O Cara

Ten years before this film was released, Samuel L Jackson was running round New York after being forced to help Bruce Willis in the third Die Hard film following him being in the wrong place at the wrong time. Now he's the renegade cop (ATF agent) out to bring justice after the death of his partner, while being suspected of being part of what happened. However, while in 1995 he was the angry accomplice to an equally angry badge holder, here he's forced to work with Eugene Levy - probably best known as Jims dad in the American Pie films - and he basically plays the same role; a family man living in middle America, this time working as a dental salesman, who's more used to fitting in with the rules than acting against them. He's almost too nice for a guy caught up in something were people have died. Samuel L is his usual cool self, especially how he deals with other officers, and his car isn't the standard issue Crown Victoria. As usual, he's extremely watchable. It's just how the polite Levy gets caught up in the middle of it and he behaves in the midst of all this action that gets a little grating. I mean, fart jokes? Samuel L Jackson may have bad things to the inside of Meat Loaf in the 51st State, but who wants to see Jules Winnfield gagging if Vincent Vega ate a Royale (without cheese)? Luke Goss makes a decent adversary for what is a buddy film between Jackson and Levy learning how to act more like the other; he's basically a business man with a gun. Miguel Ferrer, as IA Agent Peters, makes for more of an interesting "bad guy", with his single minded mission.

It's a good film. A bit washy in places and formulaic to get cheap laughs, but it gets the job done.

What can be expected from a movie called The Man? A comedy from the director of American Outlaws starring Samuel L. Jackson riffing on his Jules character from Pulp Fiction with the dad from American Pie can't be decent, can it? Surprisingly, this new fall comedy is actually humorous if not outright hilarious, and it is certainly better than it looks on paper or in the TV-spots. It is a great example of a "pleasant surprise." That's not to say the premise isn't pretty cookie-cutter: Andy Fidler, an innocent dental tools salesman (cue Eugene Levy) gets caught up in an illegal weapons plot and must deal with Special Agent Derrick Vann (Samuel L. Jackson playing what he plays best) and his crazy world.

Vann and Andy happen to be polar opposites, as well. What a surprise.

If this all sounds strangely like the average buddy comedy about the well-mannered white guy and the tough-as-nails black guy who don't get along at first but learn to appreciate each other and then become best friends, well, it pretty much is. However, unlike many buddy comedies, this one is actually enjoyable.

At a brisk 83 minutes the movie never lags too much, and instead of focusing on its implausible story or cliché subplots The Man keeps it mainly about the chemistry between its two main characters. Also, although much of the script is forgettable seldom is pure boredom reached.

Traps such as unoriginal overused subplots and gaping plot holes can often catch many unsuspecting buddy comedies by surprise and help make them DOA (dead on arrival), but The Man actually seems to revel in its unoriginality, content with not pushing boundaries but with instead just having some fun.

In the acting department, Samuel L. Jackson is especially a surprise. While it seems he would be pretty much bored of playing the same badass character time and time again, he manages to come off convincingly and even have some fun riffing on his theatrical persona. However, the movie never winks too much at the audience and it is able to stand on its own two feet rather than constantly say, "Hey guys don't mess with the Samuel L!" The fact that Eugene Levy is very talented at playing a character who is truly clueless also helps. Both Jackson and Levy have good chemistry and even though it's pretty much a two-man show The Man comes off without a hitch because it knows what its strength is: Levy and Jackson.

The only other actor that even warrants a mention really is Luke Goss as Joey. He helps make a mundane role tolerable and interesting. He doesn't steal the show, but he has fun with being the typical criminal villain surrounded by non-descript henchmen.

In the end, much credit should go to director Les Mayfield for his quick pacing and use of a variety of jokes. Again, with a movie that is basically just a rehash of many other comedies it is smart to never dabble on one topic too much and to let the actors roam free and get into their performances. The Man never becomes showy with fancy special effects or tons of big star cameos. Rather, it makes do with what it has.

Sure, there are a lot of visual gags and the infamous "fart jokes" (those don't seem to ever get old for Hollywood), but it's all in good fun and there's enough semi-clever situation humor to keep the entire thing moving. Sometimes it's even evident what is about to happen, but when it does it happens in a way that is just unexpected enough to be humorous in its absurdity. One gag involving the drop off of "some merchandise" at a crowded street corner is a nice play on the clichés of so many other movies very similar to this.

In the end, lives won't be changed because of The Man and it probably won't be as well received or as popular as something like the Wedding Crashers, but funny is funny and for an evening out at the movies a lot worse things could happen. Just look at The Cave.

Critic's Conclusion: It's not the funniest movie of the year but that doesn't mean it isn't funny at all, and what The Man lacks in originality it more than makes up for in charm mixed up with some lively performances. It's better than the TV-spots might lead you to believe, and although it's not a must see there are a million worse ways to spend a few bucks and a couple of hours.

'The Man' a limp piñata of clichéd characters, jokes and plots that begs to be hit...

The miscast Samuel L. Jackson stars as Derrick Vann, a caustic, gung ho Federal Agent who has 24 hours to recover a pile of stolen weapons and find his former partner's killers. This becomes much more challenging when the bad guys mistake salesman Andy Fiddler (Levy, also miscast) for the gun buyer. Now, Vann has to get Andy to pose as the front man in a sting operation.

The only thing that set's 'The Man' apart from any other buddy cop movie is that it wastes the most talent in less time then you can say "He's my bitch." I was planning on seeing "Emily Rose", but it was sold out, so I got stuck with this limp, unnecessary buddy cop "comedy" with not an original idea in it's mess of clichés. Both actors have real talent, but are wasted, trying to do their best with weak material. While the film does have some laughs, it's a lame movie with recycled jokes that doesn't realize it's a lame movie with recycled jokes. That's the real problem here.

Brainless movies are appreciated when they don't take themselves too seriously. 'The Man' can't be classified in this category because It does take itself too seriously, and actually begins to think it's a passable movie. If I wanted to see brainless fun, there are much better options out there. Don't waste $10 on this movie, don't even wait for it on DVD. Avoid.

The Man: D(3 from 10)

I wasn't expecting a lot from this movie other than a laugh, and it succeeded. Yes, there were dump parts to the movie, but I continued to laugh throughout the entire movie.

Samuel Jackson plays his usual tough cop wanting to solve the crime.

Eugene Levy as the salesman is very convincing. Even I wanted to tell him to shut-up! Putting the two together creates a very funny duo all the way to the final moments of the movie.

There is profanity, but Levy gives Samuel Jackson a cute lesson on how to avoid using the "F" bomb. Along with other "life" lessons that Jackson needed to be reminded of.

Great story.Great action Great acting. The reason I give it a six is because it wasn't THAT funny. It was humorous at best. This i believe is the writers fault. The dialog just wasn't good enough. Eugene had nothing to work with. He still managed to make it work somehow.Remember Splash? Samuel played great his facial expressions were masterful. I have to admit that recently I might have been spoiled by Kiss Kiss Bang Bang which had the most amazing humorous dialog. Another thing that bothered me was that it was so obviously not Detriot. You can get away with making movies in Toronto in a lot of cases. But if you want to make us believe its Detroit then you gotta mess the place up a bit more.