Harry Potter e o Enigma do Príncipe

Darker than ever, Lord Voldemort has been revealed in the 'Order of the Phoenix'. The forces of darkness are gathering strength. Fear has spread throughout the wizard world. Harry Potter is now investigating Voldemort's plans through his old teacher Professor Horace Slughorn (Jim Broadbent).

Director David Yates returns and will for the remainder of the series. It has a more serious tone. The teenage love drama is heating up especially for Hermione and Ron. It comes to a head in this one in a satisfying melodrama.

The reveal of Voldemort's plan is a bit confusing. More effort is needed to explain what a Horcrux is. A scene with Voldemort creating one of the Hocrux would solve the problem. For the big death climax, the action is rather lacking. It needs more drama. I'm reminded of 'Empire Strikes Back'. In that movie, the big scene gets the most iconic treatment. Something like that is needed here. But it still works while following the book. That's probably more important.

HP6 is a dark and emotionally thrilling masterpiece. It combines magical awes that appeal mostly to children as well as mature and dark themes that appeal to almost everyone. It discovers the dark and mysterious past of you-know-who and leaves the audience aching for more as its two and half hours run time go by in a flash. The film contains dazzling visuals and terrific cinematography. It is indeed a satisfying experience that will please just about everyone. One thing is for certain though: in resemblance to the Rowling novels, the film series seems to get darker and more mature with every passing film while keeping an incredible PG rating (in the exception of HP4 & 5). This film not only has some bangs and booms but also explores the theme of teenage love as the three protagonists find themselves tangled in teenage romances. Overall a top notch film worth seeing over and over. Cant wait for the arrival of the Deathly Hallows.

It's a real shame that I could never give a film featuring Harry Potter the status of a perfect film. Each tale relies so heavily on those that came before or after that one can never be a truly all-encompassing work. Sure, the three-act structure can be utilized, but without the background info, nor the knowledge that more will be coming, watching a middle installment alone will leave you confused and disorientated. The reason I bring this up is the fact that Harry Potter and the Half-Blood Prince is good enough to warrant the praise and to put the idea in my head about whether to call it a masterpiece. The tone is perfect, the laughs are many, the darkness is charcoal black—how could this be the same director as the abysmal—in comparison to the rest of the series—Order of the Phoenix, David Yates? Two words … Bruno Delbonnel.

Who is Delbonnel you may ask? Well, he is the brilliant cinematographer behind the camera. I may have blamed the failures of the fifth film on its screenplay as Steve Kloves was glaringly absent, (he being the writer of each other film, including this new one), but a film is a team effort. Therefore I guess maybe I shouldn't put all the accolades on one man now; I just feel absolutely compelled to do so because so many moments linger in my mind due to the beauty of their composition and use of their environments to stay interesting and exciting at all times. Visually, you cannot be bored. It just goes to show that it is never the director alone, but also the team he or she brings along. I like Yates and was surprised at how much I disliked his first foray in the Potter universe, granted, I felt the book itself was sub-par at best. Thankfully, he did not disappoint with his second of three, (make that four as book seven goes to a two-part finale), because, as it was with the novels, Half-Blood Prince is by far the best of the series—until Deathly Hallows of course. And adding the pedigree of a guy like Delbonnel, with films such as Across the Universe, A Very Long Engagement, and Amelie in his back pocket—all stunning works of art—only makes his job easier.

I can't get over the use of close-ups throughout, or the multiple instances of framing used to hide something on screen. Oftentimes, the camera pans or cuts to reveal something in the fringes, to highlight the focal point when it's not centrally located, or literally move our eyes to exactly where the filmmakers want them to be. The blocking is superb with some scenes blurring the edges and keeping only our main object of interest in focus, timing and positioning executed with aplomb. And did I mention the close-ups? (Yes, I know I did.) One sequence, with Harry and Ginny running through a field of tall grass after intruding Death Eaters, is shot with a high speed pan to keep the characters crisp as the foliage darts and blurs in their wake. I'd be remiss not to mention the special effects as well, especially when dealing with the black smoke trails from Voldemort's flying goons as well as the wispy pensieve. Whether completely computer generated or practical dye clouds in water, the effect is pitch perfect, even dissolving each memory in sections, leaving important pieces, like young Tom Riddle, to be lingered on just a second longer than the rest.

