Uma exploração da sombria e miserável Basin City e três de seus moradores, todos envolvidos em violenta corrupção.Uma exploração da sombria e miserável Basin City e três de seus moradores, todos envolvidos em violenta corrupção.Uma exploração da sombria e miserável Basin City e três de seus moradores, todos envolvidos em violenta corrupção.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 38 vitórias e 54 indicações no total
Cara D. Briggs
- Hearing Panel Person
- (as Cara Briggs)
Resumo
Reviewers say 'Sin City' is acclaimed for its groundbreaking visual style, faithful comic adaptation, and stellar ensemble cast. The film's black and white palette with vibrant color accents is lauded as revolutionary. However, critiques point to excessive violence, misogyny, and shallow character arcs. Some find the film's emphasis on style over substance and repetitive narrative structure to be flaws. Despite these issues, many celebrate its innovative comic-to-screen translation and genre influence.
Avaliações em destaque
Sin City is based on three different stories in a place called Basin City. The way the three stories unfold and collapse against one another is captivating to see. Based on the graphic novels by Frank Miller, Sin City is perhaps the first film ever made to really have the authentic tone and look of comic books. Even if you have not seen the film, you probably had heard of this film for it's original style and unique touch of black-and-white special effects. I thought this was one heck of a movie. I thought this was one of the few films to actually have a really powerful narration, which is done by the three main characters played by Mickey Rourke, Clive Owen, and Bruce Willis. I thought the first third with Marv(Mickey Rourke) was one amazing story. I loved the beginning, and I loved this story the best out of the whole film. The second story which focuses on Dwight(Clive Owen) was to an extent different, although the same menacing feel is still there. Whereas Marv's story relied more on suspense and mystery, this part was more action-packed, which had really amazing uses of violence and gore. The third and final act, about Hardigan(Bruce Willis) was more similar to Marv's story, and also had the right use of violence, mystery, and action. I thought the ensemble cast was certainly one to marvel at. There are a lot of movie stars in this film, and some of them are brilliant, whereas some of them not so much. I thought Mickey Rourke, Bruce Willis, Rosario Dawson, Elijah Wood, and Benicio Del Toro were the best of the film. They all delivered their best. Especially Benicio Del Toro, who really gave us a creepy and menacing villain. There were others who were not as great. Clive Owen was mixed. In some parts he was great, in others he seemed so dull. Alexis Bledel, Jaime King, and Jessica Alba also had some good parts, but in others they were all sort of bland or bad. But the biggest problem was Brittany Murphy. I thought Murphy was just horrible. In her only scene, she was just talking and acting so mediocre, did not like her one bit. I have seen her in other films, and I thought she was a good actress. Maybe something happened with her here, but she was by far the worst. The writing is also something to appreciate. It was cheesy in parts, but I thought everything, from the dialogue to the events, were all done as they would in a comic book, or in this case graphic novel. I especially liked the imagery and figurative dialogue and the narration that was used, and really enhanced the film to another level.
Overall, Sin City is one of the most ambitious, original, entertaining, captivating, action packed, visually stunning and artistically magnificent films I have ever had the pleasure of watching. I expect a lot of repeat viewings, and action films had never gotten better than this. A one and only film that needs to be watched, even if only for for its incredible style and ambitious craft.
Overall, Sin City is one of the most ambitious, original, entertaining, captivating, action packed, visually stunning and artistically magnificent films I have ever had the pleasure of watching. I expect a lot of repeat viewings, and action films had never gotten better than this. A one and only film that needs to be watched, even if only for for its incredible style and ambitious craft.
