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"The Messengers" revolves around a young teenager, Jess (Kristen Stewart), who moves out into rural North Dakota with her dad (Dylan McDermott), her mother (Penelope Ann Miller), and her little brother, to a sunflower farm. The house they move into is run-down and very spooky, and Jess isn't happy about the entire situation. From the moment they arrive to the house, Jess begins to have strange experiences and see very bizarre things. Her younger brother also sees things that nobody else can, and Jess is concerned. A man who shows up out of nowhere (John Corbett) to work at the farm, and the family becomes pretty close with him as well. But the increasingly frightening supernatural experiences that only Jess seems to see get more and more violent, and seem to have a relation to something that happened in the house years ago.

With some obvious similarities to "The Grudge" (and just about every ghost story you can think of), "The Messengers" is an extremely derivative ghost tale that manages to hold itself up without becoming unbearably watchable. The story itself is your typical haunted-house yarn - family moves into house, strange experiences begin that can only be seen by the children or our main character, seems to have a relation to a horrible incident that happened in the house years before. Full of dark and shadowy rooms, ghost-like figures with ridiculously orchestrated jerky movements (reminiscent of "The Grudge"), mostly useless "jump" scares, and a small child character who can see things others can't, "The Messengers" is clichéd, no doubting that. I wasn't afraid once during this film, because I knew when to expect all of the scary moments. Maybe it's because I've seen films like this one too many times, but all I can say for sure is that I didn't find this film scary.

While this film is heavily clichéd (which is probably it's strongest negative point), I still managed to enjoy the majority of it. While the story is typical, it managed to keep my attention and I was at least interested. The cinematography really soared in this film. Everything was very nice looking and the atmosphere was great. The backdrop of the house and the surrounding land really made it feel like it was in the complete middle of nowhere, and the old house itself, while it was your typical haunted house, was admittedly spooky looking. The acting was really good for the most part. Kristen Stewart is the lead and is very talented and convincing. I'd previously seen her in "Panic Room" at a younger age, and even then she was good. I can see her going places. Dylan McDermott and John Corbett are both very good as well, and Penelope Ann Miller, while not giving the best performance of the cast, was decent enough. I can't say anything too horrible about the acting though.

Overall, "The Messengers" is your typical, cliché-ridden modern ghost story, and it borrows so much from other recent films of it's type (which a lot of these films seem to do), that it becomes another one of those "we've seen it all before" horror movies. It doesn't offer much of anything new for the genre, but it was at least watchable. If you want some cheap scares and a very few number of eerie moments, you'll probably enjoy this. But mostly, this film is one big cliché. Enjoyable if you don't take it too seriously though, but just average. 5/10.

After having problems in Chicago, the Solomon family moves to a remote North Dakota farmhouse to start anew, but their attempts at an idyllic farming life is disrupted when their teen daughter Jess (Kristen Stewart) and her 3-year-old brother Ben start seeing and being attacked by supernatural beings who won't allow them to live in peace.

The Messengers starts off decently although it eventually becomes a generic horror film that's a lot more humorous than frightening. After reading the premise, I thought this could have been a decent movie since it sounded creepy and it held potential. Unfortunately, the film didn't live up to its potential although I should have expected this since the trailer was awful. The screenplay was probably the worst part about it. It was full of silly sequences and bland dialog. The characters were not developed at all and most of them were acting like a bunch of idiots so it was hard to feel sympathy for them.

The directors did a horrible job at building up suspense. They mainly relied on cheap scares like loud noises and random jumps. The music was really over the top and it just made it easier for the viewer to telegraph the next "scary" moment. I also didn't like how they pretty much just used one location for the whole movie. The house was the centerpiece of the story and that's where the majority of the filming took place so it got a little boring after awhile to see the same area. Also, I didn't like the close-ups of the actors. During a conversation, the camera would continually jerk from character to another in the span of five seconds and it got really annoying. The directors did create a decent atmosphere and they do get some points for making their movie stylish. However, since we have come a long way in terms of style and effects, it's not really that hard to make your movie look nice especially if you are working on a Hollywood film.

