A Lenda de Grendel

This is a very updated version of the Anglo-Saxon poem "Beowulf," using contemporary English.This movie still has the mythical, epic qualities of the poem that have inspired readers throughout the ages. In an excellent performance, Gerard Butler effectively captures the conflicted hero Beowulf as he endures the slow erosion of his military code of conduct. Beowulf & Grendel is more than a story of blood and war. Themes of vengeance, loyalty and mercy are powerfully entwined with the beginnings of Christianity in southwest Sweden in 500 AD. Another theme which is explored is human inability to tolerate that which is different. Gerard Butler is extremely effective as Beowulf, but perhaps the best performance in the movie is that delivered by the tempestuous and weirdly beautiful land of Iceland. I think this movie is definitely worth seeing.

In a medieval land is set this blood-soaked tale of a Norse warrior (Gerard Butler)'s battle against the great and murderous troll, Grendel (Ingvar Egger) . In a besieged land , Beowulf must battle against the hideous creature Grendel . As a flesh-eating creature called Grendel is killing off all those who live in the kingdom . That is until the arrival of Beowulf, a mysterious mercenary who offers Hrothgar, the kingdom's ruler, help to hunt Grendel . Out of allegiance to the King Hrothgar (Stellan Skarsgard) , the much respected Lord of the Danes , Beowulf leads a troop of warriors across the sea to rid a village of the marauding monster. The monster, Grendel, is not a creature of mythic powers, but one of flesh and blood - immense flesh and raging blood, driven by a vengeance from being wronged, while Beowulf, a victorious soldier in his own right, has become increasingly troubled by the hero-myth rising up around his exploits carried out along with Hondscioh (Tony Curran) and his warriors . Beowulf's willingness to kill on behalf of Hrothgar wavers when it becomes clear that the King is more responsible for the troll's rampages than was first apparent. As a soldier, Beowulf is unaccustomed to hesitating. His relationship with the mesmerizing whore , Selma (Sarah Polley) who has fallen in love with him, and creates deeper confusion. Swinging his sword at a great, stinking beast is no longer such a simple act. The story is set in barbarous Northern Europe where the reign of the many-gods is giving way to one - the southern invader, Christ , here represented by a Catholic priest (Eddie Marsan) . Beowulf not only does battle with Grendel, he also fights Grendel's evil mother . Vengeance, loyalty and mercy powerfully entwine in this spectacular Norse adventure.

This European co-production begins with a real sense of wonder and surprise and develops with continuous struggles and winding up a fight against the giant Grendel. The picture packs great loads of action , wonderful cinematography , abundant stunts , breathtaking combats and a little bit of gore and blood . Stunning battles scenes illuminate the full-blown adventure with a plethora of engaging action set pieces on the combats in which the heads and limbs are slice off here and there and everywhere while other parts of body are slit open . Good performance from Gerard Butler as Beowulf , a man caught between sides in this great shift, his simple code transforming , falling apart before his eyes and the strange witch well played by Sarah Polley. Both of whom play a story of blood and beer and sweat, which strips away the mask of the hero-myth, leaving a raw and tangled tale .

Beowulf was a poem written in England, but is set in Scandinavia , commonly cited as one of the most important works of Anglo-Saxon literature .Beowulf is considered an epic poem in that the main character is a hero who travels great distances to prove his strength at impossible odds against supernatural demons and beasts. It has variously been dated to between the 8th and the early 11th centuries. It is an epic poem told in historical perspective; a story of epic events and of great people of a heroic past. Although its author is unknown, its themes and subject matter are rooted in Germanic heroic poetry, in Anglo-Saxon tradition recited and cultivated by Old English poets . The poem is divided between Beowulf's battles with Grendel and with a dragon . The main protagonist, Beowulf, a hero of the Geats, comes to the aid of Hrothgar, the king of the Danes, whose great hall, Heorot, is plagued by the monster Grendel. Beowulf kills Grendel with his bare hands and Grendel's mother with a sword, which giants once used, that Beowulf found in Grendel's mother's lair .

Other films based on this epic poem are the following : ¨Beowulf¨(1999) by Graham Baker with Christopher Lambert and Rhona Mitra , ¨The 13º warrior¨ by John McTiernan with Antonio Banderas , Diane Venora , and ¨Beowulf¨ by Robert Zemeckis with Angelina Jolie and Anthony Hopkins .

