Shabd

Shabd is too conceptual and too tentative in its approach. Debutant director Leena Yadav tells a story in Shabd that is very modern in its approach. Shaukat (Sanjay Dutt) does not believe in disappointment but when it comes to him as his own disaster, he is not able to accept it easily. He has a gorgeous wife Antara (Aishwarya Rai) who is very responsive and very thoughtful. She will do anything to make her husband grin. Having earned disgrace with his unusual novel, Shaukat now makes a bid to enact the novel in his real life using himself and Antara as the fundamental characters. Sanjay Dutt supports his wife Aishwarya Rai to have an extra-marital affair with her colleague Zayed Khan, so that the husband could integrate life-like, realistic situations in his current novel.

Can it ever get weirder than this?

Antara meets Zayed Khan who is hell bent on getting this sexy diva. Antara is scruffy by his behavior but remains quiet as she is already a married woman. All attempts by Yash to attract her fail and then Shaukat enter the scene. He wants his wife to enter into a relationship with Yash so that the contours of his story start developing. But, little does he know that Antara will actually defy the novel storyline and fall in love with Yash in real life too. The story has an unforeseen twist as Antara falls head over heels in love with Yash. And there is no looking back for her.

To say the least, Leena Yadav has built a strange story in her attempt to look different.

The film moves on with jerks and fails to even establish one equation among the protagonists of the love triangle. Even the editing is loose and there is poor support on the dialogs.

Music by Vishal-Shekhar is melodic. In fact, a couple of songs do stand out - Khoya Khoya, Chahaton Ka Silsila and Sholo Si were brilliantly executed. After Jhankar Beats and Musafir they did it again. One more winning musical score from the duo. Cinematography by Aseem Bajaj is excellent. The film is visually striking.

Sanjay Dutt performs his piece well. The sober look, crew-cut hairstyle, glasses, suits him well. Aishwarya Rai takes to the job with certainty. And like always, the screen fills up with her guise.

Aishwarya is going to suffer the most from the failure of this film. She was in need of a hit desperately but luck has played with her again. She is totally miscast and her character is lousy. The lines and situations written for her are not well thought of and all this only makes her presence go useless on screen. Aishwarya needs to learn her lessons fast, in her attempt to make a niche for herself overseas.

Zayed Khan is a complete miscast. He does not look like a college professor and even otherwise, doesn't have the maturity to carry off the role with meticulousness. Sadia Siddiqui is very efficient. Kamini Khanna does overacting.

On the whole, SHABD is too theoretical to plea to the customary Indian viewers. At the box-office, the film will find it hard to continue buoyant after its first weekend. 1 1/2 Out of 5

I personally thought that this movie would be something like the old crap movies about a couple and then an extra-marital relationship that exists between the wife and a new man. The idea of SHABD is the same but hats off to the writer !!!! She has so marvelously crafted out a wonderful theme for the movie. It is so ....my ...a wonderful experience (minus Zayed) who really sucks with some cheap jokes!!! Shabd is about a writer (Sanjay Dutt) who tells his wife (Ash) that she should explore an extramarital relationship with a boy (Zayed Khan) because that will be the subject for his next novel.

This is just one dimension, not the entire film. It is not blatant as that. It is about a writer who is oscillating between his thoughts and the real world. It is about the way he lives his life and what he thinks about it. It is about how the mind works and how it spills over to reality --how it governs the matters of heart. It is very complex.

Leena Yadav, the director, has chosen all aspects of life. She has spoken through the visuals as well.

On the whole watch the movie for its great script, wonderful songs and visuals that are truly awesome !!! Watch it also for Aishwarya , for she has not looked so graceful after TAAL happened to her. Don't hate me if you feel bored when Zayed enters..well he is not too long...um...I will not spoil the interest by revealing the climax !!! Watch out for a commendable work of art and literature....

I give it a 8/10.

I said that I was going to re-post after I watched the movie and restate if my feelings still remains. I watched the movie today and it was okay. My expectations weren't too high for this movie, and the movie wasn't as bad as I read it would be. The main thing that took me off is Zayed Khan as Yash. I think his acting did not fit well and there was no connection or chemistry between him and Aishwarya (he also doesn't look well on screen with Aishwarya). He was just wrongly casted for the part or maybe he just didn't do justice. Even after Tamara told Yash she was married, I didn't have any type of affection or remorse towards Yash or Tamara and Yash's relationship (I think I was more happy that she told him to just Yash out of the picture)--it was just blend. The humor was confusing (yash humor especially) and not funny. I know when I re-watch this movie, I would forward through it.

