Distúrbios do Prazer

It's hard to decide whether this is a failure or not. I finally came to the conclusion that it's not.

Nancy has been sexually abused as a child. She lives in a completely cold and dead marriage. She cuts herself. Then, she gets into this pact with a stranger on the net. What follows is a carousel of destruction. But is it really destruction? It's a fantastic acting performance here by Maria Bello, Rufus Sewell and Jason Patric. It's like a documentary with pale colors, no sign of hope, no sign of healing. It's a movie about existentialism, but it balances on a thin line close the ridiculous. But director Johan Renck brings it all home and you can only feel the pain. Or is that really what you're supposed to feel?

None of the reviews mentioned this movie being based on true events; a noteworthy fact given the disturbing storyline... The film is definitely not for everyone. It's about deeply troubled people & is VERY dark & very cold, made even more so by the meticulous art direction, camera work & editing.

The cast is terrific, with a heartbreaking performance by Maria Bello who tackles her character with perfect emotional tone and tempo. It's a tough role precisely because it's so disturbing, and if overacted or otherwise played wrong, the character could become unlikeable, maudlin or self-indulgent. Bello manages to be none of these things.

I didn't find the sex scenes gratuitous, or as one critic called it, "S&M soft-porn". In fact I felt the scenes were appropriately restrained. And there were many tender moments & much pathos throughout the film, including in some of the s&m scenes.

As for the question of why Nancy simply didn't leave the marriage, she herself explains this when confronted by Louis with the same question. This is not the story of a woman with normal problems, marital or otherwise. This is the story of a woman who as a child was sexually abused by her uncle for a long time. And her mother exacerbated that emotional damage by blaming Nancy for the abuse. Typical of many sexual abuse victims, Nancy translated the abuse into "being loved", which compelled her to long for it in subsequent relationships. The therapy she finally seeks is too-little/too-late for someone with her type & degree of disturbance.

I was okay with the ending & am glad they didn't decide to lighten things up & make it more commercially viable by going for a "happy ending" & having Nancy live happily ever after w/ Louis. That would be too Hollywood. In real life, some people simply can't overcome the pain of such prolonged and heinous abuse & end up choosing death over life as the ultimate release from unbearable pain...

~NN

Crimelibrary has an account of a suburban Baltimore, MD woman whose story is markedly similar to this film in the broad facts.

However, the movie departs from that story when exploring the protagonist's psychology - Maria Bello plays a very different character from that of Sharon Lopatka. The film tries to link contradicting pathologies which weren't present in the real story, and which would be fine if there was a point - there doesn't seem to be. Unlike Michael Haneke's, "La Pianiste," there seems to be a poor grasp or care about the underlying chaos of this character beyond the dramatic possibilities. Maria Bello's performance is admirable but the narrative fails to draw significant meaning from the substance of her struggle.

While there is an attempt to create a dark, grim sheen to the film, the casting of two very pretty Hollywood stars (Bello and Patric) was an epic blunder. It adds an unwelcome 'allure' to a tale which should remain, frankly, indigestible. Marketable, sexy actors transform this fascinating story into something weirdly, sadly exploitative. Jason Patric is such a poor choice - it couldn't be any more distracting if it were Brad Pitt! (It might have felt more grounded with actors like James Gandolfini and Kathy Bates... ).

Rufus Sewell is captivating here and brings a needed realism in his portrayal of the bewildered husband.

Something dark looms over this movie: Nancy's plan. For a long time, we don't know what it is, but it can't be good. Nancy (Maria Bello) is a pain junkie, the self-destructive kind: no pain, no gain. Maria Bello, she's good. This is her movie. The way she carries herself, the way she walks and the way she talks all radiate defeat. Maria Bello has a nice, articulate voice. But when Nancy speaks in that same voice, it doesn't matter what she says. The way she says it says it all. Nancy rarely smiles, and it's a pretty desperate smile, mostly reserved for her luckless therapist. Against hope, I found myself hoping for better days, but they never break. Nancy takes off to Baltimore. "Who has friends in Baltimore?", her helpless husband finds himself wondering. He's right. Nobody does. Nancy doesn't. She doesn't have friends. Not in Baltimore, not anywhere. She's not the type. - The script jumps back and forth in time, to unsettling effect. If you liked "Chasing Sleep" or "Breaking the Waves", this might be for you, but I'm not sure it's for anyone. There's not a ray of light in it, but I guess that's what life is like for the likes of Nancy.

obviously has some talent attached, Maria Bello is always great. but this is just a dreary wast of time, portraying every character as someone to be loathed and exploited so someone could make a movie out of an 'interesting' story. well, i hope they got it out of their systems. unfortunately for the audience, there is no insight, no sensitivity, no context, and really no humanity. which would all be fine, except it has no humor, no horror, no context, and nothing constructive to say about the story it's trying to tell. bad things happen, you sit and watch it, you don't care, so what? 99% of the time, the words 'based on a true story' constitute an unintentional warning to the audience. it means the director and screenwriter are lazy and fascinated by some events they heard about somewhere, so they just throw them up on the screen and expect the 'true' nature of the story to make the audience feel something without the filmmakers having to do any of the work. i hope they had a great time making this movie. it stinks on ice.