The ninth century Anglo-Saxon epic Beowulf recounts the exploits of a hero of the Danes who saves them from a monster, Grendel, and the creature's vengeful mother, and then, decades later, dies fighting a dragon. This is an oral epic like Homer, which means it was composed and recomposed by oral bards among an illiterate but highly verbal people and "passed on" (actually constantly varied and renewed) in that way for many generations, and only later, when the tradition was waning, was written down. Epics, especially oral ones, have something in common. They are the embodiment of the primary values of the nation and culture they come from and represent. Their purpose is not just to entertain, but also to instruct, to inspire, to move, to instill pride in and knowledge of traditions and history. In a sense they tell stories everybody knows – everybody of the nation or culture – but they also preserve the values, the traditions, and the history and legend of the tribe. We don't know much about those traditions found in Beowulf, but in Iceland they do, and this movie was made in Iceland by an Icelandic director, Sturla Gunnarsson, who lives in Canada.

Anglo-Saxon poetry is alliterative, haunting, sad, and in a language utterly unlike modern English, completely strange. Here's how the poem begins, with translations for each line.

(You will have to look elsewhere, because the format of this website does not allow foreign languages.)

Which has been translated:

LO, praise of the prowess of people-kings of spear-armed Danes, in days long sped, we have heard, and what honor the athelings won! Oft Scyld the Scefing from squadroned foes, from many a tribe, the mead-bench tore, awing the earls. Since erst he lay friendless, a foundling, fate repaid him: for he waxed under welkin, in wealth he throve, till before him the folk, both far and near, who house by the whale-path, heard his mandate, gave him gifts: a good king he!

Along comes a movie, which doesn't have much US distribution but is currently showing in New York (July 2006). And I'm told there was a version with Christopher Lambert, but I have not seen it.

There are many translations but one by a poet of distinction recently done is that of the Irish poet Seamus Heaney. Here are a couple of short passages from Heaney's version:

You have won renown: you are known to all men far and near, now and forever. Your sway is wide as the wind's

It is always better to avenge dear ones than to indulge in mourning. For every one of us, living in this world means waiting for our end. Let whoever can win glory before death. When a warrior is gone, That will be his best and only bulwark.

This atmosphere that comes in the poem, even from a few lines, the importance of fame, of reputation, a deep fatalism, a sense of the power of nature and overwhelming sadness, are typical of Beowulf and of Anglo-Saxon poetry. But whether you get any of that from the movie I don't know.

What you do get is plenty of cussing, of F-words and S-words, spoken even by King Hrothgar and Beowulf himself, and body functions, and sexual intercourse – with a monster, who, for reasons best known to the filmmakers, is referred to as a "troll." Perhaps in Iceland a "troll" can be a giant, but in English the word has more often been used for a dwarf. Grendel isn't a dwarf. In the poem you don't see him clearly. He has scales. He's a monster. In the movie he's a big man who babbles incomprehensibly and has big muscles. He's like the Hulk.

It's rather unfortunate that Sarah Polley plays a witch, one who has intercourse literally with both troll and man. Everybody else has some sort of rustic English accent, but she speaks mall American. That doesn't work, and neither does her presence.

In the time of the Angles and the Saxons, the mead hall was a place for carousing, but also a semi holy place. Men got drunk and swore oaths, which they were bound to for life. The mead hall scenes are huge in Beowulf, but they just look like moments from any minor historical mélange here in this movie. Hrothgar's hall's structure is realistically represented from the outside, though.

The snowy Icelandic landscape has an austere beauty that is one of the best things about this movie.

Ingvar Sigurdsson as Grendel is impressive; but it would still be more evocative of the story and the poem not to see him clearly. Gerard Butler is dashing as Beowulf. But the way he talks! Stellan Skarsgård as King Hrothgar appears very beaten down; in the poem he is, indeed, depressed and presumably drunken, but somehow that is nobler in the mind than on the screen.

Whereas there's a lot of history -- epics are repositories of history -- in Beowulf the poem, in the movie things and people aren't explained very much. You get a rough idea, but explanation is almost totally omitted, even though every once in a while somebody in a boat speaks a few lines of poetry carrying the story forwrd.

