Lemming: Instinto Animal

A thrill from beginning to the end, constant tension keeps you wide awake. I like the way the tension is kept in a sort of mysterious Hitchcock kind of way. Better than Moll's film with a friend like Harry. I am becoming a fan of the work of Dominik Moll. The set is well chosen and the modern day French suburban houses are like real life . The acting by Charlotte Rampling is like she really breathes down your neck. I like the way the film was shot and the symbols that come out of the backgrounds. The shape of the mountain, the light by the lake, Charlotte Gainsbourg's eyes and the lemmings in the kitchen, suicide is not painless in this film, it takes you on a roller-coaster ride to where you never thought to end up in a movie theater. Good film, looking forward to the next Moll

I've recently been going through a couple of French films that lean heavily on the suspense. The French know their business. They make dozens of these every year. One might label them simply as thrillers. Some recent ones; this one, Haneke's CACHÉ (2005) (half-Austrian, all right), THE BEAT THAT MY HEART SKIPPED (2005) together with Chabrol's - mostly late '60s - work. This dream-like suspense-yarn compares rather unfavourably to the other films mentioned. This is mostly due to the rather ridiculous subtext of the titular Lemming (the framework is built around the mysterious appearance of a dead lemming in the kitchen sink of a young couple). Furthermore, Charlotte Rampling's character behaves in such an abnormal way, it becomes too much to swallow. In a dream sequence, thousand of lemmings appear in the home of Alain Getty, the central character. But his wife, played by Charlotte Gainsbourg, has an almost equally important part. Perhaps I misread the whole thing and this was all a highly associative nightmare sprung from the main characters' minds. In that case, not a very pleasant one. It's quite suspenseful up to a point, but after a while the characters begin to behave in such an irrational (and stupid) fashion, it becomes very tedious. I just wanna know what happened to the lemming?

Camera Obscura --- 5/10

The latest festival in Cannes (2005 that is) was opened by the French movie "Lemming" which meant a lot for the French cinema as after all, it was directed by Dominik Moll. Moll has already been described as the French equivalent of Alfred Hitchcock and even if 4 movies are a bit too less to speak of such a comparison, the symptoms are there. Moll's previous masterpiece ("Harry") was already one of the finest pieces of French cinema you'll ever going to see and in "Lemming" Moll just goes on the path that suits him best. We are witnessing a modern couple, Benedicte (Charlotte Gainsbourg) and Alain (Laurent Lucas), who are building their luck. Everything's got pretty disturbed when one day Alain decides to invite his boss (Andre Dussolier). The wife's boss (Charlotte Rampling) seems at first a shameless bitch who is fed up with her husband's flirts but a deeper look, let us see that the woman is more than just a tragic figure. Coincidence or not, but all problems started when the couple found a lemming in their sink. A lemming is a sort of rat which only lives in Scandinavian countries (and we're somewhere in France) whose way of living is determined by its suicidal character. It's business as usual that people start to compare one movie to another but Moll made a great effort which can compete with the best things François Truffaut has done. The viewer is like some peeping tom who sees the high and lows in a marriage and it goes hand in hand with genius acting from both Charlotte Gainsbourg and Laurent Lucas. Now already one of the movies of 2005!

A cool thriller with a supernatural air, 'Lemming' has much to commend it, including a walk on role (so to speak) for the Pic du Midi d'Osseau, one of my favourite Pyrennean mountains. The story is actually quite limited, but M. Pollock and his wife both make an interesting pair of monsters and a frighteningly believable couple, and the movie's four-handed structure pits them nicely against the model pairing of the hero and his wife. Ultimately, it might have been better had the lemmings of the title seemed more connected to the meat of the story; but the acting is good, even if the hero is just a little too reserved for us to really feel his angst.

I saw this film today and thought it was beautifully constructed with layers of metaphor and 'reality' that one can choose to attend to at will. I don't think the film was Hitchcockian - the pace was much more leisurely and atmospheric than most Hitchcock or American films. However, if there is any point of comparison, i would say it is with Val Lewton, who seemingly loved making stories about the supernatural aspects of human relationships (and the screeching train reminded me of the braking bus in 'Cat People'). By the end of 'Lemming' i totally accepted the bizarre rationality implied as an explanation for the whole thing - those actors and Moll made me believe it.