Fantasmas de Guerra

Six months prior to the beginning of the film, a group of recon soldiers are sent to "R-Point", a strategically significant island south of Saigon. Radio contact is lost, and they're presumed dead, until six months later ("present day" in the film's sense) radio transmissions are received claiming that the soldiers are alive and in grave danger. A squad of 9 soldiers, led by hardened veteran Lt. Choi, are dispatched to find them and bring them home.

What follows isn't an action-heavy horror movie, but a more tense, atmospheric exploration of the lines between the supernatural and reality. Surrounded by miles of jungle and rumours of ghosts, the soldiers begin to crack under the pressures of their situation and begin to turn on one another. It's difficult to describe what they encounter without making it sound trite or clichéd (R-Point is neither), but the physical pressures of the jungle combined with the psychological pressures of the legends of R-Point are captured brilliantly both by the camera-work and the actors portraying their private descents into madness.

Atmospheric and full of suspense, R-Point is tense, very creepy, and definitely worth watching. It never goes over the top and remains tight and controlled. Horror movies and war movies cross over well, it seems. After is, war is hell, and in R-Point, each soldier certainly goes through that.

The motif of this movie is similar to that of "apocalypse now". Like this classic movies about Vietnam, R point described the horror which the soldiers confronted at the battle field. Although this movie adopted many things from 'apocalypse now', it shows another type of the horror- in the oriental meaning- "punitive justice". no one would return home if he committed bloody thing. What the soldiers felt as original sin is what they committed in Vietnam. And the curse was cast on them as Chinese troop, french troop, and US troop (they were all the invaders to Vietnam) were "punished".

The director said that he wanted to make this movie as antiwar movie. I think that he oscillated between "horror movie" and "antiwar movie". The plot is monotonous and solders' mental state and personal history were so much omitted that it hard to understand without further information. However, I think that his attempt is relatively successful. I thought much about the deployment of Korean troop to Iraq, after I saw this movie.

This is being sold as a Korean version of Apocalypse Now. Its not. Other than the plot device of investigating mysterious radio signals there is no similarities at all. Do not believe the hype.

The plot concerns a group of soldiers sent to R-Point to investigate a group radio signals from a group of supposedly dead men. Once they cross the line into the area all sorts of strange things begin to happen and they slowly begin to dwindle in number. Yes, you've probably seen it before in other films, you know the drill a group of men cut off in a strange place where they are hunted by a seemingly supernatural force. Recent films such as the Bunker, or Deathwatch cover similar territory to varying degrees of success.

For most of the running time R-Point works, as a good but not great thriller. There is a slowly building sense of dread as it goes on that thankfully never becomes overwhelming. It's not perfect as most of the men blend together and you really have no idea who is who. The real problem is that around an hour or so in the film starts to not make sense. Events become disjointed and there are some turns that seems out of left field. Granted this is a film that asks you to pay attention as little things early on show up later or give clues to whats going on, so if you look away you may feel lost. I did look away and did feel lost.

I also have reservations about the reasons for events toward the end, they don't seem natural, I suspect this is due to the director attempting to add more weight to the story than a straight horror film could carry. I think the attempts at allegory weaken the film and prevent it from being either a horror film or allegory.

Still I do recommend the film for those people who want to see something creepy but not too scary, and who don't mind it doesn't completely work to the end.

I enjoyed this movie. Confusion and uncertainty exist in war, so I felt it gave a taste to the viewer of what the troops were going through. If anything, it added to the nightmarish quality. Strange place, scared sh*tless, etc.

Very creepy, lots of tension, great location. I agree with earlier posts, it was reminiscent of The Shining (evil location induces madness and murder).

It won't appeal to everyone (as we all have different tastes) but I find this type of thoughtful horror far more terrifying and disturbing than the usual 'obvious' Hollywood horror - mainly because it invites you to use your imagination (a scary unlimited place!) instead of spelling it all out and tying up the loose ends.

Low on gore, few special effects and not a single large breasted girl running through a forest. Like many of the best horrors the fear in R-Point comes from what you don't see.

It's a simple premise for a film: a ghostly horror set in the dying days of the Vietnam War. It twists and pant-filling turns are so effective you think surely Hollywood couldn't resist remaking it with a giant budget. And of course they couldn't. Zhang Yimou the director of Hero is already in the process of making an English language version.

A Korean platoon are dispatched to a remote island to investigate the disappearance of nine soldiers, who despite being presumed dead have begun radioing back blood curdling messages to HQ. As usual with these type of things it's not long before a spooky girl with long dark hair turns up on the scene.

Think Blair Witch put in a blender with The Ring and Full Metal Jacket.