Harry Potter e o Enigma do Príncipe
Enquanto os Comensais da Morte, incentivados pelo retorno de Voldemort, provocam o caos tanto no mundo dos não-mágicos quanto dos bruxos, Harry Potter, no sexto ano em Hogwarts, aprende com ... Ler tudoEnquanto os Comensais da Morte, incentivados pelo retorno de Voldemort, provocam o caos tanto no mundo dos não-mágicos quanto dos bruxos, Harry Potter, no sexto ano em Hogwarts, aprende com Alvo Dumbledore sobre o passado de seu inimigo.Enquanto os Comensais da Morte, incentivados pelo retorno de Voldemort, provocam o caos tanto no mundo dos não-mágicos quanto dos bruxos, Harry Potter, no sexto ano em Hogwarts, aprende com Alvo Dumbledore sobre o passado de seu inimigo.
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- Indicado a 1 Oscar
- 9 vitórias e 39 indicações no total
- Waitress
- (as Elarica Gallacher)
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Avaliações em destaque
In the sixth Harry Potter, Harry works with Dumbledore to unlock a key secret about Voldemort. To do this, Harry has to get close to Professor Slughorn (played with aplomb by Jim Broadbent). What interested me most about the way this is played out are the quiet similarities presented between Harry and Tom Riddle. Dumbledore actively wants Harry to act more like Tom in an attempt to defeat him. This enhances the idea posited back in the 2nd film and book. The sub-plots surrounding this are delightful. Quidditch has never been done so well. The Slug Party is also delightful. Harry's fancying Ginny and Ron's troubles between Lavender and Hermione round out the film. A small downside of this is there is less room for some of the best talent in the UK, many of whom merely supply the garnish on a good meal.
Michael Gambon is wonderful in this turn as the greatest wizard Dumbledore. He just needed the screen time to shine. I hope this nails the lid on the doubters. Alan Rickman plays Snape to perfection, much as it would have been fun to see him momentarily lose his cool. Maggie Smith and Robbie Coltrane have wonderful cameos. I seem to be the only person that appreciates Daniel Radcliffe post-Equus. I think the young man has really come into his own. Rupert Grint has also become a fine comedic actor. Tom Felton slowly freaks the hell out as a young man given an impossible task. My favorite little scene stealer is Evanna Lynch as Luna Lovegood.
The film plays fast and loose with the source material, and, unlike with Prisoner of Azkaban, the results are not disappointing. On the contrary, this might be, next to Goblet of Fire, my favorite of the films. Part of the reason this time is the film's atmosphere is so appropriate, the characters so well acted and written, that it makes us yearn for more of everything that IS in the film, not lament what was cast aside. I can forgive plot simplification as film is a different medium. I would not have made all the choices Yates has, but he nails the beginning and end of the film, includes many touching character moments, and the movie on the whole is FUNNY damnit! True Potter fans should see that Yates has broken the letter to preserve the spirit of Harry Potter.
One note from the Potter die-hard within the competent film critic: it is disappointing to miss out on one crucial flashback that would have given Ralph Fiennes a terribly awesome scene to do with Michael Gambon. As for the rest. Potter-ites, Yates has this well in hand. Put aside the canon-charts, and enjoy watching small variations on a story you know and love. I know, given the choice, I prefer a story that pops to life over one nailed down to a strict regiment of plot points and exposition. A-
Of course, it goes without saying that you should watch the other Harry Potter movies before you watch this. While there is pretty light humor to be found here (and some love stories), it all gets spiced up, by some really dark undertones and some things that happen. I wouldn't say that Harry Potter is getting into an adult phase, but he definitely gets wiser with every movie. Which can't be said, for all his friends. But then again, some are there for comedic relieve, which is pretty obvious. And not a bad thing at all. The effects are great (not that you should have expected less) and the story moves along "fast" (the running time doesn't seem to be a problem or a drag). Of course some might say that he is still too childish (or the whole feeling is childish), but that would be beside the point. The movie does not hide what it's intentions are ...
What helps this film are the performances to a great extent. The adult cast as always is great. Michael Gambon, Jim Broadbent, Alan Rickman, and Helena Bonham Carter all deliver high-worthy performances. They should all be considered for Oscar consideration come the end of the year. The young cast is brilliant. Daniel Radcliffe, Rupert Grint, and Emma Watson have all grown very comfortably into their characters, and they know their strengths and weaknesses. Bonnie Wright also becomes more important in just the right time, since she is also very good as Ginny. Evanna Lynch is fantastic again like in the last film. The young kids playing Tom Riddle are spot-on. But the biggest surprise for me had to be Tom Felton. His character is more important here than in the other films, but Felton really was masterful. He portrays everything about Draco Malfoy that was intended by Rowling: his fear, his anger, his remorse. Malfoy is in a very dark place, and Felton goes up and beyond what I would have expected from him. The strongest of the young cast.
The other aspects of what make this film brilliant are the technical aspects of course. The cinematography must be what is most amazing. It is so well-done, captures every shot right and with powerful meaning behind it. The different color textures and lighting really are beautiful. Also, Some truly amazing shots in this film. Like always, the set designs are wonderful. The visual effects are strong, but not to a point that they detract from the film. If the Academy does not recognize at least the technical side, then what can they recognize?
Overall, I simply loved Harry Potter and the Half-Blood Prince. Yes, the ending was shorter here than in the book, but I thought it still worked well, and certainly not anti-climactic. The death was very well done, and I thought was handled better than in Order of the Phoenix (while still a great film, lacked the emotion for Sirius dying). The ending was perfect, left me feeling sad and happy at the same time, and cannot wait for Deathly Hallows! The best Potter film yet.
