Péssimos Hábitos

this movie definitely hits something. it isn't the best movie i've ever seen but its one of the best of its type. it had some really great actors in it, even if most wouldn't agree to that. part of the reason i think this was such a good movie is because it is so real and it is really what goes on in peoples lives in small towns. i'm from a pretty small town and even high school this is what people are doing. its crazy to think that things like this aren't actually as far away from my life as it may seem. the acting in this is great because in some places, even if it may seem as if the acting is crappy, it really isn't. the actors are able to get into the character and let that person take control which is what makes them look and sound like real people and not just actors. i definitely would recommend this to anyone who needs a little dose of reality...if there wasn't so much cussing it would be a good movie to show in health classes when the life units happen...but yeah basically good movie :]

Was lucky enough to catch LITTLE ATHENS last night and think we're looking at an exciting young director. The film is constrained by its small budget but punches largely above its weight due to the ingenuity of its Zyber and the talent in the young, and I have to say, hot, cast.

To compare it to the Outsiders perhaps puts too much weight on its shoulders and certainly the flavour is very different, but I felt like I was watching the beginning of a new set of burgeoning careers and it was tremendously exciting.

If you have seen this film, please add your comments, I'd be very interested to read them.

On a final note, the music on this project is phenomenal.

(I work in the trade but have no affiliation to this film - to allay the fears of some of the other critics here).

But don't listen to what I have to say, see it and make up your own mind.

KilledCat

Tom Zuber has great credentials in Law but seems to prefer to dabble in the territory of cinema. Having not seen his debut film LANSDOWN (2001) it is difficult to judge from LITTLE ATHENS (2005) if he is improving with age, but looking at LITTLE ATHENS on its own merits it seems a bit sparse in idea and in production.

Athens, Arizona is the bleak setting of this day in the lives of some fairly bored (and boring) youngsters, ne're-do-wells attempting to infuse sparkle into an otherwise glitterless place. Zuber creates four story lines, spottily interweaves them, and finally connects the dots in the last reel. The main problem is that comedy is funny because we care about the facilitators and here there really aren't any folks in which to invest. The cast tries hard and succeeds in giving us a taste of life in the flatlands of nothingville. D.J. Qualls (a character type who is very good, as in 'Hustle and Flow'), Michael Pena, John Patrick Amedori, Shawn Hatosi, Tory Kittles, Eric Szmanda, Jorge Garcia, Erica Leerhsen, and Michelle Horn are particularly fine and do their best with the material they are given.

Tom Zuber has a style, a sense of non-scripted spontaneity incorporating the gross with the sadsack, and given time he may make a fine little film. This one just misses. Grady Harp

This excellently-crafted film follows the lives of a group of post-high school graduates (or dropouts), late teens and early twenty-somethings for whom college is not an option. There are 4 stories which proceed independently of each other, occasionally passing off the baton from one to the next, but eventually all coming together.

Little Athens is a slice of life in a relatively lifeless environment -- a small town called Athens, but it could be any small town just about anywhere. Certainly, anyone who grew up in such a place knows it well. There isn't a whole lot to do. So you do what you can to get by. These characters' lives are about who you're dating, used to date, or would like to date, who you're cheating on and who's cheating on you, who's doing drugs and who's selling them, getting jobs and getting fired, getting into trouble and staying out of trouble, and trying to figure out who you are in a town where nobody amounts to much unless you leave. Stay and you're stuck, so you may as well make the best of it. In a town with no rock concerts, no sports arena, no dance clubs, no mall, and no multiplex, there's no drama. And when the drama doesn't exist without, you create it from within. Nature abhors a vacuum, so these young people fill the void by creating their own conflicts, because it's so much easier to be discontent than not.

If it sounds sad, well, where there's pity there's sympathy. And where there's sympathy there's comfort. We know these people. And that cuts to the heart of what makes this film what it is -- this brilliant young cast does what good actors are supposed to do -- they make these characters real. You never get the feeling that this is scripted, or has been rehearsed -- and the camera similarly stays out of the way.

Most of the film is shot in widescreen 35MM, as if to emphasize how small these characters are set against the bleak landscape of this town. We are watching them from a distance, just observers, taking it all in and allowing us to slowly invest ourselves in these people. The last portion of the film uses hand-held 16MM, as the four separate story lines come together towards the climax of the film. Now we are there, with them, because now that we know them we are allowed into their world.

The aspects of the film which stand out the most in my mind are the performances and the music. The acting is just spot on. It's always hard to single anyone out in an ensemble cast, but John Patrick Amedori's Jimmy is arguably the most sympathetic character in a film where you tend to feel sorry for everyone. He's perfectly cast -- the story had to have one sometimes sad but hopeful puppy-dog, and he's it.

The other highlight for me was the music, but that's always my weakness. After the acting and the soundtrack comes Tom Zuber's intricate story, told with the luxury of one able to write it, produce it, direct it, and edit it. He should be extremely proud of this work.

The only thing that saves it are the performances by the many familiar faces that star in it, which were mediocre at best. Would have been nice if there was more of an actual story or point to the thing. Every 10 minutes or so I was saying to myself "Is this going anywhere?"

I liked the songs they used (respectively), but I felt most of them to be very intrusive and distracting from the story. Especially that riff with the strings that would play at the beginning or end of almost every scene. And there were some scenes where complete silence would have served so much more to what's going on, for instance when that pizza delivery kid was stealing the rest of those drugs while we watched the dead guy. The music killed that scene.

Also, I think the writers/directors have some kind of hostility towards women which is displayed time and time again in this film. The way the women are portrayed is as if they're stupid and clueless as to what's going on. The anal sex scene, the brother pushing his sister to the floor and the girl getting punched towards the end just seemed like a way for these guys to express their own short comings with women, and I viewed it as borderline degrading.

And that one actor Jorge Garcia, his random Spanish words mixed with his English dialogue didn't seem to make sense, and I speak Spanish fluently. No one throws in fully conjugated and otherwise unknown Spanish verbs while talking to monolingual white guys.

I thought the look was alright. The lighting of the party at night kinda made it hard to look at, but it emulated the real life lighting of a party like that I suppose.

So yeah, 5 out of 10 for me. It probably could have been better if they'd gone through a couple more drafts of the script.