Adicionar um enredo no seu idiomaIn the town of Munster, children are going missing. According to one mother, it is the doing of bonne homme sept heure . . . the Bonesetter. Its up to two librarians, a cop and a single moth... Ler tudoIn the town of Munster, children are going missing. According to one mother, it is the doing of bonne homme sept heure . . . the Bonesetter. Its up to two librarians, a cop and a single mother to stop him! He's coming. At seven o'clockIn the town of Munster, children are going missing. According to one mother, it is the doing of bonne homme sept heure . . . the Bonesetter. Its up to two librarians, a cop and a single mother to stop him! He's coming. At seven o'clock
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Usually when a movie receives a vote of one it is because someone simply dislikes it and is annoyed it doesn't have a lower rating, and so decides to drag it down as much as they can instead of just giving it a low rating. This is not the case here.
Bonesetter is a perfect example of a 0/10 film. It does nothing right and it doesn't have the chance to because it doesn't really attempt to do anything. There are strands of a bad D&D novel kind of plot which doesn't hold together and a complete lack of any kind of acting throughout. It is clear that nobody involved in this project gave it any kind of serious effort, because even a completely patently untalented persons' hard work would amount to more. A truly awful film.
Bonesetter is a perfect example of a 0/10 film. It does nothing right and it doesn't have the chance to because it doesn't really attempt to do anything. There are strands of a bad D&D novel kind of plot which doesn't hold together and a complete lack of any kind of acting throughout. It is clear that nobody involved in this project gave it any kind of serious effort, because even a completely patently untalented persons' hard work would amount to more. A truly awful film.
Only one asset was half-way tolerable and that was attractive Sherry Thurig who at least tries to give her character some personality. Everything else fails and not in a small way, we're talking colossal failure here.
The Bonesetter is a cheap-looking movie, camcorder video taping is much more professional-looking than the slipshod photography here, the lighting is often too dim and drab in colour, editing is all over the place in the parts that are supposed to be scary and the special effects are all very half-hearted. The music has some occasional mildly effective parts but that's far outweighed by the majority of the time that it's loud, repetitive and over-bearing.
When it comes to the story, that's where The Bonesetter falls down massively. The whole story-telling is literally a load of tired clichés re-hashed with pedestrian pacing and complete lack of scares or suspense to boot(because the whole movie is so predictable), making the relatively scant 72-minute length feel longer by seemingly twice as long. None of the characters are interesting and some are annoying, the villain is also far too obvious and just a walking cliché with no development or menace. The acting is terrible from all but Thurig, with Lloyd Kaufmann underused and going through the motions, Mark Courneyea making a near-broken marionette less wooden and Anne-Marie Frigon showing very little emotion.
A vast majority of the blame for the colossal failure of The Bonesetter lies with Brett Kelly, who stars, directs and writes and he fails at all three. His lead performance is stiff and whiny with the character making stupid decisions that don't fit within the situation. His direction makes past-prime action stars less flabby, and the script throughout The Bonesetter is so senseless and awkward-sounding that it feels like there wasn't one written for the movie at all until literally at final stages. Overall, a terrible movie with only Thurig as a redeeming merit. 1/10 Bethany Cox
The Bonesetter is a cheap-looking movie, camcorder video taping is much more professional-looking than the slipshod photography here, the lighting is often too dim and drab in colour, editing is all over the place in the parts that are supposed to be scary and the special effects are all very half-hearted. The music has some occasional mildly effective parts but that's far outweighed by the majority of the time that it's loud, repetitive and over-bearing.
When it comes to the story, that's where The Bonesetter falls down massively. The whole story-telling is literally a load of tired clichés re-hashed with pedestrian pacing and complete lack of scares or suspense to boot(because the whole movie is so predictable), making the relatively scant 72-minute length feel longer by seemingly twice as long. None of the characters are interesting and some are annoying, the villain is also far too obvious and just a walking cliché with no development or menace. The acting is terrible from all but Thurig, with Lloyd Kaufmann underused and going through the motions, Mark Courneyea making a near-broken marionette less wooden and Anne-Marie Frigon showing very little emotion.
A vast majority of the blame for the colossal failure of The Bonesetter lies with Brett Kelly, who stars, directs and writes and he fails at all three. His lead performance is stiff and whiny with the character making stupid decisions that don't fit within the situation. His direction makes past-prime action stars less flabby, and the script throughout The Bonesetter is so senseless and awkward-sounding that it feels like there wasn't one written for the movie at all until literally at final stages. Overall, a terrible movie with only Thurig as a redeeming merit. 1/10 Bethany Cox
The first thing I have to get off my chest is the fact that this is one the Splatter Rampage part of Tempe Video. Usually, the category should involve savage blood spilling. Midnight Skater went overboard, Mulva and Filthy McNasty yes yes, but this has to be the most bloodless of the pile seeing that maybe it's a 1 out of 10 on the gore-o-meter.
A very ambitious project with a few flaws. I'll get to that in a bit.
