AVALIAÇÃO DA IMDb
7,3/10
43 mil
SUA AVALIAÇÃO
Uma mulher transexual pré-operacional embarca numa viagem inesperada quando descobre que foi pai de um filho, agora um adolescente fugitivo que está correndo pelas ruas de Nova Iorque.Uma mulher transexual pré-operacional embarca numa viagem inesperada quando descobre que foi pai de um filho, agora um adolescente fugitivo que está correndo pelas ruas de Nova Iorque.Uma mulher transexual pré-operacional embarca numa viagem inesperada quando descobre que foi pai de um filho, agora um adolescente fugitivo que está correndo pelas ruas de Nova Iorque.
- Indicado a 2 Oscars
- 32 vitórias e 26 indicações no total
Avaliações em destaque
'Transamerica' is mainly a road movie about a pre-operative transsexual Bree (Huffman), her unknowing son (Zegers) and their complex yet developing relationship. There are some brilliant shots of the vast American landscapes throughout the film. This is not a predominant social rights movie. It focuses more on the relationship between the two protagonists. It's about about individual acceptance rather than social approval. It's not a tragic piece either. In spite of involving a risky subject, Tucker cleverly gives a comic touch to his writing by balancing it with the drama without making any of it even slightly melodramatic.
Bree is just a couple of days away from fulfilling her dream of becoming a women when suddenly she receives an unexpected phone call saying that her son's in jail. Bree is reluctant and not too happy about facing her past but after taking her therapist Margaret she goes to New York and bails her son out of jail and decides to drive with him to L.A. During this trip they tell each other about their lives (the use of flashbacks has been cleverly avoided).
Felicity Huffman delivers a brave and fantastic performance of what she herself described as the role of a lifetime. She displays Bree with insecurity, pathos, fear, humour and growth which really makes one forget that they're actually looking at an actress act. Her use of non-verbal language is remarkable. While in the beginning the audience may feel that they're looking at an ugly freak, one can't help but love the character after the end credits have rolled. Kevin Zegers intensely underplays his part as Bree's son Toby and does a fine job. Elizabeth Pena, Graham Greene and Fionulla Flanagan stand out in smaller roles.
'Transamerica' is a wonderful sincere film about very real people. It's about a woman and her son surviving in a difficult world. Though many have described Huffman's performance to be of Oscar calibre, the Oscars have rewarded many non-deserving performances. It is definitely one of the most challenging performances and one that will be remembered in the history of cinema. A fine piece of cinema.
Bree is just a couple of days away from fulfilling her dream of becoming a women when suddenly she receives an unexpected phone call saying that her son's in jail. Bree is reluctant and not too happy about facing her past but after taking her therapist Margaret she goes to New York and bails her son out of jail and decides to drive with him to L.A. During this trip they tell each other about their lives (the use of flashbacks has been cleverly avoided).
Felicity Huffman delivers a brave and fantastic performance of what she herself described as the role of a lifetime. She displays Bree with insecurity, pathos, fear, humour and growth which really makes one forget that they're actually looking at an actress act. Her use of non-verbal language is remarkable. While in the beginning the audience may feel that they're looking at an ugly freak, one can't help but love the character after the end credits have rolled. Kevin Zegers intensely underplays his part as Bree's son Toby and does a fine job. Elizabeth Pena, Graham Greene and Fionulla Flanagan stand out in smaller roles.
'Transamerica' is a wonderful sincere film about very real people. It's about a woman and her son surviving in a difficult world. Though many have described Huffman's performance to be of Oscar calibre, the Oscars have rewarded many non-deserving performances. It is definitely one of the most challenging performances and one that will be remembered in the history of cinema. A fine piece of cinema.
I saw Transamerica last night at the Tribeca Film Festival and absolutely loved it. I was concerned beforehand that I would not be able to relate to the characters, but that turned out not to be a problem. The acting of Felicity Huffman and Kevin Zegers is done with so much sincerity that I quickly came to care about their characters. Ms. Huffman's performance is one of the best I have seen. Having not seen any of her television or movies, I did not know anything about her. In fact, I thought that she was truly a man playing the part of the transsexual woman. The script was always believable and allowed Ms. Huffman to show some wry humor. The writer/director Duncan Tucker was there to make a few comments answer questions. The only problem is that the film has not yet been picked up by a distributor so if you want to see it (and you should) you may have to find a film festival somewhere.
10bliss_s
I first saw Transamerica as the closing film for the Frameline film festival in San Francisco where it won the "The Frameline Audience Award for Best Feature". The film was obviously a labor of love. Duncan Tucker wrote, directed and wisely cast Felicity Huffman as Bree (before she had been cast as a "desperate housewife"). Huffman's husband William Macy was executive producer.
The plot line is certainly the tried and true formula of the transformational road trip, yet the irony of Bree's concurrent sexual transformation freshens a story that could easily have been cliché. Kevin Zegers and the rest of the supporting cast are superb, but Huffman's characterization of Bree is Oscar caliber.
