Rapunzel passou toda a sua vida em uma torre, mas agora que um ladrão fugitivo a tropeçou, ela está prestes a descobrir o mundo pela primeira vez e quem ela realmente é.Rapunzel passou toda a sua vida em uma torre, mas agora que um ladrão fugitivo a tropeçou, ela está prestes a descobrir o mundo pela primeira vez e quem ela realmente é.Rapunzel passou toda a sua vida em uma torre, mas agora que um ladrão fugitivo a tropeçou, ela está prestes a descobrir o mundo pela primeira vez e quem ela realmente é.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 10 vitórias e 42 indicações no total
- Rapunzel
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- Flynn Rider
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- Mother Gothel
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- Stabbington Brother
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- Captain of the Guard
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- Big Nose Thug
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- Hook Hand Thug
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- Short Thug
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- Vlad
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- Young Rapunzel
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- Guard 1
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- Guard 2
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- Guard 3
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- Additional Voices
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- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The one thing that I didn't get into was the songs (Except maybe the "Mother Knows Best" reprise). They were a little weak melodically and you won't be singing them for weeks like I do "Part of Your World" every time I watch the "Little Mermaid." However, the songs are good enough not to bring the movie down. There are so many touching scenes in this movie and you will love all of the characters by the end and have an amazing time in the process.
It is definitely worth seeing in the theater, as this is probably the prettiest computer animated movie I've seen. I just can't wait to see it in stereo!
(BTW, I'm a 30 year old male who grew up with Disney. And I feel like I'm being objective when I say this movie works as a movie and not as a movie exclusively for 10 year old girls.)
I was pleasantly surprised. Sure, there were slapstick and broad humor sure to make little kiddos laugh. But I was surprised by the sophistication as well. The screwball comedy between the hero and heroine is very well done; adults can appreciate that. The sidekicks, in particular the Max and Pascal, are hilarious. The hero and heroine are very likable and not flat. And there's a sense of sadness/wistfulness throughout the whole show that the adults will understand.
But what really is great is the animation. This is Pixar-worthy great. In fact, after a while I forgot it was CGI (which tends to be a bit stiff and crude when it comes to character animation). The human characters have that hand-drawn quality even though they're CG. In fact, they're more expressive than the hand-drawn characters in Princess and the Frog. The backgrounds are gorgeous (I can count every blade of grass). And there's an iconic scene where the kingdom rouses from darkness to light with thousands of floating lanterns -- it really is magical. It reminds me of classics such as Beauty and the Beast and Sleeping Beauty.
Best of all, the movie is not just all laughs and slapstick. It has heart too. Even the minor characters such as the King and Queen -- you can feel the emotions. And the romance is believable and not cheesy.
Like I said, I was very pleasantly surprised. It's something that is worthy of Pixar, and I'm glad to see Disney back on their game. While Princess and the Frog was a missed opportunity, Tangled is almost perfect.
I kid you not when i say this...."Tangled" is easily the best Disney Animated feature i have seen since "Aladdin".....yes, it is that good. They finally let go of trying to find something new and different and settled with what was working for them almost 20 years ago. It's a princess tale that easily falls into the same category with the classics. So wait, does that mean i'm comparing it to the likes of "Snow White" "Cinderella" and "Sleeping Beauty"? You damn right i am! Sure the storyline is cliché' and relative to other Disney classics, but it felt so good to see and feel something that helped recall your childhood. But other than those minor speed bumps, the movie is spot on. The animation is spectacular, and you would be a fool not to see it in 3D. The musical sequences didn't seem forced and were never boring. And i can almost guarantee you that it will snag the best song award at the Oscars. I'm just glad that they didn't work the story around the music, which is what a lot of animated features tend to slip up on. But this one did an amazing job of hybriding them together.
Bottom Line, ladies and gentleman, this is the Disney picture you have been waiting for. It will definitely win your heart and please audiences both young and old.
Well, tonight Disney pulled me from that depression, and help reinvigorate my belief in, well, just plain Disney.
What we have here is Rapuntzel turned on her head, with a dash of "Snow White" and "Sleeping Beauty" stirred in to keep our interest.
The film was charming, clever and witty without being too much of either. The comic timing was toned down for the young kiddies in the audience, mostly little girls and some younger boys, but the comedic aspect itself did not lose luster for this. If anything it showed just what good clever comedy was. Note Rapuntzel's improvised weapon, and how she brings it to bear on the baddies in the local tavern. Classic character sketch comedy, and I don't care if I was the only one who noticed it and was laughing. You're supposed to laugh!
The story itself regards fleeing the nest from a "Mime" like character, whose interest in our heroine is less than altruistic. The dashing rogue comes in to ground the story and keep Mandy Moore's character from running amuck and falling into despair.
All in all, even though a middle aged dude like myself is no where near the target audience, I enjoyed it immensely.
Some criticisms; the villainess seemed marginally cliché. She had the liberated 70s woman gone bad thing going on for her, but it almost seems like we may have seen this character before. Not sure, really. The horse was extremely likable, but his rider could have played more of a role. In fact the supporting cast almost seemed as if they were denied screen time so we could revel in Rapuntzel's golden locks. For all that, and even though the action did dive into classic Warner Brother's cartoon territory, "Tangled" does make a very respectable showing.
That, and it was good to hear the voice of Richard Kiel play a big galoot who turns out to be a good guy. :)
My final note is that there was a very good message for young girls at the end, and in fact anyone with some sense will have caught on to it. It's a message that won't last too long, but hopefully will serve as a reminder to those who paid attention. Remember, hair isn't everything. Regardless of color *wink*
Take the family, but, if you're the father, then please, PLEASE, do not spend countless minutes like the idiot in front of me paying for his four member family with several credit cards while the ticket taker next to him managed to whiz through four or five parties of several members each for the 7:20 showing at the Redwood City theatre on Theatre Row.
Yeah, if you're reading this, you know who you are. Stop being a putz!
Everyone else, go see and enjoy the film :)
Você sabia?
- CuriosidadesThe most expensive Disney film in the animated canon, at US$260 million.
- Erros de gravaçãoAs "Mother" stabs Eugene after he climbs the tower to rescue Rapunzel, the knife comes out clean, no blood. However, blood on the knife would likely be reason to increase the MPAA rating to a PG-13, so to keep the rating at a PG, the blood was omitted.
- Citações
Rapunzel: I've been looking out of a window for eighteen years, dreaming about what I might feel like when those lights rise in the sky. What if it's not everything I dreamed it would be?
Flynn Rider: It will be.
Rapunzel: And what if it is? What do I do then?
Flynn Rider: Well, that's the good part I guess. You get to go find a new dream.
- Cenas durante ou pós-créditosIn tribute to Pascal, the directors included a "Chameleon Babies" credit in the film's closing credits, parodying the more traditional "Production babies" credit.
- Versões alternativasAlso released in a 3D version.
- ConexõesEdited into Curtas Animados Zen: Cityscapes (2020)
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 260.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 200.821.936
- Fim de semana de estreia nos EUA e Canadá
- US$ 48.767.052
- 28 de nov. de 2010
- Faturamento bruto mundial
- US$ 591.806.017
- Tempo de duração
- 1 h 40 min(100 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1