12 Anos e Pouca Ilusão

Michael Cuesta (who previously directed the slick and grotesquely controversial "L.I.E" and is currently one of the masterminds behind Showtime's wildly entertaining and grotesque "Dexter") treads some very dangerous ground with "Twelve and Holding." Working with a solid script focusing on how three best friends cope with the accidental death of another friend (the more popular twin brother of one of the protagonists), he presents pre-adolescent characters with the psychologically complex motives of adults and we witness their pratfalls, tragedies, and heart wrenching moments in a the same type of voyeuristic manner usually reserved for more mature characters and audiences. Elements of classics like "Stand by Me" keep the film grounded even as some of the plot developments get a bit far-fetched.

The acting is a huge plus here, with Annabella Sciora (getting more and more enchanting and beautiful with age), Jayne Atkinson (brutal, honest, and gut-wrenching as the grieving mother of the dead child), and Connor Donovan (in duel leads as the dead boy and his conflicted twin brother) highlighting the excellent ensemble. Cuesta's surprisingly subtle direction somehow manages to avoid both the salacious tendencies of a Larry Clark film and the annoyingly overt quirkiness of similarly themed films like "Me and You and Everyone we Know" to deliver a profound and perplexing tale of coming-of-age, revenge and loneliness.

Nice production, good script, outstanding casting, great young actors and well chosen music makes this a gem. One can complain about some of the extremes of the plot, but forgive the excesses and farcical elements for the sake of a well woven story. It begins with four kids, friends growing up in a middle-class neighborhood. A significant event splits the initial single thread into three, each following a child: the precocious Malee making her first amorous exploration; Leonard and his struggle with obesity, not only his but also of his immediate family; and the conflicted Jacob. While the film would classify as a drama, there is a good deal of humor to counterbalance the tension that is maintained throughout. The editing is superb in how it moves nimbly among the threads, keeping us always interested and curious about what will happen to the characters. The young actors deliver their parts with aplomb which combined with excellent directing should make this a success.

I feel the last reviewer was a little out of touch with reality. They felt the movie was too 'extreme', but I was actually drawn closer to the characters because the writer portrayed them as VERY real and believable. If I was that age, and someone did what was done to the boy in the movie, prison would be the least of their worries. These kids, and ALL kids, are not the innocent 'Beaver Cleavers' most adults think (or wish) all kids are. I for one, remember when I was 12. I did things like these kids did, and more. I was sexually active in a same sex relationship with someone older, another issue is addressed in the movie, and could relate to it even though the relationship portrayed in the movie is heterosexual. It is VERY rare to see ANY reference to adult - adolescent "relationships" where the adolescent is the sexual aggressor, and NOT the adult. It may be an ugly subject, but it IS reality.

I give this movie an 11 on a scale of 1-10. I would also like to thank IFC Films for showing new releases on PayPer View so people who don't have access to theaters showing the films can see them. I wish ALL independent films were available in this manner.

This is a haunting coming-of-age film about children, bound by a common, shocking tragedy, who struggle to get on with life and overcome their own troubling problems. Despite the severity of issues conveyed in this film's overlapping vignettes, it never becomes melodramatic. Artful screen writing and direction infuse humor in the telling of these children's stories---stories rich with characters who are colorful, but never contrived. All of the children provide very genuine, endearing performances---essential if the audience is going to empathize with them and their disturbing behavior. This movie will frequently make you uncomfortable---very uncomfortable. But no matter how horrifying and even monstrous these children's actions may be, they never lose their appealing and disarming qualities as children. These are very cool kids, even the most troubled, who easily win your affection.

During the course of the movie, one of the children queries the others by asking, "Do you know ninety-percent of people's problems are due to their inability to get over the past?" All of these children will be faced with this challenge. You hope all will overcome this obstacle, but sadly, not all of them will or should be able to get over their past.

One night, I was on the couch, looking through my "TMN on demand" movie selections, movies A-Z. Looking for good movies to watch on the movie network is tough, considering you don't know what ones are good/recommended and what ones you should entirely stay away from. I watched all of the ones that fit my taste, and one night, I decided to view the movie "Twelve and Holding", hardly knowing anything about it. I'm not really a fan of dramas at all, the "Family Channel" Disney, pretty much ruined them for me, with these lame drama-comedy's such as MVP and cheap independent cartoon type ones. I decided to give it a chance, because I wasn't really in the mood for any action or horror or Comedy's like I usually was. As soon as it passed the dramatic scenes about a brother tragically loosing his life to a Molotov cocktail, I was absorbed into the fascinating character study and couldn't wait to see what happened next in the tale. Many characters with completely different problems are examined in this story, and it ties together nicely with the main plot. Inspiring and heartbreaking moments with truly remarkable well-acted sequences.

The actors often seemed way to real, to me, and instead of feeling like a total wordplay, the writing style was original and refreshing. There is a good amount of subplots in this coming-of-age story and they are studied with well-written dialog, awkward or funny moments and significant captivating motivational characters. This movie isn't nearly as highly acclaimed as I proposed it was going to be, only one nomination? No Oscar nominations? Nothing!? Surely it deserves more observation on a critical side. Consideration, understanding, the dealing of problems, and temptations are pretty much the four key aspects this movie is tackling and trying to make the viewer take into consideration, but people aren't giving it a fighting chance. Speaking of characters, five strong characters are highlighted in this film. Jeremy Renner, who plays Gus, a mislead need-no-sympathy pathetic man who tries to be a clean role model to a little girl, Zoe Weizenbaum who happens to be one of the other lead characters, playing Malee. Jesse Camacho playing Leonard, who has to deal with his overweight family, one of the more motivational and inspirational characters of the film. He is also overweight, but actually is the one who is trying to take action and loose weight. Conor Donovan, another powerful actor from the film, plays two characters, himself and his much more unapproachable and risk-taking brother. Two strong roles too fill, and he does the job. This film tops off with one of the most emotionally charged and satisfying endings I've seen in a drama since a long time.

Highly recommended.

3/4 Stars