Homem-Aranha 3

Spider-Man 3 is often considered the black sheep of the original trilogy. While it boasts some visually impressive moments and retains the charm of its predecessors, it's ultimately a film burdened by an overstuffed plot, uneven tone, and questionable character choices.

The film introduces a trio of antagonists: Sandman, Venom, and the New Goblin (Harry Osborn). While Thomas Haden Church delivers a sympathetic portrayal of Sandman, the other villains feel underutilized. Venom, in particular, is a missed opportunity, reduced to a one-note, overly aggressive character.

A central plot point involves Peter Parker coming into possession of a black alien symbiote, which transforms him into a cocky, arrogant version of Spider-Man. This drastic character shift feels jarring and inconsistent with the established character. The dance sequence, while memorable for its absurdity, ultimately detracts from the film's overall tone.

The romantic tension between Peter, Mary Jane, and Harry Osborn becomes increasingly convoluted. The introduction of a rival photographer, Eddie Brock, adds unnecessary complexity to the love triangle.

The film's climax is chaotic and underwhelming. While there are visually impressive moments, the resolution of the various plot threads feels rushed and unsatisfying. The final confrontation with Sandman is particularly underwhelming, given the character's tragic backstory.

Despite its flaws, Spider-Man 3 isn't without its redeeming qualities. The visual effects are impressive, particularly the Sandman and Venom designs. The film also features some memorable action sequences, and there are moments of genuine humor and emotion.

Spider-Man 3 is a disappointing conclusion to the original trilogy. Spider-Man 3 had the potential to be a powerful exploration of the dark side of heroism. Unfortunately, it's bogged down by excessive plot points, inconsistent character development, and a rushed climax. While the film boasts some visually striking sequences, it ultimately fails to live up to the promise of its predecessors.

My feelings after watching the third film are somewhere in the neighborhood of satisfied, but that feeling is fairly disappointing. Satisfied more or less means adequate and to follow a sequel that I consider excellent with a film that's only adequate is a certainly a step down. Positively, Spider-Man 3 does reasonably well at maintaining a feeling similar to that of the first two films. I never felt like I wasn't seeing the same world or characters and that's important to me. Continuity in tone really helps hold a series together. The Matrix Reloaded never felt to me like I was witnessing the continuation of the story and world presented in the first installment. The scenery and characters felt like weak and dull recreations and that really bugged me. The New-York of Spider-Man 3 is about the same as before, as is Peter's apartment, The Daily Bugle offices, etc. Peter, Harry, Mary Jane, Aunt May, etc. also carry over well and it's easy to jump back into their lives. Where it doesn't feel like its predecessors is in its pacing and scope. The film tries to tell a lot of story for one film, much more than either the previous installments. This makes it messy. If you took Spider-Man 1 and 2's stories, wove them together and compressed them into one 2 hour film, you'd have a mess pretty similar to Spider-Man 3. A lot of this has to do with poor exposition and the decision to include three villains. In good exposition, events lead to other events and it all seems to flow naturally. Some films end up feeling like a story wasn't really even written, but instead a series of well-crafted scenes that don't necessarily fit well together. A bunch of smaller scenes are then written to connect those scenes. These scenes can feel very forced because they often rely heavily on coincidence. The Matrix Reloaded is full of these contrived scenes and so is Spider-Man 3. They're frustrating because they act like speed bumps where the plot suddenly feels awkward and my enjoyment of the film drops. One scene sticks out particularly in Spider-Man 3 as too awkward. Venom, one of the super-villains, is swinging through alleyways when he is ambushed by the Sandman, another villain. Venom proposes they team to get Spider-Man together, Sandman agrees, end scene. This scene is needed to set up the final, huge battle of the film but just seems poorly worked in. For one it's very short, and two the characters don't know each other and have completely different motives for being villains. That the two would decide that quickly to become partners after coincidentally running into each other is just sloppy to watch.

