Morning Raga

It's not awful. But its awfully bland. And barring Azmi, who is brilliant as has come to be expected none of the actors register at all. The male lead is dull, with no discernible acting talent. The female lead was bright and bubbly, and we may well end up buying soft drinks and detergent from her for a few years!! The major resolution is way too pat and easy (she waited twenty years to have her problems fixed like this?), and the ease with which this band gets gigs and the lady learns carnatic music is laughable! If only! The movie is well shot, with the colours and sounds all pleasant enough. Annapoorna will agree with me that while this raga may not miss too many notes, it doesn't really aspire to any great heights in the first place. If you are a Shabana Azmi fan, watch it - otherwise, give it a miss.

I saw this movie tonight and actually found it quite astonishing. I always expect the best from Shabana Azmi, and she did not disappoint me.

The movie is in English, which is not what you ordinarily expect from an Indian film. It's about music mostly, but it is about so many other things as well. It's about mentoring, it's about a triangle of lives, it's about mothers and children, it's about facing fears, it's about forgiveness, it's about facing yourself. And it's probably the most virtuous movie I've seen in years.

As usual, Shabana Azmi is right on character. She has to be today's best actress.

But really, the movie is about the music. Indian music, Northern or Southern, is the world's best.

The movie is just awesome. Ordinary storyline handled very well by every one. Aren't all story lines ordinary? Great music and good fusion... Carnatic music is so beautiful... So are Perizaad and Shabana...

The storyline isn't far from reality ever...

Javed Akhtar once said that the imagination of a story writer is like the string tied to a stone being swirled. The stone being the story. The longer the string the more you have to work to keep it going, but if it is too long, it falls down or if the stone comes free it lands far away from reality which is the force that is swinging the stone...

The story is a perfect example...

I am at a loss of words when I see Shabana act. One wonders how she is able to enact each minute expression, gesture, and thought of her character. She fully immerses into the role she is playing leaving no stone unturned. Her acting in this movie really makes it very easy for the audience to completely empathize with her tormenting guilt, agonizing frustrations, and haunting fears. To add icing on the cake of art cinema are Perizaad and Lillette. Both did a good job. However, Perizaad did a much better job in Jogger's Park. This film does a good job of emphasizing its theme: Follow your heart. The bridge separating the city from the village acts as an interesting symbol in many ways. For example, it symoblizes the long road of trials and tribulations one must travel and conquer to fulfill his/her desire. The final fusion song is excellent.

I must admit that my liking for pure classical music is limited - however I was awestruck by the music of this film. Songs such as Thaye Yashoda, Maate Malayadhwaja and Mahaganapatim are so good that I remember the lyrics - although I understand very few words of these.

Acting wise, I found only Shabana Azmi and Nasser to be up to the mark. I am sure singing (actually posing as so) such classical marvel is not very easy - esp. when the ragas are so complex. Still the lady has performed in an excellent way. Similarly, Nasser has played the role of a father who might be a father-next-door, concerned and worried.

However, others, esp. Prakash Rao, have to learn a lot. Sometimes, I felt they were reading their dialogs. I think making this film in English and successfully displaying the emotions in the Indian way, might be difficult.

Overall, a nice film to watch, and we have to be generous enough to ignore the acting shortcomings and enjoy the classical-modern music fusion.