Avaliações do Metacritic

Copying Beethoven has an ace up its sleeve: the wonder and drama of the Ninth Symphony itself (heard here in Bernard Haitink's tremendous 1996 recording with the Royal Concertgebouw).

Copying Beethoven, at its best, is a sort of grand cinema opera of the composer's life and music.

Has one knockout sequence: the deaf maestro conducting his Ninth Symphony as Anna coaches from the wings. It goes on for what seems a whole reel, but it's so sublime it seems too short and, by itself, could stand as one of the greatest classic music videos ever.

This is one of those middle-of-the-road art pictures that will impress some music lovers and attract a small audience, but won't really excite anyone. Copying Beethoven does not do for its title composer what Amadeus did for Mozart, and that's a shame.

Screenwriters Stephen J. Rivele and Christopher Wilkinson, best known for the two ponderous biopics "Ali" and "Nixon," deliver a film awkwardly composed.

The picture never successfully comes off the written page.

Helmer Agnieszka Holland's Copying Beethoven joins 1994's "Immortal Beloved" in the ranks of mediocre dramatic interpretations of Beethoven's biography.

One is left yearning for the overheated melodrama of Bernard Rose's 1994 Beethoven biopic, "Immortal Beloved," which was trashy, but fun.

Aspires to the sublime, but it stalls at the merely ridiculous.

Holland's empurpled bio-fantasy is hooey with an anachronistic feminist slant from start to finish.