Another thing is the intro of the movie and the actors. I don't think it captured the audience as much as it should have. Again, when Yash was introduced I found him rather annoying. Aishwarya and Sanjay's acting abilities did not fall short especially towards the ending. Sanjay played well as a confused writer who got fiction and reality confused and Aishwarya as the victim in Shaukat's fiction and reality.

The art in this film is also very good and beautiful. Overall, this movie has the potential to be a really good film with some changes; unfortunately, it fell short with the blend acting, chemistry, lack to carry out the concept story, and lack to get the audience interested with the characters.

7.5 out of 10 mainly for some direction and art concept of the movie. I appreciate Aishwarya more in films such as Raincoat, Chokher Bali, HDDCS, and Devdas.

I am a total admirer of the director of the movie (Leena Yadav) for making such a true-to-the-heart, wonderful movie ! The movie is very artistically abstract in some sense ! It deals with the illusions of a creative mind, certain aspects of writers block! Quite thought provoking indeed.

The subject matter has never been dealt in Hindi cinema before (I do not consider myself an expert in Hindi cinema, but I can say that to some certainty).

The cinematography is average. There are some interesting colors probably thanks to art director, but overall the production quality is average.

Music ----- Honestly I can write few pages about the music of the movie. Till date, I think its the best out of Vishal-Shekhar's stable!

Each song is a winner!

'Lo shuru ab ..chahaton ka silsila' has two versions in the album, by Kumar Sanu & Udit N. But I couldn't see Udit N's version on the film. And definitely, in entire 2005 this is the only song by Sanu that registers. Thanks to V-S to have made Sanu sing without his usual 'airy' voice! Didn't like opening of 'Sholon si..' - sounded too close to Smooth by Santana! (that's my only complain about the music of the movie). Great voice on the track by Vishal btw. Goes very well with Sanjay Dutt's role/persona in the movie. Similiarly, Sonu Nigam's voice suits very well for Zayed. 'Bolo to' & 'Khoya Khoya' are great ! 'Mat jaa' is a great ballad sung by Sukhwinder! Great music and some soulful guitar played by Warren Mendonsa (of Zero). Whoever played the drums, did a great job! I started listening to the music of this movie long before the movie was released and I was truly hooked to the entire album. Kudos to V-S!

Acting ------ Sanjay Dutt gets 8/10 - considering Sanju's acting ability, this is probably his career best! Zayed is alright (7/10) and AishRai is below avg (4/10).

The movie is a recipe for commercial failure, but I must appreciate PNC (Pritish & Rangita Nandi) to have produced it (for the sake of art, may be), and to have had trust with the débutante director Leena Yadav.

Trying hard to like Leena Yadav's debut film 'Shabd', you sit thru the entire feature in eager anticipation of a/the/any magic moment. But ...

Although the premise was novel, the buildup was not. One sex scene does not compensate for the lack of sexual chemistry between the leading pair. The Booker-prize winning author is trying so hard to come up with an authentic story for his next novel that he goes and casts his own wife as her rebellious alter-ego, easily falling for the 'forbidden fruit'. Shaukat Vashist requests, goads, almost forces his wife Antara to initiate an illicit relationship to help him craft a leading character in his next novel. When the 'truth' becomes stranger than his bookish 'fiction', and Antara meets and eventually falls for a dashing (yea, no less) young colleague, Mr Novelist is quite unable to handle it. But he saves the best, a one-page ending, for last.

We are not led to believe that the entire thing is the writer's fertile imagination gone awry. Evidently Yash's character is real (witness the college peon asking Shaukat if he had any message for Yash, etc) and so is the romance that ensues between Yash and the writer's wife Antra. In the end, it appears the writer of "Shabd" was herself so confused about the interactions between her characters (there were only 3!) that she couldn't figure out how to end the characters or the movie!! The performance by Sanjay Dutt was the saving grace of this film. Zayed Khan is miscast as the college professor and lacks acting skills. Aish tries hard but her dialogs are so mushy; could have used some zing.

The writer of this review believes that the writer of this movie should have worked harder on the writer in her movie.