Despite how it seems, I didn't hate the film. I was just disappointed in its flow as a narrative and thought it aimed much higher than it should have in terms of what to include plot wise. Regardless though, many scenes were very enjoyable to watch and I don't just mean action scenes. The Daily Bugle scenes, as always, were great and funny. The addition of Topher Grace as Peter's photographer rival, Eddie Brock, was great casting. His line delivery works perfectly with his character's sleazy personality and his scenes with Peter are some of the best. The character Harry Osborne returns and becomes one of the film's three villains: a new Green Goblin that takes over where the Goblin of the first film left off. Harry and Peter's relationship is probably the most interesting part of the story. Their struggle between being friends and enemies makes for some tense moments. One of my favorite scenes in the film is a verbal confrontation in a diner between Peter and Harry. Playing off Peter's presumption that he and Harry are back on good terms, Harry orchestrates a bit of nasty drama that sticks a knife in Pete's love life. He has Peter meet him in a diner just to drive the knife in a little further. As Pete storms out, Harry is awash in sadistic joy with himself before making a fast and creepy exit. Harry is really the best handled villain of the film. Not only as the Green Goblin Jr. fighting Spider-Man in the sky much the way his father did, but as Harry, Peter's estranged friend, using their friendship as a pretty sharp weapon against him. The villain I could have done without was the Sandman. His character was interesting but his place in the film as a main character seemed unnecessary and forced. He's an escaped convict running from the police who accidentally falls into a big science experiment and becomes the Sandman. He is also apparently the actual killer of Peter's uncle Ben thus giving Peter motivation to go after him. This reworking of the first film's story seems very far fetched and unnecessary. The computer effects used to create Sandman are terrific as is the performance by Thomas Hayden-Church, but I think the film would have improved without him. More time could then have been given to the conflicts with Harry and Eddie and likewise Goblin and Venom. Venom is particularly nice because he's the only villain not the product of some crazy experiment gone wrong. His creation is almost entirely Peter's fault. Venom acts as a slimy toothy grinning anti-Spider-Man, who hates Spider-Man on a personal level after Eddie Brock loses his job and girlfriend and holds Peter responsible. Two villains definitely would've been enough for one film, especially two villains that feel wronged by Peter personally, not just Peter as Spider-Man. I don't really want them to continue this series, but since it seems like they may anyway, I hope some lesson is learned with number three that less really can be more. If the time that was spent awkwardly packing too many stories into one film was instead spent working on one good story so that it flowed naturally, Spider-Man 3 could have excelled the way number two did.

Third and last(?) film in this trilogy isn't as good as the first two, mainly because the plot is overly contrived, but I still found this to be very entertaining and filled with good action and character development.

Plot has Peter Parker's romance with Mary Jane threatened by the simultaneous arrival of Super-villains Sandman(Thomas Haden Church, good performance) and mysterious alien black goo that latches onto Peter and develops his dark side, which nearly wrecks his life, and rival reporter Topher Grace, who also comes into contact with the alien menace, and becomes Venom.

Large scale action climax is still satisfying and fitting, with Peter and Mary Jane back on the path to mutual happiness in a bright future together...I hope, since the planned Part IV was scrapped unfortunately...A shame.

Third entry has Peter Parker and alter ego Spider-Man fighting what could possibly be the greatest battle of his life. The intrepid Parker is on top of the world as N.Y.C. citizens have finally come to appreciate all of his heroic deeds, but more importantly he's found a stable relationship with Mary Jane Watson. His seemingly perfect existence comes to an abrupt halt when he learns that his uncle's real killer is still at large, acquires a rival at the Daily Bugle, and best friend-turned-bitter adversary Harry Osborn comes seeking revenge. Peter also bonds with an unusual black symbiote that unleashes a darker side of him and threatens to destroy everything he holds dear. Some effective moments of intense, exciting action and superior special effects are undermined by overlength, and juxtaposed against moments of corny, unintentionally funny human drama. The ingredients for a success are there, including a good cast and some interesting subplots, but they can't overcome a leaden script which chooses to revel in its mawkish material rather than flesh out its characters or tell a coherent story. Watchable, but never as engaging or spectacular as its predecessors. **½

This film has received a bad rap from many people. I feel I have to defend it. While I am not big on special effects and CGI, I will set those aside for the moment.

Anyone who grew up reading Spider-Man should know that putting 40 years of comic history into a movie (or 3) is a hard task. But I feel like they succeeded here. Venom comes across pretty accurately considering how much they had to truncate it, and the Sandman is decent despite some interesting modifications.

The biggest problem I had with this film is that if they do not make a fourth, they leave open too many plot lines. And, as far as I know, no such film is in the works. But that is more an issue of the studio, I think.