kinda fun the first time or two... but after about half a dozen, you start to wonder if there is anything else to be had.
The acting wasn't entirely horrible, I'll admit to that much. The Turner kids who played Ben are certainly entertaining to watch, giving a cute contrast to the grungy atmosphere of the movie. Cancer Man... wait... no, sorry, William Davis could have done better in my opinion, as could Miller... but considering the type of movie this is, one doesn't have a lot of room to nitpick.
As a quick side note, I DO commend this movie for not being gratuitously gory. Its rare to find modern movies in this genre that don't blatantly use blood and guts to invoke fear.
All in all, this movie isn't the worst of its kinda, but it is in no way the best. If you want cheap, minimal-gore thrills that will make you jump, go see it. If you're looking for a deeper, more thought-provoking thriller... I strongly recommend looking elsewhere.
"The Messengers" revolves around a young teenager, Jess (Kristen Stewart), who moves out into rural North Dakota with her dad (Dylan McDermott), her mother (Penelope Ann Miller), and her little brother, to a sunflower farm. The house they move into is run-down and very spooky, and Jess isn't happy about the entire situation. From the moment they arrive to the house, Jess begins to have strange experiences and see very bizarre things. Her younger brother also sees things that nobody else can, and Jess is concerned. A man who shows up out of nowhere (John Corbett) to work at the farm, and the family becomes pretty close with him as well. But the increasingly frightening supernatural experiences that only Jess seems to see get more and more violent, and seem to have a relation to something that happened in the house years ago.
With some obvious similarities to "The Grudge" (and just about every ghost story you can think of), "The Messengers" is an extremely derivative ghost tale that manages to hold itself up without becoming unbearably watchable. The story itself is your typical haunted-house yarn - family moves into house, strange experiences begin that can only be seen by the children or our main character, seems to have a relation to a horrible incident that happened in the house years before. Full of dark and shadowy rooms, ghost-like figures with ridiculously orchestrated jerky movements (reminiscent of "The Grudge"), mostly useless "jump" scares, and a small child character who can see things others can't, "The Messengers" is clichéd, no doubting that. I wasn't afraid once during this film, because I knew when to expect all of the scary moments. Maybe it's because I've seen films like this one too many times, but all I can say for sure is that I didn't find this film scary.
While this film is heavily clichéd (which is probably it's strongest negative point), I still managed to enjoy the majority of it. While the story is typical, it managed to keep my attention and I was at least interested. The cinematography really soared in this film. Everything was very nice looking and the atmosphere was great. The backdrop of the house and the surrounding land really made it feel like it was in the complete middle of nowhere, and the old house itself, while it was your typical haunted house, was admittedly spooky looking. The acting was really good for the most part. Kristen Stewart is the lead and is very talented and convincing. I'd previously seen her in "Panic Room" at a younger age, and even then she was good. I can see her going places. Dylan McDermott and John Corbett are both very good as well, and Penelope Ann Miller, while not giving the best performance of the cast, was decent enough. I can't say anything too horrible about the acting though.
Overall, "The Messengers" is your typical, cliché-ridden modern ghost story, and it borrows so much from other recent films of it's type (which a lot of these films seem to do), that it becomes another one of those "we've seen it all before" horror movies. It doesn't offer much of anything new for the genre, but it was at least watchable. If you want some cheap scares and a very few number of eerie moments, you'll probably enjoy this. But mostly, this film is one big cliché. Enjoyable if you don't take it too seriously though, but just average. 5/10.
With some obvious similarities to "The Grudge" (and just about every ghost story you can think of), "The Messengers" is an extremely derivative ghost tale that manages to hold itself up without becoming unbearably watchable. The story itself is your typical haunted-house yarn - family moves into house, strange experiences begin that can only be seen by the children or our main character, seems to have a relation to a horrible incident that happened in the house years before. Full of dark and shadowy rooms, ghost-like figures with ridiculously orchestrated jerky movements (reminiscent of "The Grudge"), mostly useless "jump" scares, and a small child character who can see things others can't, "The Messengers" is clichéd, no doubting that. I wasn't afraid once during this film, because I knew when to expect all of the scary moments. Maybe it's because I've seen films like this one too many times, but all I can say for sure is that I didn't find this film scary.
While this film is heavily clichéd (which is probably it's strongest negative point), I still managed to enjoy the majority of it. While the story is typical, it managed to keep my attention and I was at least interested. The cinematography really soared in this film. Everything was very nice looking and the atmosphere was great. The backdrop of the house and the surrounding land really made it feel like it was in the complete middle of nowhere, and the old house itself, while it was your typical haunted house, was admittedly spooky looking. The acting was really good for the most part. Kristen Stewart is the lead and is very talented and convincing. I'd previously seen her in "Panic Room" at a younger age, and even then she was good. I can see her going places. Dylan McDermott and John Corbett are both very good as well, and Penelope Ann Miller, while not giving the best performance of the cast, was decent enough. I can't say anything too horrible about the acting though.
Overall, "The Messengers" is your typical, cliché-ridden modern ghost story, and it borrows so much from other recent films of it's type (which a lot of these films seem to do), that it becomes another one of those "we've seen it all before" horror movies. It doesn't offer much of anything new for the genre, but it was at least watchable. If you want some cheap scares and a very few number of eerie moments, you'll probably enjoy this. But mostly, this film is one big cliché. Enjoyable if you don't take it too seriously though, but just average. 5/10.
