AVALIAÇÃO DA IMDb
7,8/10
8,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA mild-mannered gay dentist and a hedonist womanizer rekindle their unlikely friendship when the latter's terminal cancer drives them back together after a decade apart.A mild-mannered gay dentist and a hedonist womanizer rekindle their unlikely friendship when the latter's terminal cancer drives them back together after a decade apart.A mild-mannered gay dentist and a hedonist womanizer rekindle their unlikely friendship when the latter's terminal cancer drives them back together after a decade apart.
- Prêmios
- 8 vitórias e 4 indicações no total
Johnny de Mol
- Floris
- (as Johnny de Mol jr.)
Wilhelmija Lamp
- Alijt
- (as Willemijn Lamp)
Avaliações em destaque
I've read the reviews here, most of them from people living in the Netherlands. This movie seems to polarize these folk in ways that must be unique to the Dutch. I'd like to comment on it from a different cultural perspective.
Reviewers here make the point repeatedly that this is a quintessentially Dutch movie, and more or less insist that you have to be Dutch to comprehend it in toto. That may be true. I know a little German, enough to have heard the cadences and staccato rhythms in the dialog. And I could tell that the English translation, although working hard, was probably not able to do justice to the actual words. This is an instance where a dubbed version might be an improvement for non-Dutch speakers.
As an American, and a gay man, I found this movie totally accessible. The subject of euthanasia was not especially controversial to me, having known many gay men who chose that route in the 80s. Nor did the interaction between the two friends seem that unusual. I've had close friends who were straight and we could talk to each other in the same blunt, joking way Simon and Camiel do. I think this story could have been set in many other urban communities around the world, not just Amsterdam.
So I guess I'm saying I don't think this story is uniquely Dutch by any means. That it has an extra dimension for the Dutch because of the language, however, seems likely.
I liked the structure of the film, I liked the close and choppy editing, and I liked the progression of the story. In many ways the film's style is as unsentimental as the story, and that seemed appropriate.
Reviewers here make the point repeatedly that this is a quintessentially Dutch movie, and more or less insist that you have to be Dutch to comprehend it in toto. That may be true. I know a little German, enough to have heard the cadences and staccato rhythms in the dialog. And I could tell that the English translation, although working hard, was probably not able to do justice to the actual words. This is an instance where a dubbed version might be an improvement for non-Dutch speakers.
As an American, and a gay man, I found this movie totally accessible. The subject of euthanasia was not especially controversial to me, having known many gay men who chose that route in the 80s. Nor did the interaction between the two friends seem that unusual. I've had close friends who were straight and we could talk to each other in the same blunt, joking way Simon and Camiel do. I think this story could have been set in many other urban communities around the world, not just Amsterdam.
So I guess I'm saying I don't think this story is uniquely Dutch by any means. That it has an extra dimension for the Dutch because of the language, however, seems likely.
I liked the structure of the film, I liked the close and choppy editing, and I liked the progression of the story. In many ways the film's style is as unsentimental as the story, and that seemed appropriate.
This movie is about a wide variety of emotions, topics and people. The dialogs are brilliant. Simon has a hilarious sense of humor, but his character, like the others in the movie, is still very well portrayed. All typical dutch subjects like gay-marriage, soft-drugs, euthanasia, etc., are handled in a way that it is still convincing. The last part, where euthanasia becomes the main topic, is where the movie rises above a good comedy and becomes a great comedy/drama instead. The acting in the last part is so brilliant that it almost feels like it is shot for real.
Certainly a movie to recommend, and I think that even when it is translated (with a possible loss of dialog)it is still a movie worth seeing! But see a subtitled version and not a synchronized voice-over version, for the latter will be terrible
Certainly a movie to recommend, and I think that even when it is translated (with a possible loss of dialog)it is still a movie worth seeing! But see a subtitled version and not a synchronized voice-over version, for the latter will be terrible
10rutger19
I saw Simon in the cinema and it was a fantastic experience. Simon is a summary of Dutch culture and especially the Amsterdam subculture. The actors are all standouts in this movie and have the performances of their careers. I agree with previous comments that Cees Geel's performance was Oscarworthy. I watch movies everyday and I must say Simon was the best I have seen in YEARS! First of all, Simon is about Holland. Holland was once famous for windmills, cheese, tulips and wooden shoes. These days we (the Dutch) are famous for gay marriage, euthanasia, legalized prostitution, legalized marihuana use and islamofascist murders. In other countries themes like these give people the feeling of a modern Sodom & Gomorra.
This movie sets the right mood from the start. It is a commercial for modern, Western liberal countries where everyone can be their full self. Simon is a drug dealing, swearing, unemployed guy, who sheets on his girlfriend. Yet, you cannot dislike him! He is charismatic, funny, good at heart and completely original. His friendship with Camiel is somehow weird, as he is a gay, shy dentist student. Their friendship suffers a setback and they meet back after 14 years. Camiel and Simon team up with their entire group of friends and offspring to give Simon the best last days of his life.
This movie is important, because it reflects exactly what people in the '90s wanted Holland to be. I can cry at what my country has become of these days, but I can also smile at the warm intentions of what it once inspired to be. People all over the world, watch this movie! It will make you laugh, it will make you cry, but it will also make you think.
