Às vésperas do seu casamento com o Detetive Kohei Kanzaki, a jovem Mina Saeki é assassinada por um serial killer que rouba os corações das suas vítimas. Porém, mesmo do além-vida, Mina tenta... Ler tudoÀs vésperas do seu casamento com o Detetive Kohei Kanzaki, a jovem Mina Saeki é assassinada por um serial killer que rouba os corações das suas vítimas. Porém, mesmo do além-vida, Mina tenta ajudar seu noivo na caçada ao assassino.Às vésperas do seu casamento com o Detetive Kohei Kanzaki, a jovem Mina Saeki é assassinada por um serial killer que rouba os corações das suas vítimas. Porém, mesmo do além-vida, Mina tenta ajudar seu noivo na caçada ao assassino.
- Direção
- Roteiristas
- Artistas
- Eri
- (narração)
- Sayuri Toyama
- (narração)
- Maya Ito
- (narração)
- Kazuo Kishi
- (narração)
- Editor
- (narração)
- Rei
- (narração)
- Mina Saiki
- (narração)
Avaliações em destaque
Ryuhei Kitamura, who directed the action packed Azumi, tones down the violence here, but still stages some impressive action sequences. The cast are all impressive.
But what really gets you about this movie, is the emotional content. Based on a Japanese comic book, there are twists in the story which do come as a surprise. And the love portion of the story works well, both for the detective Kohei, and his bride Mina, but also the bond between the killer, her boss (who needs the hearts for a ritual) and the boss's sick wife. Not everything is as clear cut as it would seem to appear here, and this is a refreshing change.
Although I've not read the comic book, as a movie it is very impressive, with a lot of imagination. If only writers and directors in Hollywood and the west could come up with ideas this imaginative.
This is a movie worth checking out.
Anyone familiar with Kitamura's films will recognize his style immediately. Fantastic cinematography, digitally assisted effects, hyperkenetic fights, and story lines that at best can be described as complicated. He seems to weave a mythology into most of his work, and it all seems very new and interesting.
In any case, Sky High really got to me because the world he spins here has really defined rules, and they are played to the best of their limits. We know that the death of one character will cause a chain reaction in both the living and spirit world, and that was really intriguing.
The film has flaws, to be sure. It's a little long, and sometimes you can predict what's coming next, but it's still very good. This is the kind of movie that looks good enough to have a very wide theatrical release (except for the demon at the end, what was with that?) and do well once word of mouth got around.
Anyway, highly recommended viewing. Can't wait to see what Kitumura will do with Godzilla: Final Wars.
Personally I thought Versus had a much stronger story and a better way of telling it than most of Kitamura's films (especially Azumi), but I seem to be in a minority there. I think Sky High still has weaker storytelling than Versus, simply because it is far less economical. Versus has a pretty rich universe and complex mythology, but it doesn't ram it down your throat at all - it leaves the reader (err, viewer) to put together the pieces themselves. Sky High has an even richer mythology, but does ram it down your throat a little too much. There were plenty of things that could have been left alluded to rather than being shown or explained. In fact I'm kind of glad the extended cut on the R2J special edition doesn't have subtitles, because the theatrical cut is already 2 hours and could have benefited from a little more trimming.
The action scenes certainly aren't up to the level of those in Versus, and anybody looking purely for action is sure to be disappointed. However, I thought they were better than those in Aragami even if some of the camera work and editing could have been better. The film in general had a bit of a DTV feel to it, which I guess means it was probably quite a rushed production (which would explain how it seemingly appeared out of nowhere).
The film felt like a very natural extension of the Kitamura themeology (can I use that word?). There are elements (and cast members) from Versus, The Messenger, Alive and Aragami and the sense of a continual developing of his motifs of destiny, death and rebirth... it's a very ambiguous and vague set of ideas but I find that all the more interesting I think.
Overall, it's a film with flaws (that are partly attributable to short budget/schedule and partly to Kitamura's lack of maturity as a director) but one that I found much more interesting than I expected from the reviews. Oh, some of the acting is really bad I should mention (why anybody decided giving Yumiko thingy another acting job was a good idea after Princess Blade I don't know), but on the plus side the film has an extremely high quotient of gorgeous women (oh, maybe that's why). I thought that was the unfathomably gorgeous Kanae Uotani as Rei, but she's not credited on IMDB as such - so which new incredibly gorgeous actress was it?
Anyway, I'm one of the few people that really enjoyed ALIVE as well, so if you didn't like that then don't get too excited about SKY HIGH from my recommendation :p
Você sabia?
- CuriosidadesBased on the supernatural manga of the same title written and illustrated by Tsutomu Takahashi, serialized in Shueisha's seinen manga magazine Weekly Young Jump from 2001 to 2002.
- Citações
Izuko: Welcome to the Gate of Rage. I am Izuko, Guardian of the Gate. You have died. You exist only as a spirit. To the Gate of Rage come those dead of misadventure, or murder. Here you may choose one way to proceed, out of three.
Mina: Three ways?
Izuko: One: Aceept death, ascend to Paradise, and prepare for rebirth. Two: As a ghost, forever haunt the realm of the living. And three: Curse one living person, and bring about their death. One who kills, however, falls into Hell... to suffer eternal torment.
Mina: What's all this about? What are you?
Izuko: You haven't accepted it. You were murdered.
Principais escolhas
- How long is Sky High?Fornecido pela Alexa
- What are the differences between the Theatrical Version and the Director's Cut?
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- SkyHigh
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 321.734
- Tempo de duração2 horas 2 minutos
- Cor