Karla: Paixão Assassina

I was very disturbed to see some of the comments made about this movie. It was said that "the murder and gratuitous violence scenes were not explicit or even realistic"! They were plenty explicit and realistic, enough that I almost stopped the movie. Also, it has to be understood why Canadians did not support this movie. The victims in this movie were children victims, of a smallish, "quiet calm" community, and they were the children of this community. Imagine if this happened to your next door neighbours child, or YOUR child, and then someone wants to make a movie about it! You would be infuriated! I lived in Welland, Ontario when these people were on the loose. I was 12 years old, and my parents were paranoid nervous wrecks until these people were arrested. The day they were arrested, we did not have any classes, they parked us in front of the TV's to watch the news, and so we would have peace of mind that these evil sickos were off the street, and we were safe from them. They terrorized the communities, even the ones that we have no knowledge of them being in, they were close enough to us, that it was very possible that one of the victims could have been one of my friends, they were just too close to us. So, when you complain that this movie was not real enough, or explicit enough, just remember, it not JUST a movie, it was real life! And what you see in the movie is not even the half of all the horrible things they REALLY did.

In most respects, this is a very "modest" film, with only some very brief shots of a naked breast and no other frontal nudity. Even the major violence occurs in a Hitchcockian manner...recognized, but off-camera. (There are several scenes in which Karl is struck by Paul, but they are on par with a typical TV western.) The underlying problem is that this film is very true to the facts as they are known about this case. This apparently disturbs a great many people. No effort is made to justify the actions of Karla and Paul, though the majority of the story is told from the self-serving point of view of Karla herself. We are given no insight into what it might have been in their pasts that would lead them to act in this manner and commit such horrible acts. My reaction to this film, being very familiar with the case itself, is not one of revulsion or horror, but one of great sadness. These were some truly sick people. Be sure to view the extras on the DVD, as they help illuminate what actually happened after the trial and reinforce the fact that the courts and jury did not believe Karla for a moment.

Girl falls in love with boy, discovers he's a rapist, marries him and colludes in his continued depravity, then gets caught.

Earnest tale told in plain flashback, with no insight on the characters and no interest in the nature of truth and little by way of visceral horror. The killing scenes are tame, giving no sense of the rush of adrenalin in perpetrators or victims, or the ugliness and finality of violent death. So overall it feels like an old-fashioned made for TV movie.

You get to the postscript and find an entirely different character from the one portrayed by the lead actress, and it's a real head scratcher to think they didn't use that angle to mess things up and break from the linear story telling.

Performances are fine. Lighting is mostly bright, so no great moodiness. Music did its job.

Overall: Simple tale of depravity that didn't feel depraved.

Seems there was controversy in Canada over this, and several of the actors repudiated the film, with lurid tales of misconduct on the set. Its real weakness is that it pulls its punches and fails to be nasty enough.

This was a very controversial film upon its release, especially in Canada where the crimes took place. I would agree to some extent that it is an exploitation film of true events, and in that sense it's easy to say that it's in poor taste. Nonetheless I thought the execution of most of the scenes was quite good, and the film overall was definitely somewhat interesting. The biggest criticism I have for the film is the portrayal of Karla Homolka herself. Here she is painted mostly as a victim, which for many of those who paid attention to this real life case just doesn't seem to ring so true. In fact Homolka is reported to be far above average intelligence and seems to have played a much bigger role in the initiation of the crimes than the film portrays. Many people in Canada who followed the story closely in fact believe she was let off far too easy by the Justice System for her part in these real crimes. Whatever the reality may be, if it sounds interesting to you as a film, it's likely worth a look. 7/10.

Based on an infamous real-life case, "Karla" tells the story of a woman named Karla Homolka (Laura Prepon) who gets involved with an upwardly mobile and superficially charming Paul Bernardo (Misha Collins), a man who evaded arrest as the real-life "Scarborough Rapist". In the film, the two hunt down several young girls who are eventually murdered, either by Karla or by Paul. The attacks took place, and the movie is set, in Ontario, Canada, near Toronto. The time period is the early 1990s.

What I find annoying here is the script's POV and plot structure. The entire film is told from Homolka's point of view which, not surprisingly, minimizes her involvement in the various crimes, and to some extent paints her as something of an abused victim of Bernardo. Further, the awful crimes are told in flashback, as she relates them to a prison psychiatrist. These in-house prison scenes are dull and slow. Though Homolka no doubt bears a lot of responsibility for what happened, the real devil here is Paul Bernardo. And the script should have been a straightforward rendering of the murders wherein both Karla and Paul were present.

Casting and acting are fine. Photography contains a lot of side lighting, which casts a gloomy mood over many scenes. Some of the music is eerie and ominous, which foreshadows oncoming dreadful actions.

There was at least one attempt to ban this film, which would have amounted to censorship. Many viewers hate this movie because they feel like it's an attempt to capitalize on human suffering. But many crime films are based on true-life murders and other non-fiction tragedies.

The appropriate audience for this film would be viewers who are interested in true crime, and who can look dispassionately on the people involved, including villains. I'm glad I saw "Karla" because it is based on a real-life case, but I don't think I want to watch it again.