Adicionar um enredo no seu idiomaAmerican soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sada... Ler tudoAmerican soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President Georg... Ler tudoAmerican soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President George W. Bush declared the end of major combat operations in the country.
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What works so well in this film is the simple fact that the viewer is getting to see the actual day to day activities of soldiers stationed in Iraq. It is fascinating and interesting, in this respect. What we are seeing is going on RIGHT NOW. It is unlikely the immediacy of Gunner Palace, and its impact, will be lost on anyone.
Unfortunately, aside from the main strength of the film, the video footage shot by Mr. Tucker, there seems to have been little thought in how to present the information. It is simply not edited well. It proceeds in a somewhat chronological order, but is hampered by an almost comical voice over, I assume done by Tucker, himself. It sounds odd and overly dramatic, even for some as dramatic as war. The narration just doesn't work.
The experiences of the soldiers themselves, are at times, very intriguing and include some amusing and often endearing raps performed by the soldiers about living in Iraq. It's clear that singing about the war, either with an electric guitar or a rap beat drummed out on a jeep is helping them get through the every day stresses they face. Presented more clearly and effectively, these raps could have given a nice structure to the film but seem more random and inserted without thought. And this is a shame, because there seems to have been a great deal of material the director could have drawn from. He was stationed there with them, for God's sake.
Also, somewhat inexplicably, the director/narrator, towards the end of the film, recounts his own experiences leaving Iraq and adjusting to home life again. Why I say this is inexplicable is because one would assume it would be the final moment of the documentary with maybe an epilogue, but rather the film shifts back to Iraq and continues on. It only adds confusion and disrupts the viewers ability to track the events and people appearing in Gunner Palace.
If only to see the faces of the soldiers and citizens in Iraq, as they are actually living, this film is worth seeing. It is a shame, however, that the footage Tucker shot didn't find it's way into more capable hands. Gunner Palace could have been even more compelling and affecting.
What this film does not do, however, is provide any sort of an Iraqi perspective on the fighting. Granted, there are interviews with Iraqi informants employed by the American military and and several shots of suspected insurgents being detained, but there is no attempt to show the average Iraqi's point of view about the conflict. In other words, this documentary is a very subjective and one-sided perspective, but it is still very worthwhile.
I went to see it with a friend whose brother is currently fighting over there, and she said it was remarkable how well it captured the soldiers' off-time activities and philosophies about the fighting. Her brother and his buddies had made some video footage of their own and it was very similar in that regard. What the documentary doesn't show, and what her brother's video did show, was the dismembered bodies, the hellish and disorienting firefights, and the horrified, screaming civilians. One should not go into a screening of this film believing that they will experience the war or see what it's really like. One has to be there to understand.
I can't find it on the web, but I read a bio that the filmmaker served in the mid to late 80s, roughly the same time I was in the Army. I've latched onto the fact (and I hope it is true) because it explains the tone of the film. When I walked out, I told Jim, who had seen it with me, that this guy wanted to make an anti-war movie, but couldn't quite bring himself to do it.
What we see is as much cinema verities we are likely to get in this politically radioactive conflict. Tucker lets the young troops pretty much be young troops for the camera. They all to some extent (and one in particular a great deal) mug for the camera and utter their doubts, concerns and reveal their conflicts. There don't appear to be many people above the age of thirty, though I find it hard to believe that an entire battalion would be so comprised.
We also see soldier show great restraint in difficult situations. In one scene, a drugged out, dirty and bedraggled street urchin is delivered to a place where he will hopefully find some sort of care. The GIs are careful, almost solicitous of the child, demonstrating a great deal of tenderness when considered in context of the fact that they are in a city where they are compelled to carry heavy weapons and wear body armor.
There is a lot of very scraggly video of nighttime raids. Bear in mind that field artillerymen are trained to shoot high-explosives over the horizon and wreck stuff, not tool around a foreign capital like cops. Again, these young men show tremendous restraint as they round up people suspected of manufacturing roadside bombs and lobbing mortars at their temporary home.
You feel a sense of futility at times as you watch, but a 60 day snapshot of a difficult mission is going to do that. Some of the soldiers make statements that could be found on you garden variety Bush = Hitler website, and it broke my heart. What they are doing is noble and necessary given the condition of the world, though a 20 year old would be hard pressed to put it into proper context. It is a shame for anyone over there doing their best to not feel their due honor.
If you rabidly feel one should speak-no-evil of the war while we are at war, Gunner Palace will irk you or worse. I found it to be sufficiently truthful and sincere to be a must-see. Pro-war and anti-war folk will find inspiration, which may mean it was done just about right.
And if you go into the film thinking that it will be all of that, you will be surprised, if you think that it will be all about what they are doing there and how wonderful it is, you will be surprised and if you think that for one minute you can debate what these boys are saying then for one you are an ass & you will be surprised by what you hear.
I sincerely hope that this film becomes wildly popular so that everyone can see it, and have a better understanding about what is going on over there and what we are all arguing about here at home.
The endless scenes of raids, patrols, and arrests are interspersed with rap and chat with the troops. Rapping (some of not too bad, all of it heavy on obscenity) is obviously a stress reliever for kids in a combat zone. The commentary from the soldiers is sometimes funny, and sometimes tragic.
I'm not sure how they got to make this film. I thought all the journalists were confined to the safety of the Green Zone. This crew is on the scene, in the humvees, and on patrol with soldiers. It's fascinating footage...even if it seems like a lot of the patrols are pointless.
If you want to get a sense of what it's like to live in fear 24/7, to wonder whether a bag left on the curb is going to blow you up, and whether you'll be forgotten by the people back home, this is your flick. At 1 hour, 26 minutes, it's not a big time commitment. But if you want something with a plot, that teaches you about life, or that has a happy ending, don't bother. War doesn't have any of those things.
Você sabia?
- CuriosidadesThe word "fuck" is used 42 times, the most ever used in a PG-13 rated film
- Citações
Soldier: I don't think ... anywhere in history has someone killed someone else and something better has come out of it. It's just ... not possible.
- ConexõesFeatured in Este Filme Ainda Não Foi Classificado (2006)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Дворец стрелка
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 607.844
- Fim de semana de estreia nos EUA e Canadá
- US$ 63.520
- 6 de mar. de 2005
- Faturamento bruto mundial
- US$ 688.668
- Tempo de duração
- 1 h 25 min(85 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1