O Exorcismo de Emily Rose

I just saw this movie today and thought it was wonderful.

The acting was excellent, from one end to the other. The scenes, the flashbacks, the drama, the horror, the faith vs doubt theme ... all were entwined in a back-and-forth web that maintained constant focus on the strongest feature of all: the Story itself.

And what a Story! I won't give it away except to say that the plots and subplots and intrigue and characterizations were all woven together to spin a simply riveting, terrifying, provocative, endearing, challenging Story.

I really liked the multiple depictions of What Happens and How the Characters React. You see Something Happen; and then feel Fear; and then watch the Face of the Character on hand experience Fear; and then perhaps the order is slightly changed: you see the Face of the Character experience Fear as the Character gazes in terror over the viewer's shoulder. Then you see What the Character is looking at. And experience Fear.

I also really liked the legal conflict ... and the way the Story honored both sides. There's no doubt, ever, where our sympathies lie: with the Laura Linney character. Yet, the prosecutor is not at all a "straw man." He is give a great opening, and is effective and believable throughout. This enhanced greatly the Doubt vs Faith conflict that reinforced the Story throughout.

And through all this, the Priest's insistence that the Story should be told, is what really drove the action above all. This gave a feeling of authenticity to the Story that both made it appealing, and frightening.

A wonderful, wonderful, movie ... !

For the most part, films which were intended to frighten the viewing audience usually succeed in instead producing involuntary laughs. So it was nice to see a 'horror' film that not only has a brain for a change, but actually succeeds in being frightening. It may help that the film is allegedly based on true events, which gives credibility to the storyline, and prevents the movie from having those annoyingly gaping plot holes. And indeed, the heading "Based on a true story" doesn't come off as a glaring lie. There are indeed events happening in the film which are questionable as to whether they actually occurred in real life, but the beauty of 'Emily Rose' is that most of the film is retold by various characters, so the events described are as the character perceived them. In this way, the film doesn't distance its audience by declaring that "well, demons were in the film which was 'based on a true story', so demons must actually exist".

But in many ways, 'Emily Rose' is different from almost every past horror movie in the sense that it doesn't make really obvious attempts to frighten its audience. Instead, director/co-screenwriter Scott Derickson seems content to make us think. There are several questions raised in the film regarding religious beliefs and the public's general perception of them, but these are all handled in an objective and impartial manner. And as for the scare factor, since the filmmakers aren't overly obvious in trying to scare the audience, the film actually is frightening at several points - again, unusual for a horror film. The frightening events regarding Emily Rose's exorcism are all the more frightening as they don't seem horribly staged and predictable. (although the cheesy demonic animation, as shown in the trailer, could have been done far better) It's true that composer Christopher Young seems unable to resist the horror movie cliché of having horribly over-dramatic music which builds to a climax at the most frightening moment, but for the most part the movie is able to surpass the usual horror clichés.

It helps of course that the cast all deliver quality performances, the obvious standout being Jennifer Carpenter as Emily. Her possession scenes are nothing short of incredible, the sheer torment she seems capable of portraying is utterly captivating. Laura Linney also shines in the lead, giving a powerful and affecting performance as the attorney of the convicted priest who performed Emily Rose's exorcism. As said priest, Tom Wilkinson also manages to impress, delivering a quietly effective and very human performance. My only complaint is that the characters of Campbell Scott and Colm Feore were really badly written, coming off as the typical antagonistic figures, and nothing more. Both give satisfying performances, despite their one dimensional characters, especially Feore, who has always been talented at taking terribly written characters, and giving them life and personality nonetheless.

So The Exorcism of Emily Rose may not quite be the very best of its genre, but it certainly proves to be one of the more intelligently made ones. The director seems to have for once taken that extra step, and put aside the endless thrills and shocks in favor of making us think a bit. There are some cheesy effects, such as the demonic visions, but there are some genuinely frightening parts, especially the actual exorcism scene, mainly due to the chilling and captivating performance from Jennifer Carpenter as the title character. The principle cast members, Laura Linney and Tom Wilkinson also give strong performances, bringing many layers to their characters. Quite the quality piece overall, and one worth seeing.

-8/10

Wonderful, wonderful movie. A lesson in film-making. I know a lot of people won't be able to see it for what it is because of the supernatural/horror elements (which are usually a turn-off for film snobs), but the movie is just extremely well-made.