If I was to use one word to describe this film it would have to be....Violent! if i was allowed two words I would add 'Visceral'. The movie is two hours long and is structured in a similar way to Pulp Fiction. A bunch of stories set in a consistent world, with characters falling in and out of each others plot lines. On the whole it works brilliantly, and for the duration there isn't a boring moment. It is High octane, million miles and hour storytelling, and it EASILY Robert Rodriguez's best film. Allowing Frank Miller to write the script was a fantastic move, as the dialogue is edgy, witty and VERY faithful to the original material. In fact, many many lines are just taken straight from the pages. likewise, the camera behaves like a moving cartoon box out. The framing of all the key scenes is SO faithful to the printed page that it produces a truly original look that is fairly incomparable. Visually its a true original. Sometimes these visuals fall down, there are some very very obvious digital shots that don't quite gel, but on the whole the cinematography is jaw dropping. You could literally pause the movie at almost any point and just hang that frame on a wall, its that beautiful. Performances are good all round. Mickey Rourke absolutely nails Marv, and the girls of Old Town are all as beautiful as they are deadly. The other standout for me was Elijah Wood, who was truly chilling. Bruce Willis puts in a solid, if unspectacular turn as Hartigan. The film isn't entirely void of criticism. there's some fudging of time lines with Hartigans character (do we really buy Bruce Willis as a nearly 70 year old man?) and the jumps from story to story are jarring initially, but once it settles into itself the ride is fantastic. My other main criticism is the same I have with Quentin Tarantinos work. That every character and every voice in the movie is the same. This is more a fault of the source material, but when every single person is a wise cracking, hard boiled tough guy (even the women) then it kind of distills the effect of their toughness. In a film that is predominantly voice over driven, it is hard to differentiate characters when they all sound exactly the same, both tonally, and in the language they use. Even Marv, who's supposed to be a meat head, talks in gravelly prose that would make Bukowski feel like a Nancy. Other Minor niggles are hardly worth mentioning. From a technical standpoint the sound effects are WAY to loud. All of the punches, gunshots etc are given such ridiculous prominence on the track that they threaten to make mockery of the violence. I actually found that i didn't want any more guns fired cos it was hurting my ears! all in all though, its one hell of a ride, and only a couple of notches below Pulp Fiction on the 'Oh my god that film was cool-o-meter'.
In Sin City nobody is innocent, not even the Bishop, and they are going to pay for that.
The movie is based, both the story and aesthetics, in the noir comic by Frank Miller, who is also co-director of the film,together with Robert Rodriguez; Quentin Tarantino was invited to direct one of the scenes. The movie intertwines four different stories, whose characters will cross paths at certain point: The Customer Is Always Right, The Hard Goodbye, The Big Fat Kill, and That Yellow Bastard The movie is visually stunning and stylish. It looks and feels like a real noir comic, with camera framing and positioning typical of comic vignettes, as well as the use of high contrast B&W and chiaroscuro. The movie has wonderful black, white and sepia tones with cutout reds and bright colors, a technique widely used in Photography and drawing, but never used in movies before. The movie was completely shot using green backgrounds.
The movie is heart-attack paced, with no a moment of dullness or rest. However, is not for the heart faint, as it is extremely violent and gory, very hard to watch sometimes. The fact that those being punished deserve it, does not make the violence easier to swallow.
The characters are never dull, very human - never good or bad, but both things. Moreover, they are at very melancholic types, funny and merciless.
The movie delights the viewer with terrific performances by a large group of A-listed actors. However, Mickey Rourke, Bruce Willis, Benicio Del Toro, Clive Owen and Rosario Dawson really shine through. Jessica Alba and Elija Wood, who are usually a bore, are terrific in their respective roles, too.
The best comic adaptation I have ever seen.
Entertainment and quality together. Brilliant
The movie is based, both the story and aesthetics, in the noir comic by Frank Miller, who is also co-director of the film,together with Robert Rodriguez; Quentin Tarantino was invited to direct one of the scenes. The movie intertwines four different stories, whose characters will cross paths at certain point: The Customer Is Always Right, The Hard Goodbye, The Big Fat Kill, and That Yellow Bastard The movie is visually stunning and stylish. It looks and feels like a real noir comic, with camera framing and positioning typical of comic vignettes, as well as the use of high contrast B&W and chiaroscuro. The movie has wonderful black, white and sepia tones with cutout reds and bright colors, a technique widely used in Photography and drawing, but never used in movies before. The movie was completely shot using green backgrounds.
