Eggshells

I recently saw this at London's Frightfest, and it may well be the dullest film I have ever had the misfortune to view there. From one rambling, pointless conversation to the next, nothing of interest happens, apart from a guy having a sword-fight with himself. There may be some who would say that if you didn't like it, you probably didn't understand it, like it's the "emperors new movie", or something. These hypothetical people can get lost. I can't imagine that fully comprehending the film would make it any less dull. I didn't want to understand the presence in the basement, I just wanted it to do something. The film is really only of interest to Tobe Hooper fans, and people who like artsy sixties movies. By the way, I did ask Tobe Hooper what the meaning behind the title was, and he said it just meant "a very delicate situation".

When THE Texas CHAINSAW MASSACRE came out I was eagerly looking forward to it because the director had made EGGSHELLS. My wife and I saw EGGSHELLS when we were living in Houston. I'd get off work at 10 at night, we'd go eat Mexican food, and then go to a midnight movie at the Alabama, Tower, or River Oaks theatres inside the loop. They were sponsored by KLOL 101.1 FM and the admission price was $1.01. As you can tell, this was before we had children. In fact, my wife was probably pregnant with our first (born July of 1974) when we saw this. We'd sit in the front row of the balcony because she was most comfortable with her feet propped up on the rail.

I only saw EGGSHELLS that one time, but it's stuck with me all these years. The plot is a little fuzzy to me, but I remember the title because one of the films themes was that our fellow humans are so fragile that we would handle them as if they were made of eggshells.

Although there were supernatural elements to it, this was nowhere near a horror movie. It was closer in mood to THE GRADUATE or YOU'RE A BIG BOY NOW in that it was a coming of age story about young adults.

It was about undergraduates at the University of Texas in Austin. One character comes from a small town and this is her introduction to life in the big city. Several students share a large old house near the University (in a neighborhood I've always enjoyed driving through) and they discover that the house is haunted.

Beyond that plot details get fuzzy, although I do remember that there was a 'hippie wedding' that took place on the lawn of the capitol building.

It gets a ten because although it didn't have anybody famous in it (for years it wasn't even listed on the IMDb and I wondered if I'd imagined it, and I don't know if even Hooper has a print of it any more) and wasn't a techno marvel I could tell that it was made with a lot of love. Hooper was thrilled to have a camera at his disposal and use it to tell his story.

If this ever comes out on DVD I'll be first in line.

My dad went to film school in Austin, Texas in fact he was a freshman the year after Tobe Hooper graduated. He told me that as part of a class he had to watch 'Eggshells.' What he liked most about it was that it showed the power of editing, just simple cuts and that was all it needed. There was one scene in particular, of a man having a sword fight with himself he would swing the sword, and BAM! cut he would appear on the other side ready to parry, the scene probably took hours to choreograph but for the primitive effects it was truly remarkable.

I would love to try to find a copy of it somewhere, i may just have to go to Austin to get it.

Eggshells (1969)

** (out of 4)

Normally I start my reviews off with a brief description of the plot but that's not really needed here because there isn't one. Basically you've got a couples sitting around and talking about various deep topics including war and haunted houses.

EGGSHELLS was Tobe Hooper's first feature film and it's easy to see why it has been forgotten. Usually whenever director's make a name for themselves their early works come back into play but that never happened with EGGSHELLS and it pretty much remained a mystery until here recently when it got a re-release. The film isn't awful. The film certainly isn't great. It's just pretty much in the middle without anything overly interesting in it outside of the film's the director would make after it.

This is one of those films where there's no plot but instead hippies are sitting around talking about "deep" stuff that no one but stoned hippies would find deep. Most of the conversations had here are pretty boring and none of them are interesting enough to really grab your attention and hold it throughout the running time. Just take a look at the discussion of haunted houses and you'll see how silly it actually is and how pointless it is.

The film really drags at spots and especially the final ten-minutes of the movie. I'm going to guess Hooper was trying to deliver some sort of weird acid trip but that doesn't happen and instead of being entertained the viewer will be looking at his watch. EGGSHELLS is technically well-made and it features some nice performances but that's not enough to keep you glued into the film.

The other comment says much of what I would have said had I got here first, but I saw Eggshells at the Texas Theater, an "art house" on Guadalupe Street (the "Drag") in Austin across from the UT campus. I wish I could remember for certain when it was, but my best guess is that it was sometime between 1969 and 1971. (Since I was at UT from 1969 to 1976, I suppose that I could have seen it after Chainsaw Massacre came out in 1974, but I have a pretty good reason for thinking that's not right.)

Eggshells wasn't very good, frankly, but I saw the hippie bus with the dome around town several times before and after I saw the movie. After TCM came out I was pleased that I accidentally got to see Hooper's first effort.

One correction: I don't think that the wedding scene was on the Texas State Capitol grounds. I'm pretty sure that it was shot in Wooldridge Park on Guadalupe Street between West 10th and West 9th Streets across the street from the Travis County Courthouse. Perhaps the wedding was at the capitol and I've forgotten it, but if so then some other scene was shot at Wooldridge, since there's an easily-recognizable gazebo in Wooldridge that can be seen in the film.