Sob Suspeita

It's amazing to see certain actors working with a director like the veteran Sidney Lumet (if it's appropriate to use for him who knows, though this is his latest film, at 81, over a near 50 year career), and see really intriguing, special things happening on screen. Actors like Pacino, Lee J. Cobb, Rod Steiger, and Peter Finch among many others undoubtedly have other noteworthy performances in other films, but in the work they've done with Lumet there's something that connects just right, to get that full touch reaching into the character and pulling out the humanity, or lack thereof. Vin Diesel, in this case, has possibly his most convincing and on-spot performance to date and, with the exception of his supporting role in Boiler Room, goes beyond the typically macho-roles of his career in the past several years. He is a tough guy in this, true, and Jackie DiNorscio has the life of a criminal to him. But in the story presented in the film, of this man defending himself in the longest trial in American history, it's essential that the actor playing him gets it right with the emotional connections of the character, of being truthful. Diesel gets that right, in a performance that has that gangster quality (err, 'gagster' as DiNorsci refers himself as), but is also has a certain fascinating complexity that the character of, for example, the prosecuting attorney, could never have.

Still, Lumet captures this ensemble with enough nuance and well-spun, real dialog, for two movies. It's not at all strange to see him doing a courtroom drama, as it reaches back to his first film 12 Angry Men. This time however there is a difference in the focus on a story lasting three years, and the evidence in the sprawling, elephantine case against the crime families is not as crucial for getting involved in the film as the people who make up the case and courtroom. There are at least a few character actors providing some terrific work, like Ron Silver as the judge, or Peter Dinklage as one of the defense attorneys. And while amid a scene or shot here and there that could've been lost or put on the cutting room floor (it's hard to pinpoint which after a first viewing without notes), there are at least a few that do provide some extra interest that most other filmmakers would've lost. The detail of the one mobster who becomes ill and has to come in every day to court on a stretcher is one thing. Or the detail of the importance of a chair in Jackie's prison cell.

And in this mix there are a few scenes that rank up with being some of the more dramatically perfect scenes Lumet has done, chiefly by letting the actors- who have inhabited the roles to the point of doubtless believability- just do their work. Two that come to mind are when the judge informs Jackie about the death of his mother, and how what Diesel doesn't show to the audience is even more important than what is (I'm reminded of the scene towards the end of Serpico where he gets the badge). Another is when Jackie is questioning his cousin on the stand. The filming of this scene isn't all that complex, but the dynamic between the two characters is, and the right notes are just there between the two actors. By the end of Find Me Guilty, I didn't think I saw an outright masterpiece like some of the director's other films. Neverhtheless, I also knew that I had seen an extremely confident and very good piece of work that brings out what's dependable in Lumet and what's unexpected in an actor like Diesel. Not to mention that, here and there, the film is quite funny. 8.5/10

Great performance by Vin Diesel in here. I always just thought of him as an actor who did not have the ability to take on a non-action leading role. Wow did he prove me wrong here. Find Me Guilty was really a revelation in itself and for Diesel.

The acting like I just said was great from Vin Diesel. Diesel has shown in the past some great supporting performances. With this movie he clearly showed that he can give a real acting performance. The way he displayed his character as a loud mouth, slick talking mafia man was just so genuine and real. He made me laugh every five minutes and still was able to draw me into the movie as a serious character. The supporting performances were nice here to from Peter Dinklage and Alex Rocco.

The directing was very good if not great as well. When it comes to any film involving court Sidney Lumet is the man who should direct it. This is the man who directed 12 Angry Men and The Verdict which are probably the two of the top five court movies ever. This time though he is able to perfectly balance the comedy and drama of this movie to make this film very engaging and exciting to watch. Sidney Lumet once again proves to me at least why he is one of the most creative and best movie directors ever.

The writing was perfect for this movie. In a way the movie was making fun of itself which is always nice to see in these type of comedies. Together with Diesel the writing made for some many laugh-out-loud scenes. Sidney Lumet with his directing and writing really is able to show that a real-life courtroom drama can realistically funny too.

My advice is to definitely watch this movie if you have not. It is not a superficial meaningless movie and believe it or not is a little inspiring. Creativity in movies at its best.

I had the opportunity to see this movie at the Screen Actors Guild in Hollywood last week along with a Q&A with Vin afterward. I have to say I didn't know what to expect after seeing his regular action roles, but I was very impressed. His acting skills have stepped up to the next challenge. Once I got the vision of sexy action star out of my head I was able to concentrate on the character at hand and by the end of the movie I was almost expecting the character to walk in instead of Vin Diesel! I rated this movie a 9 only because it had way more obscene language fillers than it needed. It's a mafia movie we get it. I just don't care to have so much cursing in a movie I think it takes away from the content. Also as a side note I was impressed with the Q&A after, no one can say that Vin is a muscle head. He is an articulate and passionate actor, as well as very humble. I was sitting about three feet from him during the interview and could see his hand twitching nervously as he addressed the small group of actors there. He most certainly has high marks in my book.

I went to a screening in NYC this week, and Vin's performance knocked the socks off of everyone in attendance.

The physical transformation was astonishing. He gained a lot of weight for this role, and many of the people around me (myself included) did not recognize him when he first appeared on screen. While watching the film, I totally forgot that I was watching Vin Diesel. He really became the character for me.

Annabella Sciorra is another actor I will never look at the same way again. She had exactly one scene in the movie and I thought the screen was going to burst into flames or something. It was really that hot. She and Vin barely touched each other ... didn't even so much as kiss ... and I swear the entire audience needed a cigarette afterward.

The entire cast was first-rate. Every single one of them hit the ball out of the park, no exceptions.

The 2+ hours of running time went by like 15 minutes, and I sincerely did not want the movie to end.

There was a Q&A session after the screening, and Vin was humble, funny, personable and sometimes boyish in his interactions with the audience.

I wasn't a big Vin fan before this movie, but now I can't wait to see him in Hannibal. This guy isn't just an action star ... he's a very talented, dedicated and capable actor.

I went to a preview screening of this film, so the version I saw may not make it onto the screen. I was pretty hesitant when I heard that Mr. Diesel was in it. I have to report that he did justice to the role. OK, he was no young Al Pacino, but he was certainly better than the old Al Pacino would be in the role. And Pacino has to be the patron saint of the film. His performance could have been loud, it could have been slick, instead he adds surprising depth to an essentially obnoxious character.

The story isn't surprising, but it does carry a bit of a cultural wallop, and Deisel, using dialog drawn from actual courtroom testimony is able to convey a real sense of outrage over being societal discrimination. It is a testimony to Lumet's direction, that the film never veers into the didactic or preachy.

The real surprise to me was Annabella Sciorra. The print I saw had no credits, so I wasn't expecting her and it took me a bit to place her face. She was electrifying. She truly lit up the screen in her 5 minutes. In an extended dialog with Diesel as her husband, she goes from dispassion, to jealousy, to outrage, to sexual hunger in the most nuanced and natural performance I have seen in a long while. Sciorra is a major talent and needs to get some larger roles, maybe even a few where she isn't the Wife/Fiancée of a N.J. mobster.