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Hazaaron Khwaishein Aisi

  • 2003
  • 2 h
AVALIAÇÃO DA IMDb
7,9/10
5,5 mil
SUA AVALIAÇÃO
Hazaaron Khwaishein Aisi (2003)
Set in the backdrop of Indian Emergency 1975, the story revolves around 3 friends whose lives changes drastically after the turn of events.
Reproduzir trailer2:05
1 vídeo
14 fotos
Drama

Adicionar um enredo no seu idiomaSet in the backdrop of Indian Emergency 1975, the story revolves around 3 friends whose lives changes drastically after the turn of events.Set in the backdrop of Indian Emergency 1975, the story revolves around 3 friends whose lives changes drastically after the turn of events.Set in the backdrop of Indian Emergency 1975, the story revolves around 3 friends whose lives changes drastically after the turn of events.

  • Direção
    • Sudhir Mishra
  • Roteiristas
    • Sudhir Mishra
    • Shivkumar Subramaniam
    • Ruchi Narain
  • Artistas
    • Kay Kay Menon
    • Shiney Ahuja
    • Chitrangda Singh
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,9/10
    5,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Sudhir Mishra
    • Roteiristas
      • Sudhir Mishra
      • Shivkumar Subramaniam
      • Ruchi Narain
    • Artistas
      • Kay Kay Menon
      • Shiney Ahuja
      • Chitrangda Singh
    • 46Avaliações de usuários
    • 13Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 8 vitórias e 9 indicações no total

    Vídeos1

    Hazaaron Khwaishein Aisi (2003) Trailer
    Trailer 2:05
    Hazaaron Khwaishein Aisi (2003) Trailer

    Fotos14

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    Editar
    Kay Kay Menon
    Kay Kay Menon
    • Siddharth Tyabji
    Shiney Ahuja
    Shiney Ahuja
    • Vikram Malhotra
    Chitrangda Singh
    Chitrangda Singh
    • Geeta Rao
    Ram Kapoor
    Ram Kapoor
    • Arun Mehta
    Saurabh Shukla
    Saurabh Shukla
    • Senior Bihari constable
    Yashpal Sharma
    Yashpal Sharma
    • Randhir Singh
    Jasbir Malik
    • Mehmood Tyabji
    Sohrab Ardeshir
    • The maharaja
    Aditya Bhattacharya
    Aditya Bhattacharya
    • Politician Sadiq
    Arif Zakaria
    Arif Zakaria
    • Daryll
    Anupam Shyam
    Anupam Shyam
    • SHO Jhanda Singh
    Sandeep Kulkarni
    Sandeep Kulkarni
    • Comrade Probir
    Akhil Mishra
    Akhil Mishra
    • Vikram's father
    Yusuf Hussain
    Yusuf Hussain
    • Senior politician
    Manohar Khushlani
    • Hotelier Wadhwani
    Gopal Dubey
    • The landlord
    Gajraj Rao
    Gajraj Rao
    • Junior Bihari constable
    Atul Mongia
    • Kashyap
    • Direção
      • Sudhir Mishra
    • Roteiristas
      • Sudhir Mishra
      • Shivkumar Subramaniam
      • Ruchi Narain
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários46

    7,95.4K
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    Avaliações em destaque

    10rekha-r-nair

    Surrealistic India!!

    Today is a generation obsessed with western clothes, western accent, western everything... They tend to forget that they can explore these luxuries ONLY because their homeland is a free nation and a democracy. Hazaaron Khwaishen Aisi is meant to be an eye-opener for the youth who have not seen India when she was down and a reminder for the adults of what their generation and their older generations survived.

    The movie starts off as a few people just following some ideologies that are very common in the college campuses. But some of them take it too far and decide to live their lives by those ideals while others go and make money and a grand living. Both lives have meanings of their own. The movie very eloquently shows how diverse India is... it shows the cities that are flourishing in wealth and dirty politics; it also shows villages where people die because of poverty or even caste related oppression.

    The movie might be perceived in another way too... It could look like the moral is to "Not follow your ideologies if they are for just the well being of others"... but then is that life really worth living?? I think the underlying message was to just follow your vision to completion even if the sacrifices required are humongous.

    The casting was perfect. Kay Kay Menon proves to be a very versatile and powerful actor. Inspite of being quite new to movies, he shows a lot of maturity and intelligence in the way he acts. I cannot imagine anyone other than Shiny Ahuja in the role of Vikram. He brings in the "cool" element in the movie. He has the charisma of a fixer-upper guy and also the fiery passion of a man in love with a woman who is in love with someone else. Chitrangada Singh does a terrific portrayal of the girl born and brought up in metros but finally following her ideals (or maybe the ideals of the man she loves). She has a lot of potential to be a powerful character actress.The two songs - title track and 'bawra mann' are really haunting melodies.

    I don't think the film was a commercial success... But I definitely vote it as a "must see"... worth every penny! Its nice to see Pritish Nandy putting his money into projects that have some social value...
    10vilu1979

    An awesome film!

