A Menina e o Porquinho

With this movie made in part in my hometown (Williamstown) I dragged the kids along to check it out.

Being well familiar with the story, I expected this to be pretty light hearted fair, but the wife still managed to turn into a blubbing mess at the end.

The movie had an uneasy feel about the setting; didn't feel current or old for that matter, so perhaps will age OK.

The CGI was pretty amazing. I'd hate to imagine what someone from a time capsule or straight out of jail would imagine has happened in our world since they left. Talking animals and spiders, so realistic the kids don't even blink twice.

Good for young kids (mine are 4 and 2), and not monotonously boring like many of the other CGI laden kids movies out there.

I'm not sure where all of the criticism of this movie is coming from! My wife and I watched and enjoyed every moment of this children's classic and didn't feel cheated in any way by the telling!

The story is close to the children's book but a couple of goofy crows are added with the voices of Thomas Haden Church and Andre Benjamin. They only added a mild comic subplot but didn't affect the telling in any way. Every time I hear THC's voice, I always see his character from Wings blabbering on about something mundane! He's quite silly as a starving crow!

If you want high drama this year, go see Apocalypto, or Blood Diamond... for good family entertainment, Charlotte's Web is the perfect counter to any heavy story lines from those other movies!

I was prepared for almost anything going into this movie, knowing that so many filmmakers who adapt classic stories think it is their duty to "update" the story, or feel the need to add a lot of comic relief.

Thankfully, Winick did not succumb to these temptations. Instead, he offers a delightfully filmed version of the story, with CG effects so realistic and subtle that they detract from the live action base not even a little bit.

This movie is very true to the original story, and the comic relief was, in my opinion, not at all overbearing. I got a lot of genuine laughs out of the movie, and, at 40, that's saying something for a G-rated movie aimed at families with small children.

The movie has an old-fashioned but familiar feel to it. It seems to represent the America we all think we remember, and want to see when we visit the country. It seems in many ways timeless, without feeling Disney-esquire. I'm sure this is what the filmmakers were going for, and they hit it right on the nose.

I thought the casting was excellent, for the most part. Though Agnes Moorehead (from the original animated version) absolutely bowls Oprah Winfrey over as the goose, and Julia Roberts' voice was maybe a bit too matter-of-fact for Charlotte. Debbie Reynolds' extra-sweet voice did, I think, a just-so-slightly better job in the original. That aside, Miss Fanning is perfect as Fern, and Siobhan Fallon could not play the incredulous Mrs. Zuckerman one iota better.

I think E.B. White would be pleased. This is as honest a representation of his wonderful story as anyone could hope for.

If you have small kids, read them the book, and then go see the movie.

If you read the book as a kid, and still smile when you think about it, then go see it yourself.

Highly recommended.

I had initial hesitation in deciding whether to watch this movie - not because it features a talking pig ala Babe, but probably because, if rumour has you believe, that viewers will swear off pork. They look so cute that you would not imagine them being on your dinner table, ever after. I've read the book when I was a kid, but heck, I can't remember much of the details beyond the friendship between spider and pig.

Wilbur the piglet's destiny is set from birth - being the odd one out without access to its mother's teat, he's earmarked for immediate transformation to pork, but the intervention of a young girl Fern (Dakota Fanning) helped prevent it, albeit for a little while. Put in a barn with the other animals, Wilbur is in desperate need of friendship to wilt away his loneliness, but given the indifferent attitudes amongst the resident animals, he gets a none too friendly introduction to farm life. That is until he meets Charlotte, a spider who will try help to extend the lifespan of Wilbur, saving the spring pig from becoming Christmas ham.

It's a story about friendship, and the miracles gained from trust, help, and the fulfilling of promises. And this movie gets a huge boost through its A-list voice talents, with the likes of, check this out - Julia Roberts as Charlotte, Steve Buscemi as Templeton the selfish rat, John Cleese as Sam Sheep, leader of the pack of sheep followers (played to hilarity), Katy Bates, Cedric the Entertainer, Oprah Winfrey, Robert Redford, Thomas Haden Church, Andre Benjamin and Sam Shepard. They seemed to have a rip-roaring time, and I thought Julia Roberts' Charlotte came across as extremely calm and collected, while probably the character with the best lines was Templeton the rat.

Fanning already got experience playing opposite her animal counterparts, like in Dreamer earlier this year, though this time in the barnyard the animals are enhanced by technology and graphics. Her role however is limited in screen time, and although there are hints on puppy love, it's very much unexplored in depth as the focus is squarely on our animal friends. The score is an unrecognizable Danny Elfman contribution without the dark overtones, and the songs played during the animated stills of the end credits, do sound radio friendly enough to warrant airplay.

Charlotte's Web is a feel good, heartwarming family movie which is suitable for this holiday season. It is uncomplicated, and has a simple message, but is engaging enough for both children and adults. A warning though, the movie is poignant yet hopeful, so to sentimental folks, a tissue or two will help.

It's a beautiful movie and wonderfully true to the book. A fan of EB White's brilliant work, I could recite the last lines alongside the movie. The friend I went with is a die-hard fan of the older, animated Charlotte's Web; his only complaint was that this one had fewer musical numbers (read: none). Also, I felt the beginning and end credits act as somewhat of a homage to the animated version.

The voices are very well cast; Julia Roberts is a comforting and delightful Charlotte, and while the opening shots of the spider made some in the audience go "Ew," we grow, like the barn animals, to embrace her warm nature. I found her quite beautiful in the end.

Steve Buscemi is perfect as Templeton. Knowing John Cleese is behind the head sheep makes it even funnier. And Dakota Fanning finally gets to play a little girl being a little girl.

It only made me tear up twice, but I'm a big softy. Take the family, the kids, and anyone who's ever enjoyed EB White's classic story.