See Transamerica! It's not tragic like "Boys Don't Cry". It's not about sexuality, fetish, or camp. It's a movie about otherness, transformation, family, and ultimately acceptance. Felicity Huffman's Golden Globe winning and Oscar nominated performance is absolutely astounding. Her acting skill fills Bree with insecurity, pathos, warmth, humor, and growth which ultimately transforms the audience's involvement from freak show curiosity to empathy and identification.
Thankfully the Weinstein brothers recognized just how outstandingly strong this performance is and decided that Transamerica would be one of the first films they would choose to distribute after their great success at Miramax.
I saw this movie again during it's limited distribution, again in general distribution and now own the DVD. Each time I've watched it I find even more to like. Transamerica is an indie classic.
The plot line is certainly the tried and true formula of the transformational road trip, yet the irony of Bree's concurrent sexual transformation freshens a story that could easily have been cliché. Kevin Zegers and the rest of the supporting cast are superb, but Huffman's characterization of Bree is Oscar caliber.
See Transamerica! It's not tragic like "Boys Don't Cry". It's not about sexuality, fetish, or camp. It's a movie about otherness, transformation, family, and ultimately acceptance. Felicity Huffman's Golden Globe winning and Oscar nominated performance is absolutely astounding. Her acting skill fills Bree with insecurity, pathos, warmth, humor, and growth which ultimately transforms the audience's involvement from freak show curiosity to empathy and identification.
Thankfully the Weinstein brothers recognized just how outstandingly strong this performance is and decided that Transamerica would be one of the first films they would choose to distribute after their great success at Miramax.
I saw this movie again during it's limited distribution, again in general distribution and now own the DVD. Each time I've watched it I find even more to like. Transamerica is an indie classic.
TRANSAMERICA is a film where you meet people who might really exist. And real people are not only great or terrible, they are mostly both. It is the acting and the dialog which makes all the difference. The film offers a blueprinted storyline of two people who don't know each other traveling together across the US, from NY to LA. Memories of MIDNIGHT RUN and RAIN MAN do come up once in a while. But still this is everything but a Hollywood product. The main character is a Transsexual named Bree, born as a man but living the past few years as a woman, only days before her operation which will definitely make her a woman. That subject and, the fact, that the role is played by an actress signifies a very different approach to the old gender questions. The film offers funny moments too, but never makes fun about a man, wanting to be a woman. The film is very subtle, and it is really a pity when it is finally over. It displays very well that great stories don't require great budgets to make great films! 9 out of 10!
I usually avoid Transsexual movies as they make me uncomfortable ! That's why I avoided the movie "Transamerica" when it came out . But being a movie fan I kept reading reviews that were saying how great the movie was and how great the actors were . So I finally rented the movie in 2011 and viewed it for the first time . I had seen 'The Angry Inch' and it did nothing for me . Then I saw "A Soldiers Girl" and that movie stuck with me but it was violent . Then I viewed Transamerica and was at last entertained . Felicity Huffman , was an Oscar's performance to say the least and she did win that award . She was amazing and I do not think a male playing the role could have carried it off as well . All the actors were 100 percent human and able to reach the audience ! Kevin Segers is a bright spot in the movie as Toby , Bree's son that she did not know she had. Kevin's performance was nothing short of Oscar material , which he should have won something . There are a lot of great up and coming actors from Canada . And if it were not for the Canadians we would not have movies like this , and "The Barbarian Invasion''s . Hollywood just cannot come out of the closet long enough to make a movie in this genre , let alone in off the wall subjects. I gave this welcome flick 8 stars out of 10 . ciao yaaah69
Você sabia?
- CuriosidadesFelicity Huffman had to stay in character all day while shooting. This included having to keep Bree's voice on so that she wouldn't lose it. If she turned it "off" she would lose the voice.
- Erros de gravaçãoBree's sister, half Jewish, misuses the Yiddish phrase "kin-ahora" when she hears about Toby's mother's suicide. The phrase means "may the evil eye be averted" and is roughly equivalent to "knock on wood". It is used when you say something GOOD, to avert a spell cast by a jealous person or a demon. It would NEVER be used with respect to something bad.
- Citações
Bree Osbourne: My body may be a work-in-progress, but there is nothing wrong with my soul.
- Cenas durante ou pós-créditosFor all people of trans experience, For all people of any experience, and For my family.
- ConexõesFeatured in The 63rd Annual Golden Globe Awards 2006 (2006)
- Trilhas sonorasMeditation
from "Thaïs"
Composed by Jules Massenet
Performed by Jenõ Jandó (piano) & Takako Nishizaki (violin)
Courtesy of Naxos of America, Inc.
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Transamerica
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 9.015.303
- Fim de semana de estreia nos EUA e Canadá
- US$ 46.908
- 4 de dez. de 2005
- Faturamento bruto mundial
- US$ 15.151.744
- Tempo de duração1 hora 43 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Transamérica (2005) officially released in India in English?
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