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6,0/10
5,7 mil
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Adicionar um enredo no seu idiomaA beautiful but burnt out psychiatrist goes to the family's winter cottage for a weekend with her husband and sister, which is interrupted when a terrifying and unexpected guest arrives, a v... Ler tudoA beautiful but burnt out psychiatrist goes to the family's winter cottage for a weekend with her husband and sister, which is interrupted when a terrifying and unexpected guest arrives, a violent sex offender and patient of the doctor.A beautiful but burnt out psychiatrist goes to the family's winter cottage for a weekend with her husband and sister, which is interrupted when a terrifying and unexpected guest arrives, a violent sex offender and patient of the doctor.
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- 12 vitórias e 2 indicações no total
Avaliações em destaque
Some of the comments I've read about this movie so far seem to be a little too much on the positive side. While I'm not saying that this isn't a good film - as usual with obscure films made in countries other than the USA - there's a fair few people overrating it, when really it's just another variant on the idea used in Funny Games over a decade ago (which wasn't even original then), done with less panache and less to say. After a slow first twenty minutes, The Dark Hours finally gets going; and once it does get going, it does indeed become very thrilling, and it's easy to see why many people enjoyed it for that reason. The idea that the movie draws on mainly is the horror of having your space invaded by a maniac; and the film then dashes this central theme with ideas of immoral acts being justified and the horrors of the truth. The film follows psychiatrist Samantha Goodman as she travels to a small cabin in the woods to stay with her husband and sister. A young man who might be more than his mousy appearance suggests... soon interrupts their stay.
The thing I like most about this film is the isolated 'cabin in the woods' setting. Horror classic, The Evil Dead, proved that this setting is a great location for horror; and The Darks Hours is just one of the films to confirm that. The invaders force their innocent victims to partake in a series of macabre and terrifying games - and this too helps to add to the atmosphere that the movie is creating. Much like it did in Funny Games. The Dark Hours is brought to life by a talented cast of unknowns, and director Paul Fox proves his worth by getting good performances out of all of them. Kate Greenhouse takes the lead role and is backed up by the quartet of Aidan Devine, Gordon Currie, Iris Graham and Dov Tiefenbach. The acting here shows how good performances can enhance a script, as The Dark Hours works from a very basic plot that would be lost if the cast want up to the challenge of bring the characters to life. Overall, while you wont catch me describing this film as 'terrifying', 'brilliant' or even 'intelligent', The Dark Hours is definitely worth seeing as it pulls psychological horror together with shocking gore well, and represents a modest success for non-US obscure horror.
The thing I like most about this film is the isolated 'cabin in the woods' setting. Horror classic, The Evil Dead, proved that this setting is a great location for horror; and The Darks Hours is just one of the films to confirm that. The invaders force their innocent victims to partake in a series of macabre and terrifying games - and this too helps to add to the atmosphere that the movie is creating. Much like it did in Funny Games. The Dark Hours is brought to life by a talented cast of unknowns, and director Paul Fox proves his worth by getting good performances out of all of them. Kate Greenhouse takes the lead role and is backed up by the quartet of Aidan Devine, Gordon Currie, Iris Graham and Dov Tiefenbach. The acting here shows how good performances can enhance a script, as The Dark Hours works from a very basic plot that would be lost if the cast want up to the challenge of bring the characters to life. Overall, while you wont catch me describing this film as 'terrifying', 'brilliant' or even 'intelligent', The Dark Hours is definitely worth seeing as it pulls psychological horror together with shocking gore well, and represents a modest success for non-US obscure horror.
The Dark Hours is an unbelievably brisk psychological scary movie that packs a lot of thrills into it's 80 minute running time. Although it's not generally the type of horror movie I like, it requires the audience to think a bit about what is going on, something which I'd rather not do in movies like this) Dark Hours is great because the lead actress, Kate Greenhouse, is great as the doctor who gets more then she bargained for when she makes a surprise visit to her ex and her sister. An ex-patient of hers also pays a visit, and he decides they're going to play some mind games, just like he endured in the clinic which he came from. Only the games have slightly sinister overtones..
All the acting is very good here. What a pleasure to see Dov Tiefenbach again. Loved him in The Delicate Art of Parking, so it was quite a surprise to see him play something nastier in this movie. Again Greenhouse is great, and all the cast pull together to make this movie a dynamite sit through.
All the acting is very good here. What a pleasure to see Dov Tiefenbach again. Loved him in The Delicate Art of Parking, so it was quite a surprise to see him play something nastier in this movie. Again Greenhouse is great, and all the cast pull together to make this movie a dynamite sit through.
The Dark Hours is one of those rare horror films that takes itself and its audience seriously. There is no black humour, no manic referencing of horror classics and no "someone-is-about-to-get-diced" eerie music. As a result, Paul Fox has succeeded where most American film directors have failed - in making a scary movie that is actually scary.
This film reminds me somewhat of Alexandre Aja's hugely over-hyped "Haute Tension". Both films contain violent home invasion scenarios, which are subsequently turned upside down by revelations about the sanity of the protagonists. In this case, the central character, Samantha, joins her husband and sister for a weekend in their remote cabin. Unfortunately, their stay is well and truly ruined by the appearance of Harlan; an ex-patient of Samantha's intent on revenge. As the story unfolds, it becomes increasingly ambiguous as to whether Harlan is real or a projection of Samantha's own psychosis. The reason why I find The Dark Hours superior to "Haute Tension" is that within this film's (albeit unlikely) parameters, the plot twist not only makes sense, it also serves to raise the suspense. Neither of which can be said for the events in Aja's film.
