AVALIAÇÃO DA IMDb
7,4/10
33 mil
SUA AVALIAÇÃO
Três ativistas improvisam um plano de sequestro após se encontrarem com um homem de negócios em sua casa.Três ativistas improvisam um plano de sequestro após se encontrarem com um homem de negócios em sua casa.Três ativistas improvisam um plano de sequestro após se encontrarem com um homem de negócios em sua casa.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 11 vitórias e 6 indicações no total
Burghart Klaußner
- Hardenberg
- (as Burghart Klaussner)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I'm sure there will be plenty of people that will accuse "The edukators" of being such a cheap anti-capitalism manifest, a "cool" product designed for rich boys who feel like making a revolution. Whatever, nowadays we need idealism more than ever, we need to believe in lost causes, we have to appeal to the dignity of the individual and to spit in the riches' faces. "The Edukators" is one way of doing all those things from the cinema screen by telling the story of three rebel young guys that won't stay and look without doing a thing while the big corporations destroy this world and turn us into working-hard zombies. They have an idea: to assault mansions, mess everything up, to make trouble just to scare the owners... not to steal, not to break things. It is all about disconcerting. Obviously their "game" will soon get out of hand, they'll get involved in a kidnapping, and they will bump into something that's more powerful than revolution or ideals: love. Two boys, one girl... that means TROUBLES.
As I said, we need more movies like this one that are so well made, and also tries to open people's eyes. (Unfortunatelly I'm sure that those who should get their eyes opened will never watch "The Edukators".
PS: It is worth to watch "The Edukators" even if it's just for the last minutes of the film, with Jeff Buckley singing Leonard Cohen's "Hallellujah" (that also proves the director's exquisite taste).
*My rate: 8/10
As I said, we need more movies like this one that are so well made, and also tries to open people's eyes. (Unfortunatelly I'm sure that those who should get their eyes opened will never watch "The Edukators".
PS: It is worth to watch "The Edukators" even if it's just for the last minutes of the film, with Jeff Buckley singing Leonard Cohen's "Hallellujah" (that also proves the director's exquisite taste).
*My rate: 8/10
I have to issue a few words of warning first:
Don't see this movie after you have just enjoyed a really good Hollywood-production (as I did). Because if you do you may at first be put off a little bit by the quality of this digital productions that does not quite come up to 35mm-standards.
You will notice this for about 10 seconds.
Two hours later however you won't quite understand anymore what exactly it was you liked so much about this great Hollywood-movie that suddenly seems to be so shallow, so void of real issues and characters ...
This is a wonderful, wonderful gem of a movie that won't bore you even for a second and will keep you thinking for days and days.
I don't want to go into the plot here (see for yourself), just that: This is NOT a movie that can be summed up in one statement. It is a film about political activism, love, friendship, ideals in life and how we betray them, the generation if 1968 and what became of them, the dynamics of small groups and, and, and...
To wrap so much relevant issues into a gripping, highly entertaining and even funny story for me is a real miracle in scriptwriting. The dialogues are outstanding.
Of course the main reason this movie works so well is the fantastic cast. All four main characters are absolutely phenomenal and of course Danny Bruehl and Julia Jentsch show again that they are the best German actors of their generation.
This movie touches you emotionally, gives you food for thought and entertains immensely at the same time. For me it is the best movie I have seen this year.
This is what cinema should be like.
Don't see this movie after you have just enjoyed a really good Hollywood-production (as I did). Because if you do you may at first be put off a little bit by the quality of this digital productions that does not quite come up to 35mm-standards.
You will notice this for about 10 seconds.
Two hours later however you won't quite understand anymore what exactly it was you liked so much about this great Hollywood-movie that suddenly seems to be so shallow, so void of real issues and characters ...
This is a wonderful, wonderful gem of a movie that won't bore you even for a second and will keep you thinking for days and days.
I don't want to go into the plot here (see for yourself), just that: This is NOT a movie that can be summed up in one statement. It is a film about political activism, love, friendship, ideals in life and how we betray them, the generation if 1968 and what became of them, the dynamics of small groups and, and, and...
To wrap so much relevant issues into a gripping, highly entertaining and even funny story for me is a real miracle in scriptwriting. The dialogues are outstanding.
Of course the main reason this movie works so well is the fantastic cast. All four main characters are absolutely phenomenal and of course Danny Bruehl and Julia Jentsch show again that they are the best German actors of their generation.
This movie touches you emotionally, gives you food for thought and entertains immensely at the same time. For me it is the best movie I have seen this year.
This is what cinema should be like.
I went to see the film completely unprepared, and I left the theatre rather euphoric. I liked the film because of the amiable story, the roughly-sketched but believable characters (even if we don't learn too much about their backgrounds) and the funny, witty dialog. And last but not least the surprise in the end -- until three minutes to the end I wouldn't have had an idea how to end a story like this.