As for the leads, Daniel Radcliffe and Emma Watson are solid as usual, (Radcliffe showing some solid comedic chops after taking luck elixir), and Rupert Grint's Ron Weasley gets some room to break free. But it is the supporting roles that deserve notice. Helena Bonham Carter will scare children, so kudos to her, and Michael Gambon's Dumbledore will win even more hearts as his leader finally allows Potter into the inner circle of the plan to rid the world of Voldemort, it now being a circle of two. It is newcomer Jim Broadbent, however, as Professor Slughorn who steals the show. Broadbent is known for his many comical expressions and his rubber face is utilized to great effect here. A blowhard and man with many "friends", his jubilant smile and need to collect powerful and famous wizards for his Slug Club are ever-present, bringing some levity as well as effectively hiding the dark secret that lies beneath.

Harry Potter and the Half-Blood Prince succeeds in the details. It is an exercise in minimalism and showing only what is necessary to the plot. Condensing the novel better than ever done before, Kloves has given Yates the tools to make a film and not just a visual representation of the words. What had previously been done best by Azkaban's Alfonso Cuaron, this one works better at retaining more subplots and not stripping it quite so bare. Subtle hints are planted so no longwinded exposition is needed to make us, as an audience, feel stupid and lectured to. Instead Yates and crew allow us to show our intelligence and ability to use our eyes and memories to piece things together, making the experience more enjoyable as we believe we are solving the mysteries and not the director who is skillfully guiding us through. I'd say it couldn't get better than this, but my confidence in Yates has been renewed and my hopes that Deathly Hallows is treated with respect is at one hundred percent, so who knows what the future has to offer?

In a cinematic universe that thrives on magic and wonder, *Harry Potter and the Half-Blood Prince* emerges as a masterful alchemy of adolescence, heartbreak, and the looming shadow of destiny. This sixth installment of the iconic saga deftly intertwines the whimsical joys of young love with the stark realities of an encroaching darkness, both within and outside the wizarding world.

From the very first frame, the film casts a spell on its audience, transporting them back to the hallowed halls of Hogwarts, now tainted by a pervasive sense of unease. Director David Yates crafts a visual tapestry rich in foreboding, with shadowy corridors and vibrant landscapes that pulse with life. Each scene is an exquisite spell, conjuring emotions that resonate deeply, giving viewers a taste of both nostalgia and impending doom.

The performances in this installment shine brighter than ever. Daniel Radcliffe (Harry Potter) conveys a raw vulnerability as he navigates the tumultuous waters of adolescence and the burden of being the Chosen One. Emma Watson (Hermione Granger) and Rupert Grint (Ron Weasley) complement one another brilliantly, their friendship tested and strengthened through the lens of burgeoning love and jealousy. The addition of Jim Broadbent as Professor Slughorn introduces a delightful complexity, embodying a character who is both endearing and morally ambiguous.

At its core, *Half-Blood Prince* explores themes of love, loss, and the intricacies of choice. The budding romance between Harry and Ginny is portrayed with a tenderness that reflects the awkwardness of young love, while the heart-wrenching moments of loss serve as poignant reminders of the stakes at hand. The film courageously delves into darker territory, revealing the consequences of choices made, foreshadowing the epic battles that await.

The cinematography deserves a particular shout-out; each shot is meticulously crafted, as if the frame itself were a potions master, brewing a concoction of visuals that mesmerize and captivate. The stunning visuals are further enhanced by Nicholas Hooper's haunting score, which echoes the film's emotional highs and lows, weaving a spell that lingers long after the credits roll.

*Harry Potter and the Half-Blood Prince* stands as a remarkable chapter in a beloved saga, daring viewers to embrace the complexities of growing up in a world rife with both magic and peril. It's a film that promises not just to entertain, but to invite reflection on the nature of love, sacrifice, and the inevitable march toward fate. This jewel of the Harry Potter franchise is not merely a bridge to a climactic finale; it is a rich, emotional potion that captivates the heart and soul, inviting us to believe in the enduring power of friendship and love, even in the darkest of times.

Like all Harry Potter fans I have read all of the books and seen every film so far. I would have to say that this film is not my favourite so far and leaves you feeling that some vital parts of the book are missing. However this is worth watching and I feel this will only disappoint the most hardcore Harry fans!

With all of the films you can notice that the acting is improving with the maturity of the characters. You can tell that there is a close bond between the actors of which all pull of their roles well. The directing and visual effects, like all of the films to date does not disappoint.

In all a great family film, a pleasure to watch and I would recommend this film to most people. I am glad that the final film will be split into two parts, to be honest they could have done it with this film!

*** For people who have never seen any of the films or read the books I took my friend with me who has not seen or read any of the books and he was completely lost throughout the film (Although he still enjoyed it!). If you wish to see this I would recommend you need to see Harry Potter and the Order of the Phoenix first. Otherwise you may find this film a little confusing.