Eddy Terstall thank you for this fantastic achievement. This movie will be remembered someday and be seen as an international classic.
This movie sets the right mood from the start. It is a commercial for modern, Western liberal countries where everyone can be their full self. Simon is a drug dealing, swearing, unemployed guy, who sheets on his girlfriend. Yet, you cannot dislike him! He is charismatic, funny, good at heart and completely original. His friendship with Camiel is somehow weird, as he is a gay, shy dentist student. Their friendship suffers a setback and they meet back after 14 years. Camiel and Simon team up with their entire group of friends and offspring to give Simon the best last days of his life.
This movie is important, because it reflects exactly what people in the '90s wanted Holland to be. I can cry at what my country has become of these days, but I can also smile at the warm intentions of what it once inspired to be. People all over the world, watch this movie! It will make you laugh, it will make you cry, but it will also make you think.
Eddy Terstall thank you for this fantastic achievement. This movie will be remembered someday and be seen as an international classic.
This movie is about an unlikely friendship. Right at the start of it you learn that one of them is gay and polite, and the other is an outspoken, humorous heterosexual that has cancer, and might die sometime soon. The movie then goes back and forth along some fourteen years, starting with the day these guys met.
Sounds simple? You are in for some surprises. This is not just a film about a guy that is quite obnoxious and irresistibly lovely at the same time. It is also about being yourself, shy or not, and living in a country that has more tolerance to cultural diversity. But mostly about this man that always tries to do the right thing, and enjoy his life, and have a laugh with his friends, even as it looks like death might come sooner than expected. I love this guy. And the Netherlands never looked that much beautiful on film.
Sounds simple? You are in for some surprises. This is not just a film about a guy that is quite obnoxious and irresistibly lovely at the same time. It is also about being yourself, shy or not, and living in a country that has more tolerance to cultural diversity. But mostly about this man that always tries to do the right thing, and enjoy his life, and have a laugh with his friends, even as it looks like death might come sooner than expected. I love this guy. And the Netherlands never looked that much beautiful on film.
SIMON is a little jewel of a film. In a manner more typically Dutch than most it is an exploration of the interaction of two men, opposites in almost every way except in their potential power of friendship.
Camiel is a gay, tender, polite, dental student while Simon is straight, seemingly critical of gay aspects (though always with tongue in cheek), noisy, outspoken, crafty, boisterous and a bit crude café owner. The two collide in an accident, an act that bonds them inextricably, and the film shows the two polar opposites reconnecting fourteen years later when Simon is dying of cancer and calls upon all his resources and involves Camiel in the difficult process of life's ending. Simon's strength of character (despite his previous outwardly bombastic and crude manner) gives Camiel much to learn - and gives the audience some touching and tender thoughts on which to dwell. The film is a fun, at times naughty, smart, and ultimately life-affirming tale about the importance of friendship and family...and a strong sense of humor...that are the stuff that allow us to survive even the most difficult of moments in life.
The entire cast is excellent but the performances by Cees Geel as Simon and Marcel Hensema as Camiel Vrolijk are worthy of awards. This is an extravagantly fun film, completely open and honest about its sexuality, that results in a memorable emotional experience for the viewer. In Dutch with English subtitles. Grady Harp
Camiel is a gay, tender, polite, dental student while Simon is straight, seemingly critical of gay aspects (though always with tongue in cheek), noisy, outspoken, crafty, boisterous and a bit crude café owner. The two collide in an accident, an act that bonds them inextricably, and the film shows the two polar opposites reconnecting fourteen years later when Simon is dying of cancer and calls upon all his resources and involves Camiel in the difficult process of life's ending. Simon's strength of character (despite his previous outwardly bombastic and crude manner) gives Camiel much to learn - and gives the audience some touching and tender thoughts on which to dwell. The film is a fun, at times naughty, smart, and ultimately life-affirming tale about the importance of friendship and family...and a strong sense of humor...that are the stuff that allow us to survive even the most difficult of moments in life.
The entire cast is excellent but the performances by Cees Geel as Simon and Marcel Hensema as Camiel Vrolijk are worthy of awards. This is an extravagantly fun film, completely open and honest about its sexuality, that results in a memorable emotional experience for the viewer. In Dutch with English subtitles. Grady Harp
Você sabia?
- CuriosidadesThe movie's budget was so low, that many of the actors (personal friends of director Eddy Terstall) worked for free. Multiple scenes had to be filmed each day, so most scenes needed to be filmed in one take. According to Terstall, the scenes shot at the end of each day, when cast and crew started to get weary, were often of poorer quality as a result.
- Erros de gravaçãoWhen Joy and Floris are descending the stairs at the wedding, he is on her right side, but in the next shot he is suddenly on her left.
- ConexõesFeatured in Barend en Van Dorp: Episode dated 17 September 2004 (2004)
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- How long is Simon?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Симон
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 1.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.055
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.453
- 9 de abr. de 2006
- Faturamento bruto mundial
- US$ 1.107.774
- Tempo de duração
- 1 h 42 min(102 min)
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
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