Consider the fact that Linney's character's true conflict is not winning the trial, but a satisfyingly complex internal struggle which I will not name so as not to spoil the movie. Or the plethora of food for thought that the movie offers, regarding existentialist issues of perception vs. objective truth, and social issues of liability and responsibility.

Some very interesting scenes that find ways to express things in subtle and creative ways without spelling them out. And an incredible and ballsy performance by Jennifer Carpenter, which takes Linda Blair's possession to a whole new level. Also, notice how a key dramatic monologue is presented, contrary to what we might expect, with no sentimental music in the background. The cinematography is also great. I was reminded of Dario Argento's vivid colors in Suspiria on more than one occasion.

Although it's not the focus of the film, the movie also offers a few very cool scare moments, and seeing Emily possessed is terrifying.

This is my favorite "underdog" movie of the year so far.

Scott Derricksen's well-executed multi-layered film works both as a psychological horror and a gripping courtroom drama. He was so inspired by the novel and intrigued by the issues presented that he ended up making this movie. It shows that he has done extensive research.

What I liked about the horror element is that even though there are a few jumps, it does not derail into ridicule. The director doesn't overdo any violence, blood, scary faces and whatever. Derricksen uses a lot of silence which leaves the viewer in a heightened state of suspense desperately wondering what will break the silence. His use of colour is clever and it sets a chilling atmosphere. You can see hints of Dario Argento and Gaspar Noé. For example the red lit corridor in Emily's dorm looks eerily like that underground subway passage in 'Irréversible'. The exorcism scenes are quite chilling (unlike the unintentionally funny ones in 'The Exorcist'). The courtroom sequences raise some interesting questions about scientific reasoning versus the unknown and unexplained. I was impressed that it didn't become one of those God versus Science movies but the Shohreh Agdashloo track left a lot to be desired.

In addition to being a well crafted film, the performances are among the highlights. Tom Wilkinson gives a phenomenal subtle performance. A ravishing Laura Linney is equally electrifying from the yuppie ambitious lawyer to one whose internal conflict makes her doubtful. Jennifer Carpenter delivers an astonishing performance. It couldn't have been an easy part to pull off and would have been easier to mess up but she does a solid job. It definitely makes Linda Blair's bad performance (in the 'Exorcist') look miserable.

I'm not much of a horror movie fan, mostly because they tend to be ridiculous and end up being funny or boring rather than having the intended effect. It will be wrong to lable 'The Exorcism of Emily Rose' is much more than just another horror flick because it does raise questions and tackles some issues without coming to a definitive conclusion (as there are simply no answers to some things that happen).

Yes, I know, we've seen too many mediocre horror movies in the past few years. Yes, I'm fed up with horror stories that are "based on true events", too, but don't write this movie off too soon. If you ignore the assertion that this has all happened in reality and just accept that you're in for a supernatural movie, you'll have a gay ol' time with "The Exorcism Of The Emily Rose".

The first thing to mention is that there has never been a combination of horror movie and courtroom drama before, and while some reviewers have stated that the two genres don't go together well, I have to disagree. The courtroom setting added a lot of suspense to the story and horror movies always work best when there is suspense added to the spooky and creepy elements. And boy, does this movie have some creepy scenes.

The four main actors do a fine job and the restrained direction is pretty atmospheric too, except for some minor fashionable shots that are probably not going to age very well (for example, one time Scott Derrickson reverts to Darren Aronofsky-cam, which is already getting old). Anyway, the main attraction is the story itself, and as I've said, it's fast paced and exciting - at least until the third act. Up until that point it's hard to watch the screen at times because Derrickson uses his shock scenes so effectively and steers clear of any jump-clichés. Then a certain climax is reached, the movie reduces its supernatural elements and relies maybe a bit too much on the courtroom drama aspect. On the plus side Derrickson avoids going over the top like so many other horror movies do including embarrassing CGI-orgies in their showdowns. On the other hand, it is exactly that relatively quiet ending that prevents "The Exorcism Of Emily Rose" from becoming a real classic. One just has the feeling that the priest and the trial made a whole lot of fuss about nothing, because there's no real solution in the end.

"The Exorcism Of Emily Rose" has enough chilling moments not to be overshadowed by "The Exorcist", the big Kahuna of the exorcism genre, but it's not going to be remembered as a cornerstone of the horror genre. In 2005 you couldn't find a lot of spooky movies that were better than this one, though.