    I had no clue what the movie was about when I rented it, and I absolutely loved it. Though I felt there were a few oddities when I saw it for the first time, when I watched it for the second and third time, I was able to appreciate the excellent performances by the entire cast, and the awesome script. Especially Shiny Ahuja, who plays Vikram Malhotra to perfection - every single expression on his face throughout the movie was a 100% apt. I also loved the Indian-ness imbued in the settings - the houses, roads, cars, government buildings, sound of birds, Geeta's sarees etc. Made me feel deeply nostalgic. The music adds to the poignancy of the movie, and is used very fittingly, to create a dramatic effect in certain scenes. I highly recommend this movie to all movie buffs, because I think of it as a unique work of art from the Hindi film industry. It's entertaining to those who want light entertainment, provides food for thought to those who are keen on watching films with ideological themes, and is an absolute must-see for die-hard romantics.
    7abhishek-1

    Swansong for unfulfilled dreams

    Swansong for unfulfilled dreams!

    Hazaaron Khwaishen Aisi Dir- Sudhir Mishra Cast- KayKay Menon, Chitrangada Singh, Roshan 'Shiny' Ahuja, Ram Kapoor and Yashpal Sharma. Written by- Sudhir Mishra, Ruchi Narain and Shiv Subramanium. Rating- ***

    At the heart of Sudhir Mishra's political chronicle about three individuals during the India of the 70's lies an inherent cry for reform that is valid even in the current age that we live in. 'Hazaaron Khwaishen Aisi' then, is not just an account of the Naxal movement that rose, survived, faltered and eventually died in the dictatorial times of Indira Gandhi. As the title rightly suggests, it is about a thousand such dreams that have been left unfulfilled, or soured if realized! Not since Gulzar has a director managed to weave a political story with such assurance.

    Siddharth(KayKay Menon) is a young affluent collegian who mulls over the state of affairs with his friends while they dope! Their Gods- Bob Marley, Karl Marx and Che Guevera! Fired with a desire to change things around rather than being dogmatic about the crisis like his earlier generation, he enters the Naxal movement. Joining him on his quest is Geeta(Chitrangada Singh), a woman who has no views of her own but believes that the man she loves must be right! Add to the mix a removed individual who could be an island if he wished! Vikram(Shiny Ahuja) couldn't care less about his country, but is madly in love with Geeta. Destiny takes these individuals on three different routes over the next five years and brings them together again at a time when the country is in turmoil and an Emergency declared. Siddharth is now an active member of the Naxal faction of Bihar, while Geeta is in an unhappy marriage to an IAS officer. Vikram meanwhile has become a 'fixer' and moves in the corridors of power and fame, raising toasts at social dos. Geeta begins an affair with Siddharth and soon accompanies him in his pursuit. As the nation gets chaotic in the following years, Indira Gandhi systematically eliminates all her threats by any means possible and emerges victorious. Siddharth and Geeta are just two of the many sufferers of this clamping down by the government. It is here when Vikram decides to use his influence to rescue his unrequited love, and more importantly- her love!

    It is no mean task to include three lives spanning a decade in a script that is merely 120 minutes long. Writers Shiv Subramanium, Ruchi Narain and Mishra himself, do a wonderful job at that. However, one can't be left feeling that the proceedings get too episodic at times. The erratic editing(Catherine D'hoir) doesn't help! Without being construed as a censure, this story is actually suited for a two season series where characters can be allowed to have a development graph and every single incident given enough attention to! But one doubts if in the orgy of saas-bahu serials, any soul will be prepared to spare some time for a serious venture such as this. Let it be!

    Mishra doesn't fall into the trap of making 'Hazaaron Khwaishen Aisi' into a generic political movie. In fact, the movie doesn't even show us any political leaders of the time. What Mishra does is use the cinematic language of allowing characters to be allegorical references to the whole! Vikram's failed love and his eventual state at the climax is just that- an allegory to what we have been left with. Siddharth's disillusionment also acts as a failure of the whole movement. And amidst all of this, Geeta finds her true voice. Her character assumes shape after going through upheavals of love, hope, disappointment, exploitation and finally comprehension! Much like our country indeed! The recurring haunting track, 'Man yeh bawaraa' aptly captures the mood and ethos, and lingers in you long after you've left the movie.

    It is worth noting that nearly the whole film is spoken in the English language. This is the second such experience after Bhansali's 'Black'(although Mishra's film was completed much earlier). Though I do not have anything against the use of English in Hindi films(it is a sign of our times), I can't help wondering whether the preference is out of necessity or simply because these young writers think in English! Also, the fact that we are seduced by Vikram- the blithest character leaves you with a sense of guilt. I'm not sure if Mishra intended that!

