AVALIAÇÃO DA IMDb
7,5/10
7,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaMeditations on corruption, fundamentalism, prostitution, homosexuality, and drugs in central Cairo.Meditations on corruption, fundamentalism, prostitution, homosexuality, and drugs in central Cairo.Meditations on corruption, fundamentalism, prostitution, homosexuality, and drugs in central Cairo.
- Prêmios
- 9 vitórias e 5 indicações no total
Esaad Younis
- Dawlat El Dessouky
- (as Issad Younis)
Ahmad Bedair
- Malaak
- (as Ahmed Bedeir)
Hind Sabri
- Bothayna
- (as Hind Sabry)
Khaled El-Sawi
- Hatem Rachid
- (as Khaled El Sawy)
Basem Samrah
- Abd Raboh
- (as Bassem Samra)
Mohamed Emam
- Taha El Shazly
- (as Mohamed Imam)
Youssef Dawood
- Fekry Abdel Shaheed
- (as Youseff Daoud)
Talaat Zakaria
- Bar Owner
- (as Talat Zakariyya)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I am still reeling from the dizzying marvel of the grand storytelling of this movie. No movie can be like a book. So I discount all who compare it to a book.
I cared so much for these people, their stories are topical yet universal. The anguishes, the struggles, the personal demons, stay with me...as reminders of the pain of all mankind.
"We are living in the age of deformity" said one of the characters... and so mankind still continues, forming, deforming, renewing itself. When will it end? These are the questions which this film asks of us all. But is the world deformed or - is it we who are deformed? While this movie will not answer such an unanswerable question out loud. We know the truth. But we seldomly face it...Some of us learn our lessons, some do not. But our pasts always come back to haunt us...
I know I've not said anything about the acting, nor the unmatched technical gifts of this movie...but they are what crown this magnificent achievement from the first delicate frame until it's bleak uncompromising ending...
The cinematography, editing, and music must be praised to the rooftops!
***** I recommend this movie to those who are not afraid to see the truth and see it told marvelously.
...
I cared so much for these people, their stories are topical yet universal. The anguishes, the struggles, the personal demons, stay with me...as reminders of the pain of all mankind.
"We are living in the age of deformity" said one of the characters... and so mankind still continues, forming, deforming, renewing itself. When will it end? These are the questions which this film asks of us all. But is the world deformed or - is it we who are deformed? While this movie will not answer such an unanswerable question out loud. We know the truth. But we seldomly face it...Some of us learn our lessons, some do not. But our pasts always come back to haunt us...
I know I've not said anything about the acting, nor the unmatched technical gifts of this movie...but they are what crown this magnificent achievement from the first delicate frame until it's bleak uncompromising ending...
The cinematography, editing, and music must be praised to the rooftops!
***** I recommend this movie to those who are not afraid to see the truth and see it told marvelously.
...
I read the story of Yacoubian Building so I couldn't wait to watch it in the movie theater but I thought it will be like any other story. not as good as the book. I just loved this movie.. the Casting was so genius and every actor did his part in an amazing way. The Old Classic ones and the new generation. Even Mohamed Emam. this is his first movie and he was able to make me believe in him. This movie should be nominated for an Oscar. Even the soundtrack, the picture and the dialog just so good. this movie had me thinking all night about it and made me live it. this movie made me laugh, cry, bothered, It is a masterpiece. I just hope the movie industry in Egypt keeps on bringing those types of movies. those movies which remind us of the 70's movies where at least 2 or 3 big movies stars act together. Now I'm thinking to take the rest of my friends to it so i can be able to watch it second time. It is one of the best movies I've watched this year.
10totta24
That's what I felt after watching that movie, it's really close to the society and the public's pulse, some overestimation is there but through comic frame, you'll enjoy watching that movie Marwan Hamed is not an ordinary director, he is one of the best around. i have never seen such a movie that tackles every issue in the Egyption society so honestly. it is a pure masterpiece and if i was running the Oscars then that movie will sure receive one. A movie so honest and directed, it is designed for all classes describing the social corruption in todays society - not only in Egypt but all around the world. if you miss this movie then you will spend your entire life regretting it so i advice every Arabic and non-Arabic speaker to watch the masterpiece and enjoy the art of this marvelous director whom i have a great respect for. two thumps up
The modern day Egypt is the main character of this epic. It seems to be a tumultuous place never sure if it wants to be in the West or East. The director of this interesting movie tackles quite a few controversial topics. The rise of Islamic fundamentalism, homosexuality, the poor treatment of women in contemporary Egyptian society, the rampant corruption, still powerful strict class system. Enough topics for a dozen movies, but the director somehow manages to pull it all together. Some of the story lines feel a bit rushed to its conclusion, but all in all an interesting glimpse at modern Arab world. Its people are like any other, scared and imperfect and a bit lost in the complexities of life.
January 2002. Alaa el Aswani's first novel, Omaret Yacoubian, is published. Within a few months, it has taken the Egyptian book world by Storm. And it's easy to know why. The book is almost exclusively about the 3 taboos in the Arab literature; Politics, Sex (Hetero and Homo), and Religion.