Gore hounds need not be concerned. This is not a lame "psychological" thriller. The Dark Hours contains a significant amount of gritty violence and one startling act of self-mutilation. The gore effects are uniformly well done and horror fans will enjoy several unexpectedly grim plot developments. The bloodshed is balance nicely by the terror of Harlan's games (his interpretation of "Truth or Dare" was a highlight) and the uncertainty about Samantha's own mental state.
The performances are generally very good. Kate Greenhouse is a revelation as Samantha. Hopefully she'll be leaving Canada for Hollywood in the not too distant future. Aidan Devine is another standout as Harlan. This actor has been under-appreciated for far too long. Harlan is yet another memorable character to add to his long list. The supporting cast is not as impressive. The actors who play Samantha's husband and sister are rather dismal. Their responses during the "Truth or Dare" game are unintentionally amusing, which was really quite a feat given the context. Paul Fox contributes to the film's success with his stylish direction, particularly his innovative use of sound effects and editing.
The Dark Hours leaves a number of questions unanswered. You do not have to scratch too far beneath the surface to find holes in the plot, even if they are neatly camouflaged by flashbacks and clever editing. Despite these faults, I enjoyed the film immensely. I just wish someone could tell me what that damn noise in the attic was meant to signify.
This film reminds me somewhat of Alexandre Aja's hugely over-hyped "Haute Tension". Both films contain violent home invasion scenarios, which are subsequently turned upside down by revelations about the sanity of the protagonists. In this case, the central character, Samantha, joins her husband and sister for a weekend in their remote cabin. Unfortunately, their stay is well and truly ruined by the appearance of Harlan; an ex-patient of Samantha's intent on revenge. As the story unfolds, it becomes increasingly ambiguous as to whether Harlan is real or a projection of Samantha's own psychosis. The reason why I find The Dark Hours superior to "Haute Tension" is that within this film's (albeit unlikely) parameters, the plot twist not only makes sense, it also serves to raise the suspense. Neither of which can be said for the events in Aja's film.
Gore hounds need not be concerned. This is not a lame "psychological" thriller. The Dark Hours contains a significant amount of gritty violence and one startling act of self-mutilation. The gore effects are uniformly well done and horror fans will enjoy several unexpectedly grim plot developments. The bloodshed is balance nicely by the terror of Harlan's games (his interpretation of "Truth or Dare" was a highlight) and the uncertainty about Samantha's own mental state.
The performances are generally very good. Kate Greenhouse is a revelation as Samantha. Hopefully she'll be leaving Canada for Hollywood in the not too distant future. Aidan Devine is another standout as Harlan. This actor has been under-appreciated for far too long. Harlan is yet another memorable character to add to his long list. The supporting cast is not as impressive. The actors who play Samantha's husband and sister are rather dismal. Their responses during the "Truth or Dare" game are unintentionally amusing, which was really quite a feat given the context. Paul Fox contributes to the film's success with his stylish direction, particularly his innovative use of sound effects and editing.
The Dark Hours leaves a number of questions unanswered. You do not have to scratch too far beneath the surface to find holes in the plot, even if they are neatly camouflaged by flashbacks and clever editing. Despite these faults, I enjoyed the film immensely. I just wish someone could tell me what that damn noise in the attic was meant to signify.
Dr Samantha Goodman(Kate Greenhouse),an attractive psychiatrist in her thirties joins her husband and sister for a weekend at a winter cottage when an unexpected guest arrives.Harlan Pyne(Aidan Devine),a violent sexual offender is convinced that Samantha conducted unethical experiments on him while she was his doctor.With the assistance of his troubled yet eager protégé Harlan forces Samantha and her family to participate in a series of nightmarish games."The Dark Hours" pleasantly surprised me.The script is tight and the violence is pretty brutal and ugly.Aiden Devine's portrayal of Harlan deserves special mention for being wickedly understated and menacing.The cinematography is dark and moody and the finale is surprising and thought-provoking.Give this harrowing film a look.9 out of 10.
To anyone wanting to watch this film I have the following suggestions:- 1. Watch it with friends....you'll be debating the ending afterwards.
2. Don't expect glossy effects or graphics....this is a true psychological thriller.
3. Pay Attention....The more you put into this the more you'll get out of it.
4. Have an open mind to where the film leads you.
Frankly I have to say I think this is a little unknown gem. It was done on a shoestring budget and I suspect not many have heard of it...it deserves wider release.
To anyone on the crew or cast who may read this can I offer my compliments. Well and believably acted, good lighting, good cinematography, appropriate score, well written and a Director who has pulled it all together to produce a great tight crafted product.
Good job guys.....you made my weekend.
P
2. Don't expect glossy effects or graphics....this is a true psychological thriller.
3. Pay Attention....The more you put into this the more you'll get out of it.
4. Have an open mind to where the film leads you.
Frankly I have to say I think this is a little unknown gem. It was done on a shoestring budget and I suspect not many have heard of it...it deserves wider release.
To anyone on the crew or cast who may read this can I offer my compliments. Well and believably acted, good lighting, good cinematography, appropriate score, well written and a Director who has pulled it all together to produce a great tight crafted product.
Good job guys.....you made my weekend.
P
Você sabia?
- Erros de gravaçãoAfter Donald Wegman launches his attack at Doctor Goodman, across the desk, he is bound at his wrists and ankles. As he's carried out in the next shot, his wrists are free.
- Cenas durante ou pós-créditosAfter the credits there is a series of "voices in your head" type sounds overlapping each other.
- ConexõesReferences Último Tango em Paris (1972)
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- How long is The Dark Hours?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Head Games
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- CA$ 500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 423
- Fim de semana de estreia nos EUA e Canadá
- US$ 338
- 16 de out. de 2005
- Faturamento bruto mundial
- US$ 423
- Tempo de duração1 hora 20 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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