The acting was atrocious and if this movie had been released in December, I'm sure it would have received several Razzie nominations. Kristen Stewart showed some talent in Panic Room but you wouldn't be able to tell she has talent by watching her performance in The Messengers. She was okay at acting scared and that's it. The rest of the time she was dry and unconvincing. Penelope Anne Miller was just awful when it came to everything. It sounded like she was reading her lines and she had some of the worst facial expressions I have ever seen. Dylan McDermott was just very wooden and he showed almost no emotion. John Corbett gave the best performance and he had a couple of good scenes. The twins who played Ben were also decent and managed to out act many of the adult actors. Overall, this lame horror film is not worth watching because of it's blandness and lazy film-making. Rating 4/10

If you aren't expecting some super-scary or gross film, just a mild ghost-type story, this fits the bill just fine. That's all I expected and I entertained for an hour-and-a-half. Is this some award-winning film? No, Is is genuinely scary? No, but it isn't anywhere near as bad as all these reviews say it is here, either.

What I liked best about this movie was the photography. It was stylishly filmed and I enjoyed the bold colors, decent direction and nice rural scenery. Who doesn't like looking at large groups of sunflowers?

I had no trouble with any of the characters, either. Since it was partly one of those "you don't listen to me," teen girl flicks, I expected some snotty kid was Kirsten Stewart was fine as 16- year-old "Jess." Dylan McDermott and Penelope Ann Miller played nice enough parents, too.

The twist near the end was good after that was revealed, you got the normal clichés with the climactic action scene. That was kind of cheesy, I admit, but most of the film was just fine with me. For what I expected, I have no complaints. It's a decent flick.

I don't think that I would completely write off the Pang brothers, Oxide and Danny, as they don't completely go into the self-indulgent post-modernism that has panged, no pun intended, the horror filmmakers of late. Only once or twice they jump into 'Saw' territory. But even having not seen the majority of the Japanese horror movies that have give rise to the over-abundance of 'ghosts-in-my-house' wave (and, likewise, to their American counterparts), there isn't too much with surprise or shocks in The Messengers.

I'm sure they're self-conscious of the films they're paying homage/ripping off (the one scene involving the crows and their rendezvous with John Corbett's character is like a chummier mash of The Birds and North by Northwest; Shining and Close Encounters references seem a little more than clear to me too), yet they also succumb to having their film be really affect-less. It's never too stupid though; I didn't have a disliking toward any one character, with the exception being maybe towards the end with Corbett (I don't think I'm spoiling much there), and it's the sort of typical family-moves-into-a-creepy-house story that decides to hit the usual bases without going rapidly wrong on the marks.

But there's also the muddle that comes in dealing with the supernatural side of things, amid the average scares of 'what did I hear in the other room, I'll go check'. For one thing, the variations on who the ghosts and demons in the house are- if they're the family that used to live there, or if they might be the whatevers that killed off the family striking back at the new family in the house. There's fair acting from the family (Kristen Stewart of Panic Room fills in the teenage-girl niche, and there's competent work from McDermott and Miller; Colbert is a little creepy, but I guess that's the point; William B. Davis's bit part is the best real surprise of the movie), but it's all at the mercy of a standard script that might've been better, damn if I say it, as a half hour TV episode or something. Only sometimes, too, are there some potential unintentional laughs to be had, mostly towards the climax and with the very randomly placed crows that can only come in a pretty inexplicable flick such as this.

In the end, the Messengers is nothing new, and won't contribute much at all to the horror genre at large, but I wouldn't throw it in my 'I hate this movie so much' bin either, as it only continues to that non-threatening realm of the kinda-creepy PG-13 haunted house picture.

I saw this one tonight at a screening, and I wasn't entirely disappointed. I'll be honest -- there's nothing new in The Messengers. It's all been seen before in earlier, more original movies. This one is kind of a "best of" reel of some good ideas from other horror movies. If you're looking for something original and scary, this isn't it. If you're looking for a little jumpy fun, I can't say this one is a miss. By virtue of the "good ideas" being good, they work. What it lacks in originality it makes up for in assembling them in a reasonably coherent manner.

My only real gripe is that Dylan McDermitt looks about as out of place working the fields of his farm as any actor I can think of. They could have at least tried a LITTLE bit harder casting that part.

Think The Birds + Ju On + Amityville Horror + Sixth Sense.