Fast forward to June 2006. Unless you've been living on another planet for the past 2 years or so, you must've heard of the movie adaptation of the book. Seriously, it was nearly impossible to escape the following headlines "Yacoubian is the biggest Egyptian film of all-time", "De Niro says the film is a masterpiece", "Yacoubian gets huge raves at Cannes", etc... In my opinion, that was one of the film's biggest problems; the filmmakers set the bar too high for themselves. So, I walked in expecting to see a breakthrough in film-making. What I got was a great, although flawed, film. So, I was somewhat disappointed.
I didn't like Wahid Hamed's adaptation of the book. The spirit of the novel is there, and the film is much more humorous, but unfortunately, that was it. Maybe because Hamed had to fit the script, so that the bigger stars get the bigger parts, all the secondary characters (Soaad, Dawlat, Malaak, etc...) ended up with almost no screen time. Therefore, these characters came off as 2 dimensional and their actions didn't make a lot of sense. For example, in the book, Soaad is almost a beggar. She constantly asks her friends and relatives for money. In the film, she's a middle class secretary. That's why I never understood why she would agree to be separated from her own son, and marry an older man just for some cash. Another example would be how someone came out of nowhere to kill off one of the main characters.
Director Marawan Hamed did a great job. Yacoubian is his first full-length feature, but he helmed it like a veteran. His camera moved smoothly, his cuts were all in the right places, and he shined in the large-scale (protest, training, and shootout) scenes. I'm really looking forward to his next picture.
Adel Emam (Zaki el Dessouky) was amazing. His turn (his best in ages) was funny yet heartfelt. Khaled Saleh (Kamal el Fouli) and Khaled el Sawy (Hatem Rashid) were also great. In fact, I think Mohamed Emam (Taha el Shazly) was the only cast member who gave a so-so performance. Anyway, he's still a newbie (this is his first film), so he'll probably give better performances in the future.
Yacoubian is one of the most expensive Egyptian films of all-time, and fortunately, the money is on the screen. The costumes, make-up and sets are all top-notch. Khaled Hammad's score was good, but I felt it was overly dramatic in some places (a full Orchsetra playing while 2 people are merely talking?)
So, I'd definitely recommend watching The Yacoubian Building. It's the best Egyptian film in quite some time, and with a better adaptation, it could have been a masterpiece.
Fast forward to June 2006. Unless you've been living on another planet for the past 2 years or so, you must've heard of the movie adaptation of the book. Seriously, it was nearly impossible to escape the following headlines "Yacoubian is the biggest Egyptian film of all-time", "De Niro says the film is a masterpiece", "Yacoubian gets huge raves at Cannes", etc... In my opinion, that was one of the film's biggest problems; the filmmakers set the bar too high for themselves. So, I walked in expecting to see a breakthrough in film-making. What I got was a great, although flawed, film. So, I was somewhat disappointed.
I didn't like Wahid Hamed's adaptation of the book. The spirit of the novel is there, and the film is much more humorous, but unfortunately, that was it. Maybe because Hamed had to fit the script, so that the bigger stars get the bigger parts, all the secondary characters (Soaad, Dawlat, Malaak, etc...) ended up with almost no screen time. Therefore, these characters came off as 2 dimensional and their actions didn't make a lot of sense. For example, in the book, Soaad is almost a beggar. She constantly asks her friends and relatives for money. In the film, she's a middle class secretary. That's why I never understood why she would agree to be separated from her own son, and marry an older man just for some cash. Another example would be how someone came out of nowhere to kill off one of the main characters.
Director Marawan Hamed did a great job. Yacoubian is his first full-length feature, but he helmed it like a veteran. His camera moved smoothly, his cuts were all in the right places, and he shined in the large-scale (protest, training, and shootout) scenes. I'm really looking forward to his next picture.
Adel Emam (Zaki el Dessouky) was amazing. His turn (his best in ages) was funny yet heartfelt. Khaled Saleh (Kamal el Fouli) and Khaled el Sawy (Hatem Rashid) were also great. In fact, I think Mohamed Emam (Taha el Shazly) was the only cast member who gave a so-so performance. Anyway, he's still a newbie (this is his first film), so he'll probably give better performances in the future.
Yacoubian is one of the most expensive Egyptian films of all-time, and fortunately, the money is on the screen. The costumes, make-up and sets are all top-notch. Khaled Hammad's score was good, but I felt it was overly dramatic in some places (a full Orchsetra playing while 2 people are merely talking?)
So, I'd definitely recommend watching The Yacoubian Building. It's the best Egyptian film in quite some time, and with a better adaptation, it could have been a masterpiece.
Você sabia?
- CuriosidadesOfficial submission of Egypt for the 'Best Foreign Language Film' category of the 79th Academy Awards in 2007.
- Erros de gravaçãoWhen Hatem is drinking while remembering his youth near the end of the film, he finishes his drink. Seconds later, he finishes it again.
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- The Yacoubian Building
- Locações de filme
- Alexandria, Egito(beach front)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- EGP 18.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 2.414.837
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