The music by Hilmar Örn Hilmarsson is astonishing and powerful, though it isn't the sad, slow music of the Anglos-Saxon poem. This is of course an action movie. But there isn't quite enough action. It made me think of the wonderful example of dramatic narrative on film, which is so succinct and gripping and atmospheric, and which evokes an archaic time among Scandanavian peoples: Nils Gaup's 1987 Pathfinder/Ofelas, a Norwegian-Finnish production shot in the snow. Smashing. Find it and watch it.

Bear with me while I transpose my thoughts from my tangential, blonde head and hopefully it will be worth your read.

Let me first say that Grendel engaged me throughout the movie. There were good performances by many of the cast (Butler's conflicted hero, Skarsgard's noble-but-not-so-noble king) , but Ingvar Sigurdsson owned it as Grendel. Was it the skill of the writer and director in making Grendel a vulnerable human(?) and victim (drawing a sympathy vote from the audience)? Was it Ingvar Sigurdsson's acting skills to express intense emotions and engage the audience despite virtually any words in the script and enough prosthetic make-up to impede facial expressions? All I know is that I connected with Grendel's pain. And isn't that the point?

Another prominent character was the weather. It wasn't on the casting list, but it showed up nonetheless and fought for top billing. It helped to draw you into the ruggedness of the times and the story, but I also found it distracting. Perhaps it's my own distractibility, but for whatever reason, the scenery and weather engaged me more than the story a few times.

The soundtrack was indeed beautiful, but personally, I don't think it fit. To me, the campfire-to-mead-hall timeless folktale would have been better served by a more primitive collection of instruments rather than the majestic orchestra suited to an epic. But that's just my taste.

My main criticism is that to me, the film seemed choppy. I felt like I missed out on some important parts. (I didn't take any washroom breaks, did I?) It may have been the editing. There are others who enjoyed the film much better at the second viewing, so maybe it's all there in the movie beyond my distraction by the scenery and Gerard Butler's rugged good looks. Maybe the movie did its job; after all I'm still chewing on it 2 weeks later. Who knows? I did, however, catch the humor in the film. Andrew Rai Berzins' sharp wit and humor came to the rescue and drew me back in when distractions prevailed.

I'd really like to see it a second time now that my giddiness is over. I was anticipating this movie from the time filming began, and what film can live up to a year's worth of my ruminations and expectations? Now, don't ask me to rate the film with a number. I hate numbers. They don't mean anything. You should never see a movie based on numbers. See it because you want to.

…and if my review left you with more questions than answers, then I've done my job, because that's where the movie left me. Now go see the movie and find your own questions and answers.

BEOWULF is one of my favourite works of epic poetry, but the subject matter, which jumps all over the place and back and forth through time, is fairly unworkable on film. I was interested to see what the makers of this fairly low budget epic would do with the material, and in the end I was more than satisfied. As the title indicates, BEOWULF & GRENDEL focuses on the central thrust of the story, ignoring side-stories and the later Beowulf vs. dragon showdown to deliver a simple retelling of the main part of the age-old legend.

The story is largely expanded from the original, with many peripheral characters added and extra scenes. Some of these work (Eddie Marsan's psychotic Christian missionary helps to set the film in its time rather well) but others I could have done without, such as Sarah Polley's witch. Still, for the most part, the story is well achieved, with plenty of atmosphere and a real sense of place. Somebody had the brilliant idea of filming in the bleak Icelandic countryside, full of mountains and rocks and waterfalls with nary a blade of grass in sight; the decision paid off (despite problems with the weather during the shoot) and you can really believe the action is taking place over a thousand years ago.

Gerard Butler does well as the hero, his Beowulf equally as rugged as the isolated scenery. His role feels like a dry-run for 300's King Leonidas. Most of the supporting cast are interchangeable, but Stellan Starsgard is fine as the complex, tormented Hrothgar. Grendel is a more sympathetic creation here than in the poem; he's given his own back story, which I didn't mind, and he looks like a caveman rather than a hideous monster. Some of the incident in the eventual showdown between man and monster is changed and the later sub-plot involving Grendel's mother feels rushed, but I felt these problems were insignificant. For the most part, BEOWULF & GRENDEL ably brings to life the heroism and terror of the Anglo-Saxon age.