Pusher III: O Anjo da Morte

First off, I have really no idea why the film has received so many 1 star ratings here-- Buric's lead role alone is worth at least five times that.

Now with that out of the way... The film is pretty much excellent. I can't see anyone who's liked the first two being disappointed with this one. The dialogue, the characters, the situations-- Winding Refn is becoming, or should I say has become, a true master filmmaker. I don't have much to say about the story, except that it has more in common with the first Pusher than the second one as it all happens in less than 24 hours. Furthermore, Milo's situation is somewhat like Frank's in the first one-- which is obviously quite ironic.

A few minor, almost intangible details prevent Pusher 3 from reaching perfect status, but it really is a tour de force of film-making. A couple of scenes are really extreme, but hopefully they won't keep anyone from seeing this first-rate film.

'The third part of Nicolas Winding Refn's Pusher trilogy is clearly the best. With each part, Refn's approach becomes more daring and complex. However talented his debut from 1996 was, and however innovative the second part, this third part has a charged emotionalism that is difficult to beat, along with tension and courage. I'm the Angel of Death - Pusher III focuses on the Serbian drugs baron Milo. In earlier parts, he was an extra, a feared power lurking in the background. He is not some grand godfather, and as a middle-ranking boss he has also been on the decline for some time, yet he should not be underestimated as an adversary. At first, he seems to allow himself to be trifled with. His spoiled daughter is very demanding in everything on her birthday. His gangster sidekicks have been put out of action by food poisoning - as a result of Milo's cooking. Albanian crooks cheekily try to take over his dealing turf. He obediently attends meetings of Addicts Anonymous, afraid of returning to his old ways. But don't trifle with Milo. Or you will come to a bloody end. With his trilogy, and certainly with this last part, Refn has not only succeeded in renewing the gangster genre, but also providing it with a new geography. The American mean streets have been convincingly replaced by the multi-ethnic pavements of a Europe that has not yet been given the profile it deserves.'

quoted from: film festival Rotterdam (2006), GJZ

I couldn't agree more. Go see this film. Sharing 'downfall' as the central theme, it's better than Scarface and even more realistic about non-Hollywood gangster life than the Sopranos.

It must be hell being Milo. This film starts off as one of those "everything-goes-wrong"- movies that were so in vogue in the mid-nineties – although the focus here is not some spectacular heist but a routine heroin deal, all in a day's work for aging mid-level Serb gangster Milo.

In a way, the plot (not the film) starts out resembling that part in Goodfellas, where Ray Liotta has to keep his mind on a lot of different things at the same time and ends up being busted.

Milo also has a lot of things to mind – the heroin shipment from Holland, the preparations for his daughter's twenty-fifth birthday, keeping his NA appointments and actually staying off blow and tar for his daughter's sake as he's promised himself. The fact that he has to cook the whole birthday dinner for a party of 50 himself, and that his daughter is a full- blown Serbian bitch, surely doesn't help matters much.

Then there are some unforeseen complications which I will not discuss, but that seem to be evidence that the gods or somebody must be against poor Milo. Where most of the problems facing Pusher II:s anti-hero Tönnie seems to stem from his own weakness (and thus are perfectly believable), the combination of shortcomings that Milo faces seems a bit more far- fetched.

But anyway, that doesn't make this film less worth viewing. Just like the two other parts of the trilogy, it's a dark, depressing story full of characters and surroundings that seem perfectly real in every sense. The Scandinavian criminal underworld, with its Serbs, Albanians, Arabs and natives. Copenhagen is in many ways the heaviest of the capitals of Scandinavia, and has been rife with organized and not-so-organized crime since well back in the seventies.

One thing has to be said about the main character, Milo. The way he's portrayed in this film, I found myself having to remind myself of the Milo of the first Pusher film, the smiling gang boss having his henchman torturing small-time dealer Franke with electric wires. Whatever happens to Milo in this film, he's deserved it. Just keep that in mind.

Pusher 3

Directed by Nicolas Winding Refn (2005)

"Hvem jeg er? F*cking King of Copenhagen!"

This is the final part of Nicolas Winding Refn's "Pusher Trilogy" – a movie series about the life of three different persons with a relationship to one another. In the first of three movies Pusher (1996) we follow the drug dealer Frank and his problems when he drops a big deal. In the same movie we meet Frank's friend the bum Tonny and Frank's supplier Milo. In Pusher II (2004) we followed Tonny's life after he comes out of jail, and in Pusher 3 it is Milo's character that is the leading character.

The movie follows one day in Milo's life. He is helping planning his grownup daughter's birthday party and he has a major drug deal going on. But something in the deal goes wrong when Milo is tricked by his "partner". Milo now stands between the men he owes money and the man who owes him money. To solve all his problems Milo has to make some drastic and dramatic decisions and do some gruesome things. This includes among other things involving his old friend Radovan, known from "Pusher".

Pusher 3 is a great finish to Refn's series about the Copenhagen drug world. Zlatko Buric is amazing in his first leading role, as the old drug dealer/supplier Milo. If you liked his role and performance in Pusher, you will love him here! The movie has some very disturbing scenes and the cinematography helps the movie to appear very realistic. This movie shows a scary environment, interesting and frightening characters and contains a disturbing story.

8/10

The director Nicolas Winding Refn once again delivers a day of total agony and disaster. This day is almost as well presented as Frank's day in Pusher and gives you a look inside the life of a junkie, psychopath and father; Milo the drug-dealer.

Although the entire movie feels slow-paced there are few movies which will leave you as stunned and with such an ugly feeling inside your stomach. This one is truly merciless in it's presentation of the criminal world in Copenhagen, and globally, where nothing is tabu and everyone lives by a code as dark as charcoal.

This deterioration of gangster and his respect is a truly scary journey filled with disappointment, failure and death.