Ricky Bobby: A Toda Velocidade

Ricky Bobby (Will Ferrell) and Cal Naughton Junior (John C Reilly) are life long friends and teammates on the NASCAR circuit. They are both the best drivers on the circuit and regularly finish first and second - this is down to their Shake and Bake method that they employ in order to take out the lead racer. Cal selflessly allows Ricky to win every time meaning that Ricky is dubbed the hero and is the one that hogs the limelight. However, their reign at the top is threatened by the arrival of ace French driver Jean Girard (Sacha Baron Cohen).

Adam McKay has dabbled in satire previously with the original Anchorman film and its more recent sequel. These films were mostly successful in this respect as well as being reasonably funny. For me, McKay has been less successful when he's dabbled in other genres - his buddy cop film The Other Guys was beyond awful. Talladega Nights: The Ballad of Ricky Bobby is McKay's satirical look at the sport of speedway which thankfully does work fairly well...

For me, Will Ferrell is a frustrating actor as I find that he can either be really irritating or fairly amusing. His performance very much depends on the material that he's given and the director that he works with. McKay seemed to allow Ferrell to be more natural in both Anchorman and Talladega Nights resulting in Ferrell being allowed to be funny and sort of endearing rather than being outright annoying likes he's been in other films. Sacha Baron Cohen is also excellent here in what can be described as fairly comfortable territory for him - he's essentially playing another quirky character with a ridiculous accent and most importantly entertains the audience whilst doing it. Baron Cohen plays a gay character here, but actually manages to make his character funny without being nauseating or over-the top (like he was in Bruno). Leslie Bibb plays the stock clichéd empty-headed shallow trophy-wife in such an over-the-top way that she's actually quite fun to watch. McKay's characterisation here is spot on and what they lack in depth they do make up for by just being fun to watch.

McKay takes some risks here by casting a character that's gay and actually making fun of the character for being gay but I found many of the jokes to be relatively inoffensive and many jokes here lean to being more suggestive or being used by way of double-entendre (which are arguably smarter ways to gain laughs). Ricky's foul-mouthed kids do grate a bit from time to time, but McKay does address this issue when the kids met their grandmother and she gives them some much needed discipline.

The film does lose some momentum in the second half when things start to fall apart for Ricky and we see him trying to re-build some of the remnants of his shattered life and career, but thankfully there are still plenty of amusing scenes (his dad coaching him and his scenes as a pizza delivery guy were funny and still helped to keep things moving).

All in all, Talladega nights may not keep the laughs consistently coming and at close to two hours it is a little on the long side, but despite the generous running time the film still moved along relatively smoothly and I still found plenty to enjoy here.

One of Ferrell's stronger, fearlessly idiotic films, with the style his career is built on: comedy surrounding moronic characters doing stupid stuff.

Ricky Bobby, showcasing all the stereotypical characteristics of a redneck, is a loudmouth NASCAR driver of immense talent, who either wins or crashes trying. When a sophisticated but snooty French Formula One driver encroaches on Bobby's territory, he goes all out to stay number one.

Ferrell has a great chemistry with Reilly, a connection to be visited later in their careers. In general, it is a fairly star-studded cast, Adams thrown in with a fairly minor impact role for most of the film. Cohen is recruited to lean into a daft foreign stereotype, his speciality, but with no need for subtlety on this one, blunt jokes revolving around how the character's supposed superiority and often his homosexuality is responded to by the world of NASCAR.

Much like Anchorman and Step Brothers, the film is really ridiculous, loud and brash. Something Ferrell's fans will love, and that others would hate. Honestly though, the bloopers at the end are probably the funniest part.

Will Ferrell and John C Reilly at their best. Arguably the two's greatest collaboration in the fierce, fast and extremely funny Talladega Nights, which teaches us all, in life, if you ain't first... you're last.

Ricky, a NASCAR racing sensation, is the number one racer in the world. After Jean beats him in a race and becomes the top racer, Ricky tries to regain his dominance.

The full title adding 'The Ballad of Ricky Bobby' - Talladega Nights referencing the city of Alabama and its famous Superspeedway, a landmark of NASCAR racing and a site where champions are made. Will Ferrell and Adam McKay (whom also directs) write the film; the script is hilarious, unforgettable scenes are overrun by unforgettable lines in what will have you attempting to ask someone what is the "capital of North Carolina" in a rich Eastern American accent - the writing matches the enthusiasm of all the cast, a signature role for Jack McBrayer and David Koechner as well as Sacha Baron Cohen and Amy Adams showing their versatility in acting alongside Ferrell and Reilly who seemingly bounce off one another and the vibrancy on screen appears almost improvised.

The storyline is lacking any severe quality, but ultimately, it has no right to, the film advertises a comedy and it successfully makes an audience laugh while also keeping them engrossed in the picture. The anti-climax of Gary Cole's return to Jane Lynch and the grandkids, as well as Amy Adams' rise to prominence prove comforting and sentimental moves that even surprise us viewers, but what doesn't, is that McKay and Ferrell strike a beauty - one of their finest, one of a kind.

108 minutes of sensational entertainment.

If you're in the right mood, Talladega Nights: The Ballad of Ricky Bobby is absolutely hilarious. This NASCAR parody takes plenty of laps around the track of ridiculousness in order to get some laughs. It's obvious that Adam McKay just let the actors do and say whatever they wanted take after take until he found something he thought was funny. And there are plenty of quotable moments from this movie. That being said, this movie is an acquired taste, and the outlandish story & acting are sure to annoy some. I was glad to ride with Ricky Bobby once again, but I didn't find it as funny as I used to.

Ricky Bobby grows up to become a big-time race car driver. With the conflict of having no father to raise him, life was not always easy. And now, as an adult, he is finally ready to meet his match: a French driver from the Formula Un series. Can Ricky make him surrender? Shake and bake! I really don't want to like this film, because I think Will Ferrell is past his prime already and on his way out. The bigger a role he receives, the less likely he is to make a good movie, because he is just such a dumb actor. Popping in for a brief time ("Wedding Crashers") is alright, but a full movie ("Elf")? I don't know. Yet, he took the whole film here and ran with it.

The help came from John C. Reilly, who was fantastic as Cal Naughton, Jr. While he is not the usual co-star of Ferrell (such as Vince Vaughn, or one of the Wilson brothers) he was a dominant force. Seeing some new faces was very good, although having "Crash" from "Anchorman" was a nice touch, as I would consider "Anchorman" to be Ferrell's best film.

Stealing the show was Sacha Baron Cohen as Jean Girard. I did not even recognize him until the movie was almost over. Cohen is a master of disguise ("Alig G", "Borat", "Bruno") and I would say this was his best performance yet. All the French references were great (Albert Camus, Perrier, crepes) and this character was so much more than just a simple parody of French culture. Why he was hanging out with Elvis Costello and Mos Def is unknown to me.

This film has the comedy that other films by these creators have, with constant pop culture references that pay off if you get it. And heck, if you don't, there's a good amount of really stupid humor, too (such as the imaginary fire). My favorite scene might be where they try to figure out how to pry out a knife from a man's leg.

If you want a cheese fountain at your wedding with nachos and seven different kinds of cheese, you need to see this movie.