The Bonesetter, a century old practitioner of bones. You needed adjustment or a set back, then the Bonesetter was the man until a bad rap began his illustrious career of slaughtering the weak. Now in present time, he has somehow found his way back to the land of the living to find what he was set out to do before his untimely death. Kill, kill, kill. Children become missing and for some strange reason, the evidence points to the Bonesetter's patterns which are being studied out by the local book worm who gets pushed around. Which in turn meets a woman who had her child kidnapped who happened to be looking for the book on him the legend also. Small world isn't it? The 2 hook up, smash ideas of each other and make things happen. More children go missing and the closer they get, the deadlier the game becomes. A cat and mouse if you will. The deeper the story gets, the more action takes place. Reminds me of a C.S.I. Episode other than a straight out horror flick. Not to dis, just a mere opinion on the story and style. It has it's potential but doesn't quite deliver the full punch. The kills don't live up to the Splatter Rampage credential, a sheer miss of interpretation.
All in all, still not a bad feature but if brought to a 45 minute short than probably a hell of a wallop this would give.
A very ambitious project with a few flaws. I'll get to that in a bit.
The Bonesetter, a century old practitioner of bones. You needed adjustment or a set back, then the Bonesetter was the man until a bad rap began his illustrious career of slaughtering the weak. Now in present time, he has somehow found his way back to the land of the living to find what he was set out to do before his untimely death. Kill, kill, kill. Children become missing and for some strange reason, the evidence points to the Bonesetter's patterns which are being studied out by the local book worm who gets pushed around. Which in turn meets a woman who had her child kidnapped who happened to be looking for the book on him the legend also. Small world isn't it? The 2 hook up, smash ideas of each other and make things happen. More children go missing and the closer they get, the deadlier the game becomes. A cat and mouse if you will. The deeper the story gets, the more action takes place. Reminds me of a C.S.I. Episode other than a straight out horror flick. Not to dis, just a mere opinion on the story and style. It has it's potential but doesn't quite deliver the full punch. The kills don't live up to the Splatter Rampage credential, a sheer miss of interpretation.
All in all, still not a bad feature but if brought to a 45 minute short than probably a hell of a wallop this would give.
Firstly let me "come clean" admit that I was in the film, as an extra.
That being said the film itself is a good story, well told on a very small budget. This of course somewhat effects the look and feel of the movie but in my opinion does not detract from the story or acting.
Anne-Marie Frigon simply steals the screen whenever she appears. She gets the best "one liners" and makes the most of them. Other actors, including Sherry Thurig, do not have extensive experience in front of a camera but it doesn't stop them from giving good performances.
The attempt at a creepy atmosphere is evident and with some allowance for the lack of computer aided and expensive special effects we have become used to, the movie pulls it off.
Watching it being made I came to appreciate the talents of all involved and look forward to more work from this collection of mostly local talent.
That being said the film itself is a good story, well told on a very small budget. This of course somewhat effects the look and feel of the movie but in my opinion does not detract from the story or acting.
Anne-Marie Frigon simply steals the screen whenever she appears. She gets the best "one liners" and makes the most of them. Other actors, including Sherry Thurig, do not have extensive experience in front of a camera but it doesn't stop them from giving good performances.
The attempt at a creepy atmosphere is evident and with some allowance for the lack of computer aided and expensive special effects we have become used to, the movie pulls it off.
Watching it being made I came to appreciate the talents of all involved and look forward to more work from this collection of mostly local talent.
I was reading back through some of my reviews recently and realized that I tend to do a lot of tearing down. But of course, I also have a penchant for the worst of movies, so I guess that would make sense. It can be hard to say good things about a film that is just really bad.
As for "The Bonesetter," it's a very amateur work. You are going to see a fair bit of work put into it, but ultimately everything is very poor in quality. The camera work in the opening sequence is very rough, and occasionally so shaky you can't even make out the picture. The acting is wooden (more oak than hickory, if yew follow me..), the characters appear to be attempting to play parts that require younger actors at times, the makeup somewhat silly, and the flow of the story is plugged full of holes.
And as always with amateur horror, garage band grind for the music. This time with at least one player who hasn't quite finished getting his guitar tuned up. To be fair, while the music did have a certain "casio" sound to it, some of the themes were fairly nice. I enjoyed some of it this time.
I think the villain was a little over planned. His attire may have fit the decade, but he still just seemed a little to circus-ee to me. I think that they would have done better by keeping him off camera and not allowing him to speak. Oftentimes what the audience doesn't get to see is more interesting than what they do get to see.
As for "The Bonesetter," it's a very amateur work. You are going to see a fair bit of work put into it, but ultimately everything is very poor in quality. The camera work in the opening sequence is very rough, and occasionally so shaky you can't even make out the picture. The acting is wooden (more oak than hickory, if yew follow me..), the characters appear to be attempting to play parts that require younger actors at times, the makeup somewhat silly, and the flow of the story is plugged full of holes.
And as always with amateur horror, garage band grind for the music. This time with at least one player who hasn't quite finished getting his guitar tuned up. To be fair, while the music did have a certain "casio" sound to it, some of the themes were fairly nice. I enjoyed some of it this time.
I think the villain was a little over planned. His attire may have fit the decade, but he still just seemed a little to circus-ee to me. I think that they would have done better by keeping him off camera and not allowing him to speak. Oftentimes what the audience doesn't get to see is more interesting than what they do get to see.
Você sabia?
- CuriosidadesJodi Larratt's debut.
- ConexõesFollowed by The Bonesetter Returns (2005)
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- Orçamento
- CA$ 350 (estimativa)
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