I don't think that I would completely write off the Pang brothers, Oxide and Danny, as they don't completely go into the self-indulgent post-modernism that has panged, no pun intended, the horror filmmakers of late. Only once or twice they jump into 'Saw' territory. But even having not seen the majority of the Japanese horror movies that have give rise to the over-abundance of 'ghosts-in-my-house' wave (and, likewise, to their American counterparts), there isn't too much with surprise or shocks in The Messengers.
I'm sure they're self-conscious of the films they're paying homage/ripping off (the one scene involving the crows and their rendezvous with John Corbett's character is like a chummier mash of The Birds and North by Northwest; Shining and Close Encounters references seem a little more than clear to me too), yet they also succumb to having their film be really affect-less. It's never too stupid though; I didn't have a disliking toward any one character, with the exception being maybe towards the end with Corbett (I don't think I'm spoiling much there), and it's the sort of typical family-moves-into-a-creepy-house story that decides to hit the usual bases without going rapidly wrong on the marks.
But there's also the muddle that comes in dealing with the supernatural side of things, amid the average scares of 'what did I hear in the other room, I'll go check'. For one thing, the variations on who the ghosts and demons in the house are- if they're the family that used to live there, or if they might be the whatevers that killed off the family striking back at the new family in the house. There's fair acting from the family (Kristen Stewart of Panic Room fills in the teenage-girl niche, and there's competent work from McDermott and Miller; Colbert is a little creepy, but I guess that's the point; William B. Davis's bit part is the best real surprise of the movie), but it's all at the mercy of a standard script that might've been better, damn if I say it, as a half hour TV episode or something. Only sometimes, too, are there some potential unintentional laughs to be had, mostly towards the climax and with the very randomly placed crows that can only come in a pretty inexplicable flick such as this.
In the end, the Messengers is nothing new, and won't contribute much at all to the horror genre at large, but I wouldn't throw it in my 'I hate this movie so much' bin either, as it only continues to that non-threatening realm of the kinda-creepy PG-13 haunted house picture.
I'm sure they're self-conscious of the films they're paying homage/ripping off (the one scene involving the crows and their rendezvous with John Corbett's character is like a chummier mash of The Birds and North by Northwest; Shining and Close Encounters references seem a little more than clear to me too), yet they also succumb to having their film be really affect-less. It's never too stupid though; I didn't have a disliking toward any one character, with the exception being maybe towards the end with Corbett (I don't think I'm spoiling much there), and it's the sort of typical family-moves-into-a-creepy-house story that decides to hit the usual bases without going rapidly wrong on the marks.
But there's also the muddle that comes in dealing with the supernatural side of things, amid the average scares of 'what did I hear in the other room, I'll go check'. For one thing, the variations on who the ghosts and demons in the house are- if they're the family that used to live there, or if they might be the whatevers that killed off the family striking back at the new family in the house. There's fair acting from the family (Kristen Stewart of Panic Room fills in the teenage-girl niche, and there's competent work from McDermott and Miller; Colbert is a little creepy, but I guess that's the point; William B. Davis's bit part is the best real surprise of the movie), but it's all at the mercy of a standard script that might've been better, damn if I say it, as a half hour TV episode or something. Only sometimes, too, are there some potential unintentional laughs to be had, mostly towards the climax and with the very randomly placed crows that can only come in a pretty inexplicable flick such as this.
In the end, the Messengers is nothing new, and won't contribute much at all to the horror genre at large, but I wouldn't throw it in my 'I hate this movie so much' bin either, as it only continues to that non-threatening realm of the kinda-creepy PG-13 haunted house picture.
I saw this one tonight at a screening, and I wasn't entirely disappointed. I'll be honest -- there's nothing new in The Messengers. It's all been seen before in earlier, more original movies. This one is kind of a "best of" reel of some good ideas from other horror movies. If you're looking for something original and scary, this isn't it. If you're looking for a little jumpy fun, I can't say this one is a miss. By virtue of the "good ideas" being good, they work. What it lacks in originality it makes up for in assembling them in a reasonably coherent manner.
My only real gripe is that Dylan McDermitt looks about as out of place working the fields of his farm as any actor I can think of. They could have at least tried a LITTLE bit harder casting that part.
Think The Birds + Ju On + Amityville Horror + Sixth Sense.
My only real gripe is that Dylan McDermitt looks about as out of place working the fields of his farm as any actor I can think of. They could have at least tried a LITTLE bit harder casting that part.
Think The Birds + Ju On + Amityville Horror + Sixth Sense.
Você sabia?
- CuriosidadesAt the film premiere in Minot, North Dakota, when Bobby said "Welcome to North Dakota," the audience broke out in laughter.
- Erros de gravaçãoIn the film they are harvesting sunflowers when they are full bloom. Sunflowers can only be harvested in the winter when they are fully black
- Cenas durante ou pós-créditosThe opening title sequence suddenly drains of color, to become monochrome (black and white).
- ConexõesFeatured in HypaSpace: Episode #6.25 (2007)
- Trilhas sonorasAll My Dreams Are Coming True
Written and Performed by Ron Keel (ASCAP)
Courtesy Marc Ferrari/MasterSource
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- Também conhecido como
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- Orçamento
- US$ 16.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 35.374.833
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.713.321
- 4 de fev. de 2007
- Faturamento bruto mundial
- US$ 55.060.212
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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