Who is Delbonnel you may ask? Well, he is the brilliant cinematographer behind the camera. I may have blamed the failures of the fifth film on its screenplay as Steve Kloves was glaringly absent, (he being the writer of each other film, including this new one), but a film is a team effort. Therefore I guess maybe I shouldn't put all the accolades on one man now; I just feel absolutely compelled to do so because so many moments linger in my mind due to the beauty of their composition and use of their environments to stay interesting and exciting at all times. Visually, you cannot be bored. It just goes to show that it is never the director alone, but also the team he or she brings along. I like Yates and was surprised at how much I disliked his first foray in the Potter universe, granted, I felt the book itself was sub-par at best. Thankfully, he did not disappoint with his second of three, (make that four as book seven goes to a two-part finale), because, as it was with the novels, Half-Blood Prince is by far the best of the series—until Deathly Hallows of course. And adding the pedigree of a guy like Delbonnel, with films such as Across the Universe, A Very Long Engagement, and Amelie in his back pocket—all stunning works of art—only makes his job easier.
I can't get over the use of close-ups throughout, or the multiple instances of framing used to hide something on screen. Oftentimes, the camera pans or cuts to reveal something in the fringes, to highlight the focal point when it's not centrally located, or literally move our eyes to exactly where the filmmakers want them to be. The blocking is superb with some scenes blurring the edges and keeping only our main object of interest in focus, timing and positioning executed with aplomb. And did I mention the close-ups? (Yes, I know I did.) One sequence, with Harry and Ginny running through a field of tall grass after intruding Death Eaters, is shot with a high speed pan to keep the characters crisp as the foliage darts and blurs in their wake. I'd be remiss not to mention the special effects as well, especially when dealing with the black smoke trails from Voldemort's flying goons as well as the wispy pensieve. Whether completely computer generated or practical dye clouds in water, the effect is pitch perfect, even dissolving each memory in sections, leaving important pieces, like young Tom Riddle, to be lingered on just a second longer than the rest.
As for the leads, Daniel Radcliffe and Emma Watson are solid as usual, (Radcliffe showing some solid comedic chops after taking luck elixir), and Rupert Grint's Ron Weasley gets some room to break free. But it is the supporting roles that deserve notice. Helena Bonham Carter will scare children, so kudos to her, and Michael Gambon's Dumbledore will win even more hearts as his leader finally allows Potter into the inner circle of the plan to rid the world of Voldemort, it now being a circle of two. It is newcomer Jim Broadbent, however, as Professor Slughorn who steals the show. Broadbent is known for his many comical expressions and his rubber face is utilized to great effect here. A blowhard and man with many "friends", his jubilant smile and need to collect powerful and famous wizards for his Slug Club are ever-present, bringing some levity as well as effectively hiding the dark secret that lies beneath.
Harry Potter and the Half-Blood Prince succeeds in the details. It is an exercise in minimalism and showing only what is necessary to the plot. Condensing the novel better than ever done before, Kloves has given Yates the tools to make a film and not just a visual representation of the words. What had previously been done best by Azkaban's Alfonso Cuaron, this one works better at retaining more subplots and not stripping it quite so bare. Subtle hints are planted so no longwinded exposition is needed to make us, as an audience, feel stupid and lectured to. Instead Yates and crew allow us to show our intelligence and ability to use our eyes and memories to piece things together, making the experience more enjoyable as we believe we are solving the mysteries and not the director who is skillfully guiding us through. I'd say it couldn't get better than this, but my confidence in Yates has been renewed and my hopes that Deathly Hallows is treated with respect is at one hundred percent, so who knows what the future has to offer?
With all of the films you can notice that the acting is improving with the maturity of the characters. You can tell that there is a close bond between the actors of which all pull of their roles well. The directing and visual effects, like all of the films to date does not disappoint.
In all a great family film, a pleasure to watch and I would recommend this film to most people. I am glad that the final film will be split into two parts, to be honest they could have done it with this film!
*** For people who have never seen any of the films or read the books I took my friend with me who has not seen or read any of the books and he was completely lost throughout the film (Although he still enjoyed it!). If you wish to see this I would recommend you need to see Harry Potter and the Order of the Phoenix first. Otherwise you may find this film a little confusing.
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- CuriosidadesDame Maggie Smith completed filming this movie while undergoing radio-therapy as treatment for breast cancer.
- Erros de gravação(at around 1h 3 mins) During the Quidditch Match, and the celebration afterwards in the Gryffindor Common room, you can see that the students are chanting "Weasley is our king!". However, the audio track we hear is "Weasley! Weasley! Weasley!" over and over.
- Citações
Professor Minerva McGonagall: [to Harry, Ron, & Hermione] Why is it, when something happens, it is always you three?
Ron Weasley: Believe me, Professor. I've been asking myself the same question for six years.
- Cenas durante ou pós-créditosThe end credits take their shape from what look like ink spills, resembling the appearance of the collected memories when they are poured into Dumbledore's Pensieve.
- Versões alternativasSome of the dubbed versions change the names of a few characters, to match their translated novel counterparts in each respective language. Examples include Hermione, who in the German version (of all the Potter films/books) is named Hermine, and Dumbledore, who in the Dutch version is Perkamentus. (Source: Multi-lingual Blu-Ray copies of the films)
- ConexõesFeatured in The 81st Annual Academy Awards (2009)
- Trilhas sonorasHedwig's Theme
Composed by John Williams
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Harry Potter y el misterio del príncipe
- Locações de filme
- Raumabanen Railway Line, Bjorli, Noruega(Hogwarts express scenes in winter)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 250.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 302.334.374
- Fim de semana de estreia nos EUA e Canadá
- US$ 77.835.727
- 19 de jul. de 2009
- Faturamento bruto mundial
- US$ 941.056.063
- Tempo de duração
- 2 h 33 min(153 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1