The four main characters were cast exceptionally well, and the dialog -- whew! Yes, the kidnappers seem very naive (so does the manager, btw, in another way), and the words they use are heavy with cliché, but it's not a message of any kind that's new and interesting. It's what happens beyond words: I've rarely seen people in a movie talk and talk so much about convictions and ideology, but all the really important things happen inside them and without words.
So go and watch this film but don't jump on the political statements. Things might have some more layers here.
The four main characters were cast exceptionally well, and the dialog -- whew! Yes, the kidnappers seem very naive (so does the manager, btw, in another way), and the words they use are heavy with cliché, but it's not a message of any kind that's new and interesting. It's what happens beyond words: I've rarely seen people in a movie talk and talk so much about convictions and ideology, but all the really important things happen inside them and without words.
So go and watch this film but don't jump on the political statements. Things might have some more layers here.
... but the days of plenty for German Cinema obviously just started!!
I saw this movie at the Cork Film Festival yesterday night. Being originally from Germany and a huge Daniel Bruehl Fan I HAD to watch this movie. Of course I didn't get disappointed: it's such a brilliant movie with such a profound statement. Hans Weingartner seems to be gifted with a unique power of observation: not living in Germany at the moment made me very sensitive for clichéd German behaviour (Scenes like the one in the tram and the restaurant are just so typical!) Great acting by outstandingly talented young actors (can Daniel Bruehl get any better? Obviously he can!), witty dialogues and a surprising ending made this movie pure fun watching every single second! I am very glad that if German movies make it abroad they are such smart movies as this one (or Run Lola Run, Goodbye Lenin,...). I hope to see more and more German movies over here in the future.
The days of plenty just started for the German Cinema!
I saw this movie at the Cork Film Festival yesterday night. Being originally from Germany and a huge Daniel Bruehl Fan I HAD to watch this movie. Of course I didn't get disappointed: it's such a brilliant movie with such a profound statement. Hans Weingartner seems to be gifted with a unique power of observation: not living in Germany at the moment made me very sensitive for clichéd German behaviour (Scenes like the one in the tram and the restaurant are just so typical!) Great acting by outstandingly talented young actors (can Daniel Bruehl get any better? Obviously he can!), witty dialogues and a surprising ending made this movie pure fun watching every single second! I am very glad that if German movies make it abroad they are such smart movies as this one (or Run Lola Run, Goodbye Lenin,...). I hope to see more and more German movies over here in the future.
The days of plenty just started for the German Cinema!
the edukators is a hugely enjoyable film that perfectly balances the human themes of friendship, love and trust with it's more political undertones.
the main characters are all performed with warmth and a playfulness that keeps the human side of the story engaging, while the plot develops with continual twists and tension. of course the idealism and activism of the protagonists plays a central roll, but the film never falls to the temptation to preach or bog itself down with weighty polemic.
all in all, the edukators is a breath of fresh air that is both satisfying to the head and the heart. highly recommended.
the main characters are all performed with warmth and a playfulness that keeps the human side of the story engaging, while the plot develops with continual twists and tension. of course the idealism and activism of the protagonists plays a central roll, but the film never falls to the temptation to preach or bog itself down with weighty polemic.
all in all, the edukators is a breath of fresh air that is both satisfying to the head and the heart. highly recommended.
Você sabia?
- CuriosidadesThe song "Where's The Real Sky" is credited to Jeff Cole on the soundtrack and was mentioned in the movie as a favorite artist of Jan and Jule. Jeff Cole is a pseudonym for the score-writer, Andreas Wodraschke. The singer is his friend Sam Genders of London.
- Erros de gravaçãoThe Mercedes that Jule keys in the parking garage is also used as Hardenberg's Mercedes when he arrives at his house right before catching Jule and Jan. You can see this by matching the license plate to each scene.
- Citações
[last words]
Note on Wall: "Some People Never Change."
- Cenas durante ou pós-créditosThere is an additional take after the credits related to the last project of the three protagonists.
- Versões alternativasAll foreign (non-German) theatrical versions omit a scene in the ending. The reason for this is that the scene had not been finished at the time the movie was shown at the Cannes film festival. But the distribution rights had already been sold to 44 countries and the director didn't want to force local distributors to take the new ending.
- ConexõesReferenced in Free Rainer (2007)
- Trilhas sonorasDarts Of Pleasure
by Franz Ferdinand
Principais escolhas
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- How long is The Edukators?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- The Edukators
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 175.493
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.075
- 24 de jul. de 2005
- Faturamento bruto mundial
- US$ 8.152.859
- Tempo de duração2 horas 7 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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What is the French language plot outline for Edukators: Os Edukadores (2004)?
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