Say Uncle

I am a gay man in the South, and while I have spent a good part of my life working with children as a camp counselor, daycare worker, and therapist, I STILL don't think I can empathize with the character Peter Paige portrays in this movie. For one, is he retarded? I don't think any grown, single, childless man who isn't just at least a little mentally challenged would think it was appropriate to spend that much time with strangers' children without good reason. Also, this character seems REALLY mentally unbalanced. He blacks out, lies about his background, cannot form a stable romantic attachment, becomes detached from reality, can only relate to children, and has what can only be described as a hyper-obsession with his godchild. I'm thinking Kathy Najimy's character in the film is right...he DOES fit the profile of a pedophile.

I don't know where Peter Paige was going with this movie, but I think he missed his mark. I rented this film, hoping for something that would break down the stereotype that gay men are freaks and pedophiles. Instead, this movie just made my skin crawl. I would NEVER, EVER let my child near a man like Paul Johnson.

Ick.

-s-

i don't know where this guy got the balls to do something like this. to tackle suburbia, fear, profiling, gays, children - in a comedy. i love how they never tell you what to think or how to feel. everybody's screwed up, just like in real life. there's not one bad performance in it. kathy najimy is awesome - totally different than the way you think of her. peter paige is great - sad and funny and weird. and gabrielle union and anthony clark are great, too. oh, and melanie lynskey is freakin' hilarious. it's worth taking a chance on - seriously. it won't be everybody's thing, but if you're tired of movies where everybody's perfect and you already know how it's going to end, check this out. i loved it.

Some funny lines and smart commentary in this low-budget comedy about a young gay man--an overgrown kid in an adult's body--who is left rudderless after his best friends move to Japan with his beloved godson; totally enamored of and devoted to children in general, our hero starts hanging around the playground, where a single man with no kids causes red flags to wave in front of the resident moms. Writer-director-co-producer-star Peter Paige has some interesting things to say about unmarried men in our society who adore--and can relate to--the innocence of childhood yet no have little ones of their own. Unfortunately, the film's second-half is pretty much consumed by the rampant paranoia of the playground flock; this material is all too real for a little comedy to handle, and one tends to recoil from it even though the satiric points Paige makes are thorough and justified. ** from ****

Peter Paige's enthusiasm for his film is contagious only there are parts of the film that are uneven. There is good pacing , but at times the pace moves so fast that some of the storyline seems forced. The general premise is already addressed in the tag line and so there is a constant sense of uneasiness. The main character is believable but the denouement feels saccharin sweet and that minimizes the seriousness of the threat to the main character.

If you are a fan of Emmett on QAF, then you'll find that Paige is quite a talented actor. In the end, not bad for a first movie. The premise is original and touching and even with all its faults is capable of conveying the state of American culture of fear.

I just saw the the world premiere of "Say Uncle" last night at LA's Outfest. Peter Paige, Kathy Najimy, and other cast members were there. A couple of QAF cast were also present to support Peter, including Scott Lowell and Robert Gant.

The response by the audience seemed very positive. The movie was well done. Paige demonstrates his chops not only as an actor, but as a writer/director. "Say Uncle" is a smart movie that explores the idea of alienation on a number of levels in our society. Paige effectively blends humor with the contemplation of serious issues (as exhibited by both laughter and tears of the audience).

Paige's character (Paul) functions with the naive perceptions of a child among adults. Najimy's character shows her own naivity when she forms different assumptions about Paul during the course of the movie and subsequently targets him. Najimy portrays an sympathetic antagonist. It was easy to laugh at her character, become disgusted, and yet feel sorry for her, because she embodied what we often see in society.

This is one of those movies that had me thinking about it long after I left the theater. I found myself contemplating my own thoughts and feelings regarding the issues presented and societal expectations. I do hope that Paige is able to find a distributor for this film so that it may be seen and recognized by a larger audience.