A Vida Secreta das Abelhas

This movie is probably classified as a woman's empowerment film. I suppose it is that, especially for Black woman.

I'm not a woman, much less a Black woman. Still, I found this movie to be a uniformly fine creation. It has everything I want in a movie: clearly defined and well-developed characters played by actors - or, in this case, actresses - who know how to deliver carefully modulated and developed performances. The story is about how a young white girl learns to stand on her own feet, but the most interesting parts of the movie are definitely those that develop the various black characters.

I never looked at my watch once during this movie, much less went out to refill my popcorn. This is what movies are supposed to be - presentations of interesting characters participating in an interesting and involving story - but too seldom are.

Even if you're a white guy, this movie has a lot to offer.

I don't go around throwing 10's around for movie ratings, but I extremely impressed by this movie. The emotional and visual scope offered by the story, the cinematography, and the acting, gave all viewers with eyes to see and ears to hear, a wonderful treat. I'm sure not everyone loves this particular type of movie, but if you haven't been desensitized by the CGI and special effects of many of today's movies, you'll appreciate the very core of this movie, which is the human struggle - especially the depiction of the search for identity, and the need to give and received compassion from those living on this big blue marble together with us. A reminder of the racism of a not too far distant time, and the timeless theme of love, death, friendship, and compassion, add the effective seasoning that helps us all relate in some very tangible way to this movie. Enjoy it with someone you care about, and taste the honey.

These are cynical times, and the U.S. is still struggling with it's feelings on race, even today. The more of these types of movies, the better. Simple human love comes through in every frame. After a summer of superheroes and sex humor comedies, this was the most life affirming and refreshing film I've seen so far this year. If the academy doesn't recognize some folks from this film, they'd be remiss. I smell Oscar all over this film. Queen Latifah was wonderful as usual. Sophie Okonedo played an emotionally damaged woman with perfect pitch and demeanor. Paul Bettany's performance of the alternately hurt and hurtful father was a challenge. You needed to both hate him, and sympathize with him for the role to be effective, and I thought he pulled this off well. Just simply a moving story, a great script, top notch acting, and all beautifully shot. I place it in the must see category.

It's been two years since we last saw Dakota Fanning on the big screen here, in a film which was a adaptation of the literary classic Charlotte's Web. And what a career it had been for this child actress, now an adolescent, to have grown from scream queen (no thanks to her stint under Spielberg's War of the Worlds) to one controversial role in Hounddogs, which I doubt would make it to our shores here.

Based on a novel by Sue Monk Kidd and directed by Gina Prince-Bythewood, The Secret Life of Bees is one powerful drama above love and the looking for love, as well as running along the theme of forgiveness and reconciliation. It's easy to dismiss this as a chick flick because of its predominantly female cast, but that would be a mistake to make in making it an excuse to miss this film altogether. For all its worth, it's chock full of extremely well delivered performances from veterans such as Fanning herself, together with Queen Latifah, Jennifer Hudson (proving that she's no flash in the pan), Sophie Okonedo, Paul Bettany and even Alicia Keys!

Set in the time of Summer in 1964 Southern USA where the Civil Rights Act was just signed and in effect, the sentiments amongst the racist bigots still run high in a charged environment still hanging onto their old segregated ways. Fanning's Lily Owens carries the weight of her guilt buried deep in her subconscious from a tragic event that happened when she was four, and ten years later, after receiving the last straw of punishment from her abusive dad (Bettany), runs away with her caretaker Rosaleen (Hudson).

As if led by an invisible hand, they soon find themselves under the extreme goodwill of the Boatwright sisters, who earn a living through the cultivation of bees for honey, and a series of incidents that bring about some tying of loose ends, and the discovery that these strangers do tie back to Lily's own quest to finding out the truth about her mom, to debunk the lies as told by her father. And of course this allows opportunity for some serious girl power bonding between the characters as they find that they have a lot more in common, as well as the sharing and spreading of love through their ranks.

The trump card that this movie has, is the excellent performances by the ensemble cast. Fanning leads the pack and gives a wonderful moving performance as the gangling Lily, who thinks that she's quite a jinx with plenty of bad karma to go around, bringing about unfortunate happenings to her hosts which provide the dramatic twists and turns to what would otherwise be a flat movie. Jennifer Hudson had much to do in the first act, though her character got quite muted by the time the trio of the Boatwright sisters August (Latifah), June (Keys) and Okonedo (May) come along. Queen Latifah brings about some serious gravitas in her role as the eldest with the largest heart, and you cannot deny her chemistry with Fanning. Keys on the other hand plays the sister the exact opposite of August, being aloof and starting off with intense suspicion as to the intent of their guests. And Okonedo's role could probably be the most unorthodox of the lot, a fragile soul who has her own wailing wall to deal with the harsh realities of life.

The Secret Life of Bees is well worth the admission ticket, and you'll be hard pressed not to be touched by the film, or moved by the themes it explores, especially when the third act comes by leading to quite a number of powerful revelations and a solid conclusion. Set against its intended backdrop, it's a reminder of tolerance, which the world lacks these days, and of course it's not always hammering in such heavy themes as it has its fair share of romance as well, and for what it's worth, Fanning has her first on-screen romance in this movie, and if I'm right, has her first on-screen kiss as well.

You might be surprised when I say this, but this film has won me over enough for it to be considered as a contender when I shortlist my list of ten top films of the year. Definitely recommended!

I caught an exclusive screening of this film a week back and I must say, it might be the best film featuring a mostly black cast since "Antwone Fisher." The story centers around Lily (Dakota Fanning), a poor, lonely little girl in the deep south, who deals with a tragic past and a miserable, cruel father (Paul Bettany). Her life revolves around dreams of being every bit like her deceased mother and her relationship with her caregiver Rosaleen (Jennifer Hudson).

In the midst of the civil rights movement, Rosaleen finds herself in some trouble with the locals, inspiring Lily to flee with her to a South Carolina town that she believes holds the secret to her mother's past. In this town, they find refuge with the Boatwright sisters (Queen Latifah, Alicia Keys and Sophie Okonedo), who take them in on the strength of a story concocted by Lily. Through their cultured world, filled with beekeeping, a lucrative honey business, religious beliefs and love, Lily finds the security she has longed for and finds the answers to questions that haunted her for years.

The director (Prince-Brythewood) did a great job at making us care about the characters, even the miserable father played excellently by Paul Bettany. Alicia Keys shows that some R&B singers can actually perform well in a movie, playing the snooty June Boatwright. However, the best performances has to be between Fanning and Okonedo, who played the gentle, simple minded, manic depressive May Boatwright. If Okonedo reminded me less of Thandie Newton's character in "Beloved," I would've predicted an Oscar nomination depending on this year's competition. Maybe there's one in store for Bettany? Its all left to be seen.

The film has its flaws. It dragged for a good portion of the first thirty minutes as we watch Lily and Rosaleen mill about, doing mundane things in their pitiful lives. But then it really picks up when they meet the Boatwright sisters. The characters were balancing on a thin line between empathetic and sympathetic. You never want to be in the latter. And the filmmakers couldn't resist being a bit schmaltzy on occasion, making most of it play like a good after school special with nothing beyond two dimensionality. And my biggest problem with the film... anti-climatic.

Overall, its a solid film and definitely worth the time in seeing.