A Rainha Elizabeth sofre várias crises no final de seu reinado, incluindo intrigas da corte, uma trama de assassinato, a Armada Espanhola e decepções românticas.A Rainha Elizabeth sofre várias crises no final de seu reinado, incluindo intrigas da corte, uma trama de assassinato, a Armada Espanhola e decepções românticas.A Rainha Elizabeth sofre várias crises no final de seu reinado, incluindo intrigas da corte, uma trama de assassinato, a Armada Espanhola e decepções românticas.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 Oscar
- 8 vitórias e 33 indicações no total
- King Philip ll of Spain
- (as Jordi Molla)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The picture talks about Mary Queen of Scots (Samantha Morton) , she and Elizabeth were rivals for power in Tudor England . The heathen Protestant Elizabeth dreads the prospect of the Catholic Mary about her ascending the English throne, leading to intrigue and divisiveness within the court. Then Mary was imprisoned by Elizabeth , who rightly feared Catholic plots to place Mary on the throne. Mary was guilty of plots complicity and was condemned death warrant . The film especially describes relations between Spain ruled by Philip II (Jordi Molla) and England at the breaking point . Spectacular battle scenes between the British Navy commanded by Duke of Effiham and Raleigh and the Spanish commanded by Duke of Medina Sidonia , it lasted ten days , during July 1588 . At the climax William Raleigh leads the attack on the Armada ships massed off the British coast .
In addition to Blanchett, the supporting cast all turn in superior work. The sets, costuming, and period speech are all mastered well, creating a true feel for the era being depicted. Although many of the people and events are real, a few liberties have been taken apparently to spice up the drama. Such fictionalizing probably wasn't necessary; enough happened during this queen's rule to make the story interesting without it. One example: the flashy Sir Walter Raleigh was indeed a favorite of the queen, but this movie puts them in a romantic triangle that just gets in the way of other things going on. Also, Raleigh, better known as an explorer, was not the hero in the battle with the Spanish Armada.
Blanchett shines when she delivers the famous speech to the troops on the eve of the Spanish invasion. But even she is burdened by the director's preoccupation with Elizabeth as a suffering angst-filled woman facing middle-age with less bravery than facing the world's most powerful fleet at that time. We get endless views of her taking her wig off in secret, and staring at a mirror. The first time this device is used is fine to get the point across of her hopeless situation of never taking a husband (and the slow advance of time having its way), but we see her looking like a shriveled ghost in too many such scenes, and it's way overdone in this context. Her "real" hair sans the wig looks like an inebriated Edward Scissorhands was her hairdresser, and her pale complexion looks like somebody pasted white-out all over her face.
Those few mistakes notwithstanding, this is a fine biopic with superior acting by Blanchett, and is recommended.
While it may be true the film is not historically correct, most of us do not go to the movies for a history lesson. We go to be entertained. On that basis, this film is a winner. It has romance, intrigue and betrayal. It is basically a melodrama.
The photography is great, although sometimes the director gets carried away with the camera movements. The orchestral score in fine, although it is overwhelming at times. The acting is absolutely first rate.
I thought that "Elizebeth: The Golden Age" was more entertaining than any of the "Pirates of the Carribian" movies. If you want an entertaining movie that is geared more towards adults than children, then you should check the movie out.
Blanchett, of course, is terrific, and doesn't seem to mind that the screenwriters have turned her signature character into a woman with split personalities: a raving love-scorned woman in private who constantly crumbles under pressure, and a powerful monarch who commands the wind and becomes a divinity to her people in public. Elizabeth has no character arc here like she did in the original film that saw her mature from frightened princess to calculating queen. The sequel suffers from this lack of development for its titular historical icon, but Blanchett rules the madhouse with an iron fist, chewing the scenery when necessary for dramatic effect and maximum entertainment value.
The sequel also suffers from too much focus on a silly love triangle involving Elizabeth, Sir Walter Raleigh (an uninspired Clive Owen), and one of her ladies in waiting (a ravishingly gorgeous but ultimately lifeless Abbie Cornish). The rest of the film covers events that were already treated in a more respectful and quietly powerful manner in HBO's miniseries starring Helen Mirren. These include Elizabeth's divisive relationship with Mary Stuart (a blistering Samantha Morton doing an entertaining bit of over-acting), and the defeat of the Spanish Armada, whose sinking is done up in a rock opera style that serves as a guilty pleasure to watch.
Meanwhile, director Kapur, who never saw an overhead shot, candlelit scene, or 360 degree crane movement he didn't love, uses his bigger budget to ridiculously grand effect creating immaculate set designs populated with over the top costuming and epic pageantry. "Elizabeth: The Golden Age" is completely unnecessary, but despite some of its stunning ineptitude, it turns out not to be a colossal waste of time and will entertain those who will allow it to bludgeon them. Where the first film was a smart period piece inspired by "The Godfather", the silly sequel is a dumb art-house film inspired by obnoxious action flicks. Blanchett, who hopefully will become more selective in her roles as she ages, oddly seems at home in both. I'm not sure if that's the mark of a great actress or a desperate movie star.
They could have made this a spectacular movie, nice story, great costumes. But after the first 45 minutes it get boring and you ask yourself why. Then towards the end i hoped to see a great battle at sea, but it didn't happen.
The movie is watchable but don't expect too much.
It might be wiser to rent this one on DVD instead of going to the movies.
Você sabia?
- CuriosidadesWhen Elizabeth arrives at St. Paul's Cathedral, construction is going on. In real life, St. Paul's actually needed repair work. Director Shekhar Kapur decided to improvise and gave the workers costumes and period tools to cut real stone that was being installed in the cathedral. The workers in the scene are real-life stonemasons and construction workers.
- Erros de gravaçãoThe real Babington Plot to assassinate Queen Elizabeth at the altar was thwarted in the planning stages.
- Citações
Queen Elizabeth I: Go back to your rathole! Tell Philip I fear neither him, nor his priests, nor his armies. Tell him if he wants to shake his little fist at us, we're ready to give him such a bite he'll wish he'd kept his hands in his pockets!
Don Guerau De Spes: You see a leaf fall, and you think you know which way the wind blows. Well, there is a wind coming, Madame, that will sweep away your pride.
[turns to leave with his ministers]
Queen Elizabeth I: I, too, can command the wind, sir! I have a hurricane in me that will strip Spain bare if you dare to try me!
- ConexõesEdited from A Filha de Ryan (1970)
- Trilhas sonorasVolta a 4
Written by John Dowland
Performed by The Consort of Musicke
Conducted by Anthony Rooley
Courtesy of The Decca Record Company Ltd
Under licence from Universal Music Operations Ltd
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Elizabeth: La edad de oro
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 55.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 16.383.509
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.153.075
- 14 de out. de 2007
- Faturamento bruto mundial
- US$ 75.782.758
- Tempo de duração
- 1 h 54 min(114 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1