The movie is heart-attack paced, with no a moment of dullness or rest. However, is not for the heart faint, as it is extremely violent and gory, very hard to watch sometimes. The fact that those being punished deserve it, does not make the violence easier to swallow.
The characters are never dull, very human - never good or bad, but both things. Moreover, they are at very melancholic types, funny and merciless.
The movie delights the viewer with terrific performances by a large group of A-listed actors. However, Mickey Rourke, Bruce Willis, Benicio Del Toro, Clive Owen and Rosario Dawson really shine through. Jessica Alba and Elija Wood, who are usually a bore, are terrific in their respective roles, too.
The best comic adaptation I have ever seen.
Entertainment and quality together. Brilliant
80w0
I watched the 'Unrated, Recut and Extended' version of the movie, which is pretty different from the theatrical version of the film (which I've also watched). It's really a 'superhero movie' like those DC/Marvel movies in disguise... these people have super powers, but it isn't explicitly stated. The movie was also breathed-upon by Quentin Tarantino and it totally shows... this is a very 'Quentin Tarantino-esque' movie. It's filled with action, though there's a good amount of drama and story/plot mixed in so that you don't get numb to the bombardment of constant action. Each of the characters are heavily unique yet extremely stereotypically portrayed (for good reason). Overall it's a good film and eventhough this type of movie will only appeal to a small percentage of general audiences, I would recommend that you watch it at least once if you're not certain, as it is really a pretty good movie, especially given the unique artistic choice with the dark art style.
A film that explores the dark and miserable town, Basin City, and tells the story of three different people, all caught up in violent corruption.
Although the use of digital filming and CGI is very contentious, Robert Rodriguez found a way to make it work to his advantage in a way that may not have been possible with traditional film. The way the black and white brings the noir to life, blending smoothly with the rare other colors... it is the only way to bring a comic book to life. (A similar style is in "The Spirit", which does not get nearly the respect it deserves.)
This casting is incredible, as it is varied and really brought the best performances out of Alexis Bledel, Rosario Dawson and Jessica Alba that their careers ever had. Mickey Rourke was re-invented, and this may have been one of the last great Bruce Willis roles. Such a powerful film.
Although the use of digital filming and CGI is very contentious, Robert Rodriguez found a way to make it work to his advantage in a way that may not have been possible with traditional film. The way the black and white brings the noir to life, blending smoothly with the rare other colors... it is the only way to bring a comic book to life. (A similar style is in "The Spirit", which does not get nearly the respect it deserves.)
This casting is incredible, as it is varied and really brought the best performances out of Alexis Bledel, Rosario Dawson and Jessica Alba that their careers ever had. Mickey Rourke was re-invented, and this may have been one of the last great Bruce Willis roles. Such a powerful film.
Você sabia?
- CuriosidadesBecause of the way the movie was shot, Mickey Rourke (Marv) and Elijah Wood (Kevin) never met until after the film was released.
- Erros de gravaçãoWhen Nancy is dancing, she is alternately wearing/not wearing gloves between shots.
- Cenas durante ou pós-créditosIn the opening credits, each of the actor's names is shown with a frame from the comic, featuring their character.
- Versões alternativasDecember 2005 DVD reissue included an extended, reedited version of the film. The four story lines were separated into individual short films, with about seven minutes of additional footage added, marketed as approximately 25, but about thirteen of those minutes are credits added to each story and five come from marketing exaggeration.
- ConexõesFeatured in Late Show with David Letterman: Episode #12.118 (2005)
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- La ciudad del pecado
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 74.103.820
- Fim de semana de estreia nos EUA e Canadá
- US$ 28.100.000
- 3 de abr. de 2005
- Faturamento bruto mundial
- US$ 158.733.820
- Tempo de duração2 horas 4 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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What is the streaming release date of Sin City - A Cidade do Pecado (2005) in India?
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