Marmoulak

Not Iranian, nor Muslim, nor religious, all that makes I'm supposed to have a free open mind to see it, without prejudice, in any way or about... :)

What brought me to see Marmoulak ? I don't know : the ways of God are impenetrable !

Kidding, of course, with not offense to anyone...

Until now this is my first and only Persian movie I saw...

and I enjoyed it a lot : good story, good acting, excellent music...

It's a bitter-sweet comedy, about Reza the lizard, his short adventures in jail, and then a (may I call it like that ?) kind of involuntary redemption...

Don't expect, if you're like me a western European citizen, to laugh very loudly, but to have a certain smile all along the movie...

I mean, following Persian(?) commentaries it seems that depending on your national and cultural background, you will laugh more or less, very loudly....

I didn't... but nevertheless think it is an excellent movie.

It doesn't deal with all the stupid clichés one might have about religion, (any of them) but present an profound human aspect

of anyone trapped in something which was not chosen...

Touching and interesting, I'm glad it entered my library ! Opposing to some comments, I think this good movie is Not only for Iranians...

but if you are an average middle abc/nbc/cnn/fr1/ab1 television type freak, may be you better turn on your TV daily program...

who knows, be careful, it could open your mind !

***A film is never really good unless the camera is an eyes in the head of a poet Orson Welles***

Just saw this film at its American debut (?) at the Neptune Theater as part of the Seattle Int'l Film Festival. Marmoulak (The Lizard) is a heartwarming and saddening tale about a man on the run who disguises himself as a Mullah while trying to sneak across the border to get out of Iran. A comedic satire in the tradition of La Ley de Herodes, Marmoulak is full of gentle humanist irony which becomes sadly evident but never too overt. Parvis Parastui gives an outstanding performance in the lead, and all the supporting roles are also acted at a highly competent level. The story and cinematography are quite professional as well. After a very successful run, Marmoulak was banned in Iran as sacrilegious. It's definitely worth checking out. Every American who thinks about the nuclear option when the Middle East is discussed should certainly be forced to watch this film.

I have seen this movie over 10 times. As an Iranian I found that the movie was very funny yet very thoughtful. I think Mr. Kamal Tabrizi (director) is trying to distinguish between true believers and the ones that use religion in a negative way to control the masses. Here is a felon who escapes from prison using some cleric's clothing. That same cleric tells "Maroulak', before his escape, that there an as many ways to reach God as there is people on Earth. The cleric uses a proverb in Persian witch means almost the same as the one in English, You can't judge a book by its cover, after Reza (maroulak) curses mullahs and finds out that he is one also. He also reads him a paragraph from the book called "The Little Prince". After his escape, Reza ends up in a small town that has an almost unfrequented mosque but slowly people start coming back to see who this new cleric is. For me this movie is very symbolic of the way Iranian live today with there religion and leaders. There are some people that can't differentiate between the good ones and the "evil" ones. Most of them judge a cleric as soon as the see he is dress like one therefore Mr. Tabrizi tries to tell us to hold our judgements until we are sure of them. We also see a little boy throughout the movie that never talks witch is the same little prince, in my opinion, from that famous book. I find that this was one of the best movies I have ever seen and a great contribution to Persian cinema. But sadly many Iranians that I have talked to don't understand the movie for what it is. So if you going to see the movies remember that this movie is mainly based on one sentence: YOU CAN'T JUDGE A BOOK BY IT'S COVER. I also suggest that one read the mentioned book before watching the movie.

It's rare to see a film that as much as it amuses, it also takes an angle on serious matters. These last fifteen years have seen a series of films flourishing out of the path of some very talented Persian directors, expressing their views on life, on people, on the political issues and so on, through an anthology of subjects that come to show with finesse things that couldn't be said otherwise. "Marmoolak" is one of those. Only here, the destiny of men and women of an entire country subject to the whims of its rulers symbolized here by one man (the fake cleric played with gusto and talent by Parviz Parastui) is shown not by the means of drama, but throughout comedy. And comedy is something that Persians seem to know about. To say that this film is funny is a euphemism. There is situation comedy here, and it is treated with much lightness. But if one goes farther and looks through it, one can easily capture the fate of an entire people. Works like this, in the form of a film or a book, etc, usually help change things. Let's hope this one does. Talent as they say, has no boundary.

Summary: One of the best Iranian movies ever made, but for an Iranian audience only.

Marmoulak is a political/social satire, but its comedy is subtle and better understood by an Iranian audience. I'd like to compare it to "Blazing Saddles", often cited by American movie watchers as one of the funniest movies ever made, while a non-American audience is only mildly amused by it. Cultural differences play a big role.

Marmoulak's power of humor lies in the comments, words, situations and overall behaviour of the characters, which are not always understandable to the non-Iranian crowd. For instance, many of the seemingly innocent comments in the movie are copied or distorted very cleverly from the political/religious slogans, speeches and actions of Iran's religious clergy. Those parts are easily identifiable and enjoyable by Iranians, while non-Iranians may not quite understand the subtlety of it.

That said, the movie is powerful, enjoyable and with brilliant acting. The story is quite simple and has been repeated in many forms before. A jailed thief seizes upon a chance encounter to escape from prison using the stolen clothes of a clergyman. With Prison's warden (depicted as a despotic maniac) after him, he escapes to a border village where the local people think he has been sent for preaching in their mosque. The rest of the movie depicts the thief's efforts to find a way across the border, while playing the role of an unconventional preachers who actually plays a huge role in the life of the villagers.

Parviz Parastooi plays the lead role in a breathtakingly magnificent way, and this fact is again only obvious to an Iranian audience who know exactly the class of people he is trying to portrait. The movie has a good pace; in contrast with other well known Iranian movies such as Kiarostami's and Panahi's works that are typically very slow. Dialogues are extremely clever.

Given 9 out of 10 by this reviewer.