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The film's title could baffle or be lost on you. Then you realize after watching it that it is one of the smartest titles written for a story. Really. I remember one cheeky poster I saw eons ago, "Life is short, eat dessert first!". And from there you know why this title is so apropos.

"The Cake Eaters" was made two years ago but was only released in theaters recently. Mary Stuart Masterson, yes that great actress who directed this little film, should thank high heavens for Twilight. Because before Twilight, Kristen Stewart was just that young indie actress recognized only by people who watch little indie films. We all know Twilight at present is still officially undead, which is good news for the leads' older films that were shelved and are now miraculously resurrected. Otherwise there was a very slim chance for this little film to go mass market. Because first, it is a "quiet" character-driven movie (no action sequences typical of blockbusters). Second, the cast is a group of actors and not stars.

But they are not really new actors. Which leads us to Bruce Dern, playing the widower Easy, who gave a very solid performance here. Aaron Stanford, playing the naive and reliable Beagle, has been making films since 2002. He reminds me of Michael Cera, by how he portrayed Beagle here. And then we have Kristen Stewart, who plays Georgia, a headstrong 15 year old with a degenerative disease (Friedreich's Ataxia). Kristen inhabited Georgia here. She plays her so convincingly you think she's born with the disease. You can imagine the twitching, slurred speech and uneven gait could take a toll yet she was consistent with it. The best thing is, though she played a girl who is physically weak, her Georgia shows strength and maturity. Kristen has received a lot of flak for underplaying her characters. But consider that here she achieves Georgia's strength with her restrained acting, opting to convey emotions through facial expressions and succinct delivery of lines. Georgia becomes not just a sick 15 year old girl but much more than that. We feel for her, but we do not pity her. Which is what all people with disabilities want anyway.

And who would have guessed that Guy, the black sheep brother, is played by the screenplay writer, Jayce Bartok. He writes better, we say, but kudos to him for churning a thoughtful mature story.

I am a fan of Masterson's and was so glad to learn she's gone into directing. Her steady hand has allowed this little film to achieve its purpose. The choice of making a film set in a small town reminds you of "Fried Green Tomatoes". This does have a feel of that film. Subtle , unassuming, natural. She worked hand in hand with real life brother Peter as cinematographer, who gave some stunning shots.

The OST is also worth mentioning, considering that Duncan Shiek has lent his talent. His relaxed introspective music accompanies this film well.

I love independent movies but to be honest I watched The Cake Eaters because of Kristin Stewart. I've seen quite a few of her movies in the last weeks and aside from that Twilight crap I've came to the conclusion that she's a great actress and her performance in this film is no exception.Here she plays Georgia Kaminski,a teenager that suffers from Friedreich's ataxia, a genetic disease that causes damage to the nervous system among other things.Her mother Elizabeth is overzealous and her grandmother, Marg, is her escape.She doesn't have that much time and wants to experience love before its too late. She meets Beagle,played by Aaron Stanford, a shy 20 year old who works in the school cafeteria,they quickly bond and become close and she decides to loose her virginity to him.Beagle is part of the The Kimbrough family.Easy is the patriarch and he's grieving over the recent loss of his wife,Guy is the older son who has been away from the family and just returned after learning that his mother had passed away, and Beagle is the youngest son. The film explores the lives of this two interconnected families. The Cake Eaters is independent film-making at his best,my only complaint is that the movie was too short. How many times do you hear that? Exactly, the movie was that good. I just feel like the story could have been explored more and it could had been taken to another level.I don't know why the director didn't push the envelope a little,he clearly knew what he was doing and the story had great potential; don't take me wrong,this is a very good movie, I just think with more running time it could have been a tremendous movie. Kristin Stewart's performance is truly incredible.When playing characters with these type of diseases, there's always a tendency to overact or go over the top but she played this role perfectly.The academy award nominee Bruce Dern who played Easy was great as well. A great piece of work that left me wanting more.

7.5/10

If you only know Kristen S. as "Bella", than you haven't seen her full Spectrum yet. This is one of the films where she can show what she is really capable of. Of course this being an ensemble piece, there are quite a few other people, who are all really good in their roles. And while this is a man trying to get past his ... well past (I'm talking about the script writer), it still is able to affect other people (the viewers), too.

Of course a drama isn't something that will get all people excited and there are quite a few things, that might get you off the movie. But if you take the time and invest in the characters as the filmmakers did, you will come to like it. Plus the audio commentary is a really nice one to listen to.

In a backwater town in upstate New York, Georgia Kaminski (Kristin Stewart), a teenage girl with a terminal nervous disorder, finds herself torn between the frivolity of her grandmother (Elizabeth Ashley) and overly protective mother who, in the hopes of bringing awareness and humanity to her daughter's disease, takes controversial photos of Georgia in the nude. Several miles away, aspiring musician Guy Kimbrough (Jayce Bartok) returns to the house of estranged father Easy (Bruce Dern) and younger brother Beagle (Aaron Stanford), trying to hide the secret of his failure to make it big. Easy is the town butcher, recently widowed, with secrets of his own, while Beagle, the kid who never left home, has surrendered his life to the care of his father and late mother, and struggles to find an identity of his own. Kaminskis and Kimbroughs conjoin dramatically when Georgia, hoping to find love in her life, and to find it before it's too late, courts the affection of Beagle, whom she meets at an outdoor flea market. The innocent but contentious relationship causes a series of reckonings, as both families are forced to contend with the heaps of emotional baggage that have piled up in their lives.

Masterson keeps it real with this one. The drama is understated, the tension is subtle, and the characters are both distinct and believable. Hats off to Kristin Stewart, who manages to be a dozen things at once – tragic but not pitiful, strong, endearing, funny, unconventionally sexy, and none of the clichés we've grown to associate with any of Hollywood's notorious mental illnesses. Remaining hats to Bruce Dern, a long-time favorite of mine, who keeps a lid on things and never fails to command our respect, even as his character slides deeper into dubious behavior.

In many ways, the film's strengths almost become its undoing. The sustained, understated quality of the storytelling prevents the movie from having any kind of real climax, and the immaculate tension set up in the first hour of the movie never quite pays off in a way I would like. That said, it's still a beautiful film, a capstone of movie-making maturity, and deserves the widest audience possible.

"The Cake Eaters" is so subtle a story and pleasing a film you won't notice how great it is until it is over. Much credit is due to Jayce Bartok, the screenwriter, as well as, Mary Stuart Masterson, the director, to fulfill the hearts of its characters while filling the souls of the audience. "Eaters" sweet subtleties meet heavy hearts touching on such powerful subjects as love, death, secrecy, adultery, disability, virginity, abandonment, and rebellion. With each character involved in one or more relationships: father/son, mother/daughter, grandmother/granddaughter, brothers; love: new, old, rekindled, exes; they are pulled apart at the seams, some almost to a breaking point, only to be shown how close they are.

At the heart of the story, in between all the eaters of cake, is Georgia, a young woman "living" with a rare genetic disorder that affects her mobility but not her spirit. Georgia is played wonderfully and with grace by Kristen Stewart ("Into the Wild"). Her performance is at the center of this story and is worthy of any if not all accolades (Oscar?). You find yourself so enmeshed in her ability to convince, that she makes "The Cake Eaters" truly magnificent.

As up-state New York sets the tone for the story it throws you back in time, maybe the 70's, while staying in the present. The film opens with footage of old home movies and settles nicely in a gray, rainy, folk art town, where everyone knows your name. And it sure seems nice to have been a part of it.