    But such minor quibbles left aside, 'Hazaaron Khwaishen Aisi' is a movie that must be seen by every collegian…but sadly won't! They are too busy following the fads of the Johars and Chopras! And mind you, this movie is not an exercise in history lesson! There are some fine performances that adorn this cinematic jewel. KayKay is as he usually is- competent. In an underwritten character, he manages to do exceptionally well. Chitrangada Singh is eerily similar to the late Smita Patil. She is almost a reincarnate! Her emotional range aside, she is also a true Indian beauty- dark and elegant! Ram Kapoor as her husband leaves a definite impression. Eventually though, it is Shiny Ahuja's performance that rivets you the most. In a virtuoso display of talent, he announces himself to Bollywood. Whether it his cocky smirk, his dormant rage, his hidden anguish or his genuine irritation- Shiny is simply brilliant. Easily one of this year's best performances!

    • Abhishek Bandekar


    Rating- ***

    * Poor ** Average *** Good **** Very Good ***** Excellent

    17th April, 2005
    9dkolhapure

    We thought emotions(esp. love) were abstract entities but this film makes you think again..

    Top-notch performances, touching back-ground score and its intense script take 'Hazaaron Khwaishein Aisi' to never-before-scaled heights of cinema.Its a movie about believing in something so unconditionally, that you give whatever it takes to stand up for it..even if it is your life.

    The film showcases the three selfless lives of free India's first generation in their youth set in the back-drop of Naxalite moment and Emergency.

    Shiny Ahuja is dynamic as Vikram.Kay Kay Menon(Siddrath) conveys more through his expressions and tone than this dialogs, once again proving his excellence as an actor.Chitrangada Singh(Geeta) ligths up every frame not only with her flawless beauty but, equally with her deep performance as well.she is simply brilliant. This movie sets the standard for excellence in cinema.A true masterpiece.
    7vats-vikrant

    A love story par excellence with a riveting music score

    When i walked in the hall for this film, I had no idea what's its like and who were the people acting in it. Sometimes life is full of surprises and I guess this was one of it. I am not writing an actual review but my rendition of thoughts the character portrayed in the film. Though the background was 1970's, the story and more importantly the relationships between the three characters was main framework of the film which is beyond time. My interest in the film was least to explore the technical issues or social issues that form the background of the film. What came out to me was the ritualistic attitude of love and how it transforms in a deep understanding between people.

    The film shows a triangle of love between three characters which was very different from the one shown in Johars and Chopras chocolate covered candy floss that we get to see routinely. Coming to the story- one pretty girl Geeta (Chitrangada Singh) and two guys - Siddharth (KayKay Menon) and Vikram (Shiny Ahuja). While Geeta is in love with Siddharth, Vikram is in love with Geeta. But the film does not start from here nor does it ends there. Geeta is an educated South Indian urban girl who loves Siddartha for his socialist ideology while Vikram comes from a middle class semi-urban semi-rural Gandhian family who wants to grow in life and does not idealize with the socialist movement. And Siddarth has one point of agenda- socialist movement. As time moves on, the love equation of 3 characters moves with time except for Geeta love for Siddarth and Vikram love for Geeta. As a result their life travels from Delhi to Bihar in peculiar situations each with their own equilibrium. Coming out from an unhappy marriage with an alcoholic IAS officer, Geeta moves to Bihar where she discovers not only her love for Siddarth but also an equal parallel love for the socialist movement. At the same time, Vikram rises in the corridors of power as a deal maker. With sudden declaration of emergency by Indira Gandhi, the situations and backdrop becomes raw and bloody. How each of these characters react in these situations perhaps defines what each of them felt what love was all about? There is a sudden twist at the end of the film which perhaps describes how each of the three characters grows as human beings. It's a life time treat and if you can watch the characters through your heart, you will find this film soul stirring. Another important highlight of this film is the music - beautiful poetry by Pratish Nandy, vocals by Shubha Mudgal, Swanand Kirkire and Shobha Joshi. Some excellent scores are "Hazaron Khwaishen Aisi", based on the famous ghazals by Mirza Ghalib and Swanand Kirkire's "Bavra Mann" which comes as a backdrop at all the significant points of the film taking the audience to even greater heights. A must watch for all the ones who would want to know what love is……..

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    Você sabia?

    Editar
    • Curiosidades
      Shiney Ahuja won the Filmfare Best Debut Award for his performance.
    • Conexões
      References Georgy, a Feiticeira (1966)
    • Trilhas sonoras
      Hazaaron Khwaishein Aisi
      Written by Mirza Ghalib

      Composed by Shantanu Moitra

      Performed by Shubha Mudgal

      Courtesy of Virgin Records India

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    Detalhes

    Editar
    • Data de lançamento
      • 15 de abril de 2005 (Índia)
    • Países de origem
      • Índia
      • França
    • Idiomas
      • Hindi
      • Inglês
    • Também conhecido como
      • A Thousand Desires Like These
    • Locações de filme
      • Índia
    • Empresas de produção
      • Artcam International
      • Foundation Montecinema Verità
      • National Center of Cinematography Fonds Sud
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h(120 min)
    • Cor
      • Color

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